This weekend I tried to be out in the sun as much as possible. I read the phrase on substack, āgoing full lizardā and that is the only way I want to talk about spring and summer. The only sufficient way to capture how much my face craves warm sunlight on it. The way my eyes begin to crinkle and my brows furrow as I try to read without sunglasses for too long. I did this a lot this weekend, and I only feel more alive for it.
I am slowly working my way through Aimee Nezhukumatathilās newest collection of poetry called NIGHT OWL and I am adamant that the only way a person *should read this collection is while being outside. Day or night, but sunlight or firelight. Take your pick.
Sometimes when I read poetry collections there are full poems that stand out and cause me to dogear or star the corners. And then there are also poetry collections with singular lines that are so brilliant, so clever, or so full or heart, or even imagery that the line alone is enough to just stop me. The line is enough for me to circle the whole thing and just keep coming back to it. Nezhukumatathilās collection is both of these, but it definitely tips more into the latter. Because sometimes a line is all you need.
I will say, there is one poem about the slaughtering of an elephant that caused me to underline every line. It was excessive, but I was underlining in realtime as I was reading and know I know a star to the corner would have sufficed. This poem specifically made me think about how I can sometimes get so caught up in the way poets write with attention and reverence for the natural world and her people, that I forget there is a counter balance to this awe and wonder which is a depth of angry. A kind of rage that will curse a poacher to be haunted by the ghost of those theyāve slain, that they might hear the mournful cries of an orphaned calf, that hairs might grow bristly on the bottom of their feet (and other ailments, which Nezhukumatathil does not spare the offender). What Iām trying to say, what I want you to hear is that, sometimes I forget to be a poet is to demand justice. We cannot revere beauty without being committed to protecting it in all its varied forms.
I want to wake up early and step outside.
I want to stand and breathe deeply and
do nothing else for a few moments,
and then I just want to walk.
After awhile I want to come home, brew coffee,
kiss your cheek, and sit at my desk still
while all the world is quiet.
Iāll write or Iāll read, or some combination of the two.
These are simple things, and so much more.
A bit belated, but April was a fun silly month. I read lots of graphic novels, fell in love with a new fantasy world set in the Medieval Indian Ocean, and read a few new-to-me-authors.
I canāt wait to share what May looks like soon. But for now, I hope you enjoy these š¦
Please forgive me as I share about this poetry collection again. As you can tell by the table of contents, I loved many. These are snippets. These are poems of attention, of care, and mothering. The lines that stuck out, the tagged pages Iāll come back to. This is a simple post, and Iām sorry I am leaving you the work of zooming in to read. But itās worth it, I promise.
INTERMEZZO is only the second book Iāve picked up of Rooneyās, and it happens to be my favorite. Iāll say that generally when an author is so deeply beloved and cherished, I put their books on a metaphorical shelf to sit for a while, to wait for a more quiet and calm moment to dive in. I donāt think this is because Iām skeptical of the praise and adoration an author can receive en masse, but rather, I worry I myself will put too much expectation on a book without allowing it to simply be what it is. To say the least, Iām glad I waited and that I had the chance to read alongside two friends @thecuratedreadingroom@gabrielas_goodreads š¦
#review // This is a keep for me.
INTERMEZZO is a story about two brothers grieving and the people they love. It is unconventional, frustrating, soft and filled with possibility of what can be if we are brave enough to explore outside the realm of what society might deem normal or proper.
I loved Ivan, a 22 year old chess genius whose brain sees the world differently and thus was constantly navigating how best to interact with the world (and women) around him. Rooney perfectly captured the naivety and stubbornness of youth in this character. I found the moments where we saw Ivan working something out on the page ā a past belief changed, a new pov from Margaret taken in and thus an internal shift ā to be some of my favorite. So much of his and Margaretās relationship is protected, hidden behind closed doors, as she is a decade older than him and is separated from her husband. But the town is small and thus people will talk. The moments of them in her home, in the kitchen, the small touches, their giddy playfulness and extreme openness with one another made me fell tingly inside just to witness.
Peter, the eldest brother by a decade, is a successful lawyer, academic, and charismatic man who felt very intentionally made to be the character we are most at odds with. I mean I kind of internally eye-rolled writing that. There were many times I was frustrated and angry about the way he both thought about and outwardly treated the two women he is involved with, Silvia and Naomi (the latter being closer to Ivanās age).
Cont >>
Because books are just a part of my lif Because books are just a part of my life, and there are so many little things that bring me joy. Here are just a few:
1) Typically I get my film processed digital, but I wanted to see what it would be like to get future rolls printed and have more tangible physical media. This was one of my favorite things growing up ā looking through family albums, listening to my mom of grandmother tell stories of their lives. I want to be able to do the same one day.
2a) Somewhat connected, my film camera is an old Sony I bought on eBay, and so when I saw this digital Sony for $28 (and I had credit to use at @mckayswinstonsalem ) I figured why not? I did discover it was missing a memory card and cords to connect to the computer, but hey, I think itās a worthwhile experiment.
