Börjesson Perotti

@borjessonperotti

Of Energy and of Spirits - Curated group show - Vernissage 21 May, 18.00-20.00 hs.
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We are delighted to announce our upcoming exhibition Of Energy, and of Spirits, bringing together six contemporary artists in dialogue with the visionary legacy of Hilma af Klint. Conceived in resonance with the major Hilma af Klint exhibition at the Grand Palais this season, the exhibition explores spirituality, perception, memory, invisible forces, and alternative forms of knowledge through contemporary artistic practices. Featuring works by Priscilla Benyahia, Nadine Byrne, Toril Johannessen, Bella Rune, Ylva Snöfrid, and Christine Ödlund, the exhibition opens a conversation between art, mysticism, science, ritual, and the unseen.
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2 days ago
Yesterday, we had the great pleasure of hosting a presentation by the wonderful writer @idatheren on the life and work of Hilma af Klint at the gallery. On the occasion of the talk, we presented an exclusive selection of works by @annapajak , whose practice draws inspiration from Hilma af Klint’s universe, particularly through themes of spirituality, symmetry, birth and death, and the invisible connections between them. It was an inspiring moment, filled with curiosity, exchange, and creativity. And only the beginning of this kind of conversation at the gallery. Thank you @ceoria.collective for capturing this moment through your lens!
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2 days ago
As Hilma af Klint takes center stage in Paris this season, Börjesson Perotti is pleased to welcome Swedish novelist Ida Therén for a talk dedicated to the life, ideas, and legacy of the artist. Therén is the author of The Invisible Temple, a novel inspired by Hilma af Klint’s visionary universe, exploring the intersections of art, spirituality, mysticism, and hidden histories. The invitation features a work by Anna Pajak, whose practice resonates with the symbolic and spiritual dimensions of Hilma af Klint’s work. On the occasion of the talk, Börjesson Perotti will present an exclusive selection of works by the artist. Limited Spaces! RSVP at [email protected] or via DM This event is sponsored by @mereaofficial a media agency dedicated to women in the arts @idatheren @annapajak #hilmaafklint
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5 days ago
Last day at Borjesson Perotti gallery, Paris 💫 « BLOW BY_16, 2019, gum paint, 116 x 149 cm » Exhibition « A pocket in the Eye », curated by Valeria Diaz Granada and Lorraine de Thibault / With artists @sofiboni @elise__guillaume @virginie.clavereau @morgane_ely Olga Grotova @laurenjanuhowski 💫 Thanks to @valeriadiazgranada @ohmylolz @borjessonperotti
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7 days ago
WOLF RAKU enameled ceramic 60 x 20 x 16cm 📷 @tpopesco A POCKET IN THE EYE “vi el Aleph, desde todos los puntos” Jorge Luis Borges, El Aleph, 1949. Pockets are analogue places. Fragments of daily life slip into them almost absently: a coin, a card, a folded receipt, a tissue, an object kept without ceremony and found again without explanation. What gathers there rarely obeys reason alone. Things accumulate by contact, by contingency, by affect. Their presence is precise, yet their logic often remains elusive. At the center of our gaze lie these pockets, multifaceted, with porous and tender edges, within which our innermost feelings resonate—a few tears, a few laughs, and sometimes a few burns. These pockets crumple and tear allowing certain thoughts to dangle from our eyelashes, waiting for a leap, an encounter, or finally, some meaning. The exhibition moves through such liminal zones, where interiority is neither declared nor entirely disclosed, but rather perceived in partial opacity. It reveals our need to adorn this fragile connection to a world that sometimes leaves us astounded. These gestures of the intimate then become motif, fold, surface, embellishment and form. They register as gestures of care, and as forms of resistance. Ornament, within this constellation, appears less as a supplement than as a way of relating. At times it resembles a membrane, or a surface through which something passes without settling into language. Together, the works create a new territory: one made up of fragmented realities, counterpoints, echoes, and unstable proximities. They invite a slower form of attention, one in which meaning emerges through encounter, adjacency, and time. @virginie.clavereau ’s ceramics unfold layers of meaning and materiality, through glazes and textures, inviting us into a dance where what protects us and what strengthens us come face. @morgane_ely @elise__guillaume #olgagrotova Olga @laurenjanuhowski @shanta_rao ’s Looking, then, is not an act of mastery. It is an exposure to density, to proximity, to the irreducible complexity of what remains only partly legible. It wonders: what composes your pocket? @valeriadiazgranada and @ohmylolz
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19 days ago
I had the privilege of sitting with Olga and discussing this work with her. She took me on an extraordinary journey through the stories that live within it, a journey shaped by her search to understand her own roots and by the strength of the women who came before her. This painting is incredibly powerful, both for the stories it holds and for the way it conveys them through unique subtlety and depth. Every aspect of Olga’s work is intentional and this one feels like invitation to meditate and wonder. On view through May 08 at Börjesson Perotti Gallery.