2b) On the same front I am THRILLED about @veronicaroth ās news about coming out with a story where Tris chooses a different faction. I never read the Divergent series, but Iāve fallen in love with Rothās later works (The Curse Bearer Series). Reading this has transported me to all the angst of my teens!
3) It is so good to be reminded that you donāt need to spend loads of money to make your space feel right. I was getting a bit sad about all the grays in the apartment that make everything feel colder. But adding these window decals and being gifted this rug from a friend has honestly improved my spirits by an embarrassing amount.
4) Iāll forever be a stan of @parisreview ⨠I like how much it exposes me to artists and writers I have not delved into. There is also something about reading an interview that is very sweet, and intimate.
5) So much of being grown is simply making meals, and I find I can easily get stuck doing the same things over and over again. Iām so grateful for the inspiration of friends, I will be making both these dishes a lot this summer (a pasta salad with homemade dressing inspired by @jessdekkerreads & a tuna chickpea bowl from my friend @annalynnmcray )
āØš· thanks for reading about my little joys
Today, a poem I love by Kate Baer for this cloudy Wednesday.
In the blue eye of winter
we follow our retriever out to the back field
where she presses her nose to the ground,
tunneling snow and dirt.
Adoration of the season.
Adoration of the minute.
How simple it must be to wake up knowing
who you are, what you want.
No reason to dwell on lives
we could have lived,
stew in our personal disappointments.
Still, weāre not so different.
There isnāt much a long walk wonāt fix.
As many of you know, Iāve been slowly finding my way back to literature in all its many fiction and non-fiction forms. And with warmer and longer evenings approaching, I find myself craving a few things:
⢠The first being, the ability to step into stories that feel like stepping back in time. Stories that capture youth in all their possibilities. [Nymph, The Typing Lady]
⢠The second being, stories that capture what it means to be human. With all itās highs and lows, and our genuine need for one another if we are to ever ā I wouldnāt say āmake sense of itā ā but hold space for the unknown and not be alone. [All My Dead Cats, I Know the Ants]
⢠The third being, stories that surprise me. Stories that have twists and turns and make me question what I think is true. Stories where my assumptions could be wrong. [I Know the Ants]
⢠And lastly, stories that give me hope. [Against Breaking, All My Dead Cats, The Typing Lady]
These books felt like they fell into one or multiple categories. Now itās just deciding where I want to dive in first šŖ¶ š š± š š
Two of my favorite things: cats and books.
I read a quote this morning that said, when Iām feeling low, I look at my cats, and my courage returns. And I canāt help thinking there must be truth in this. Truth in looking at something or someone you love so deeply, and that being enough to shake you even just a little. This idea that love of a thing can make you a little more brave.
So, with that, bravery to you dear friend on this new day.
In recent years Iāve needed my reading to be an escape. Iāve required knights and heroines and friendship and cleverness and to see evil vanquished. Iāve required books that offer that hopeful truth that the universe is always trying to arc back toward love and justice. And now while I still feel that same stirring, I recognize I want to see these same themes played out in books about the world I live in. I want to read more non-fiction. And itās not just the act of reading more non-fiction that I crave, itās also the routine that this form requires of me: a routine of carving out time to offer more of my attention. And when I think of it this way, I can see itās not an issue of scarcity but perhaps a misallocation of my attention in this present moment.
There are many non-fiction titles I am eager to reach for this spring and summer, but I think the one I am most excited about it this one ā This is Also a Love Story by Sally Hayden a reporter and foreign correspondent. This collection is one where each chapter offers a different location of focus, places around the globe that have been defined by crisis whether it be war, displacement, violence, exploitation, or climate collapse to name a few. This is Also a Love Story looks at the catastrophes of these places and reexamines them through the ordinary and seemingly miraculous stories of love that Hayden encountered during her career documenting some of the darkest moments in history. I know this book is going to elicit a lot of feelings and responses from me. Iām sure Iāll encounter many heroines and see that same truth of the universe curving toward something good.
I truly cannot wait to start this one. A huge thank you to the publisher @4thestatebooks for sending me this copy, š„¹āØ out May 21 in the UK (this cover) and June 16 in the US.
Recent good things I wanted to share āØ
1. Meeting @padraigotuama was surreal. I still canāt adequately put it into words. The number of collections and poets Iāve picked up; my courage in reading more poetry, it all started with him and the Poetry Unbound podcast.
2. Finding these used treasures at @mckayswinstonsalem ā. 95 cents for Charlieās Angels! And a favorite poetry collection to gift?!
3. Iāll be thinking about Night Owl (and talking about it) for years to come. And I fell in love with Amina and her crew in this pirate adventure story.
4. Buddy reads just do something different. Getting to send voice-memos and share ideas back and forth with @thecuratedreadingroom and @gabrielas_goodreads is making this story all the more special.
5. I just want to be around flowers always, and
6. This freshly emerged cicada.