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22 days ago
A sneak peek of the artworks that will be shown in our next exhibition A POCKET IN THE EYE. Curated by Lorraine de Thibault & Valeria Diaz Granada. @ohmylolz @valeriadiazgranada Hope to see all of you at our opening on March 25 from 5PM to 8PM. 1/ Lauren Januhowski, Looking In, 2021 Printed and sewn monotypes on cotton with embroidered details, 90 × 125 cm 2/ Sofía Bonilla Otoya - Contrabando (o cómo robarse una chandelier de un sueño), 2025 Several glass knobs, plastic flowers, and crystal pendants from a chandelier, placed inside a silk pillowcase and hung from an aluminum wall coat rack. 47 x 88 x 8cm 3/ Virginie Clavereau, STATUETTES PROTECTRICES, 2023, ceramic and mixed media, 100x20cm 4/ Shanta Rao, MRS ONDE ENTREPRISES, 2024, fabric, rope, metal, 390 x 205 x 76 cm 5/ Morgane Ely, Dolly Parton II, 2025, 73 x 65 x 8 cm, engraved on curved wood, inked, and painted with acrylic paint. 6/ Elise Guillaume, Eventual Horizon, 2023, Film, 4K, 5.1 sound or stereo, 9 mins, edition 2/3 and 3/3
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1 month ago
We are happy to announce our new exhibition, ‘A pocket in the eye’ curated by Lorraine de Thibault and Valeria Diaz Granada.
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1 month ago
As promised, here are some installation shots and views from our opening of the exhibition ‘Where does the body begin, Where does the world end?’. We thank everyone for all the support and interest! @exposition.sparks
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1 month ago
As Börjesson Perotti Gallery, we have had the pleasure of hosting the exhibition curated by students of ICART and art professionals of the future that brought together the emerging artists of the parisian art market. @icart_officiel @exposition.sparks As we are coming to the end of this exhibition, next up we will be sharing our sneak peaks of the installation and vernissage! We are waiting for you at Börjesson Perotti Gallery for the last day of this exhibition in which an incredibly rich and creative curatorial vision presents the new voices of the art world. At Börjesson Perotti, we are proud to support the future professionals and creatives of the art world! Artists: @serhat.tunc.art @kuwiraa @arthurlemonier @mariana.krokhmalna @daria_krokhmalna @pris.beny @adibazzz @diggsarchive
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1 month ago
J-1: accrochage final @annapajak 📍Vernissage: vendredi 6 février, 18:00–20:00 Galerie Börjesson Perotti — 3 rue Debelleyme, 75003 Paris #Vernissage #GalleryOpening #wetterlinggallery #ContemporaryArt #galerieborjessonperotti
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3 months ago
Behind the scenes : Åsa Jungnelius finalise l’installation de son œuvre à la galerie. Vernissage — 6 février Galerie Börjesson Perotti 3, rue de Belleyme, 75003 Paris #ÅsaJungnelius #GalerieBorjessonPerotti #Vernissage #Exposition #contempraryart
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3 months ago