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End-of-Life Care Zines by brief. The End-of-Life Care Zines are analogue, experiential translations of our mini exploration into end-of-life and elderly care within Singapore’s heartlands. Across three chapters, these zines contemplate the often-overlooked intersections between caregiving, space, and dignity, from the invisible role of domestic helpers in end-of-life care, to the community hubs and everyday mobility aids (such as the PMA) that quietly enable autonomy in old age. Each chapter invites reflection on how these lived observations might inspire Singapore’s future designs for care and aging. Limited copies currently available this weekend at @singaporeartbookfair (31 Oct - 2 Nov 2025) at @bluetaped (booth B20). @enggeng_ @clarissaedeline @orcfull

Bluetaped Presents: Zines From the Heartlands! In conjunction with SG60, Bluetaped presents an alternate reflection on Singapore’s heartlands, not from the eyes of policy or nostalgia, but through the intimate, playful, and at times confrontational lens of 15 young designers and artists from Singapore. These are the observers, storytellers, scholars, and sometimes quiet rebels in the spaces we call home. Curated by @enggeng_ , the booth is centred around the lived and shared environments that defines Singapore’s public housing experience. Each area of the heartland corresponds to a featured zine, photo book, or printed object. Each piece of work is inspired by the artist’s lived encounter with those spaces. Find us at Singapore Art Book Fair 2025 Booth B20, Room B, Hall 1 31 Oct - 2 Nov 12-8pm New Art Museum, Whitestone Gallery @singaporeartbookfair Thank you @clarissaedeline , @zixin_chua & @isaaclimyj for the illustration

Olfactory Archives is a research book that tackles the challenge of preserving the intangible heritage of buildings in Singapore, where frequent demolition and reconstruction disrupt architectural, cultural, and historical continuity. These photographs, interviews and research are deliberate attempts to document & archive People's Park Complex before the inevitability of demolition or eviction happens in the possible near future. By engaging the olfactory senses, known for their strong connection to memory and emotions, the project offers a novel approach to conservation. The method allows for the preservation of intangible cultural aspects that traditional conservation practices often neglect, such as memories, emotions, and relationships of people that once inhabit the space. In doing so, the author attempts to extend the building's life past its physical structure. In a rapid changing urban landscape like Singapore, what would conservation of our buildings look like in the future? This version focuses specifically on People's Park Complex. The series will look into expanding to other significant buildings in Singapore. 176mmW x 250mmH 124pp Exposed binding Edition of 80 Soft Cover Translucent Book Jacket Available at Singapore Art Book Fair & bluetaped.com

In Praise of (Tropical) Shadows In Praise of (Tropical) Shadows reinterprets the sentiments expressed in Jun’ichirō Tanizaki’s In Praise of Shadows within a tropical context. In his original work, Tanizaki reflects on how the soft glow of paper lanterns, the patina of old lacquerware, and the dark interiors of tea houses evoke a quiet sense of tranquility. He emphasizes the importance of nuance, the beauty of the understated, and the acceptance of imperfection—qualities now closely associated with Japanese aesthetics. As an extension of the discourse, this journal questions what a tropical aesthetic might entail. It begins by examining our unconcious responses to the climate, gradually branching into the subtleties of tropical living through visual observations—primarily images and drawings—capturing fleeting moments and impressions. In the tropical environment, shadows emerge as refuge for the “climate oppressed”, a theme that recurs throughout the project. Rather than relying heavily on text, this project presents itself as a palette upon which a tropical aesthetic can be imagined and constructed. By @matteuw 148mmWx 210mmH 88pp Hand-Stitched Exposed Binding Edition of 50

A Sea Nomad’s Time A Sea Nomad’s Time explores how an alternate notion of time can reshape the perception of a journey to Semporna. Initially presented as a chronological account of the trip, undertaken from December 10th to 18th, 2023, the narrative gradually shifts toward a sea nomad’s sense of time, unfolding into a non-linear recount that disrupts the book’s structure. This shift invites readers to embrace the multiplicity of spaces across time. The journal weaves together immediate impressions with later reflections, enriched by encounters with sea nomads, literature, history, and the thoughts of others. Drawings, collages, and photos of models are interspersed throughout, offering glimpses of how a sea nomad might perceive space. By @matteuw 148mmWx 210mmH 84pp Hand-Stitched Exposed Binding Edition of 50

Refuse is a dumpster diving, craft and sustainability book that explores the creative potential of discarded materials found in Singapore’s HDB estates. Drawing from research on dumpster diving, the book reimagines bulky refuse as a resource for design, offering techniques for breaking down and repurposing waste. Through photography and process-driven examples, Refuse challenges societal stigmas around waste and encourages readers to embrace sustainable practices by turning everyday trash into opportunities for creative expression. This version focuses specifically on dining chair as the bulky refuse. 125mmW x 210mmH 240pp Exposed binding Softcover ISBN 978-981-94-0998-3 Available at Singapore Art Book Fair & bluetaped.com

In May 2024, Xinyi and Glen invited Zixin and I on a spontaneous cycling trip at East Coast Park. There was no set destination, just the familiar worn stretch of path winding towards Satay by the Bay. As we rode, I found myself trailing behind, camera in one hand, handlebars in the other, looking through a small viewfinder and capturing fleeting moments as they passed. Hundreds of faces blurred by in the opposite direction, brief encounters etched only in the frame of my lens. This zine is the result of that experiment, one-handed cycling, and photography on the move. 125mm x 141mm 52pages Edition of 30 Thanks @zixin_chua for the illustration❤️

Sticker Etiquette is a zine that explores the subtle art of sticker bombing, a form of street expression that thrives in Japan’s urban spaces. Documenting my summer 2023 visit, it captures how artists transform everyday materials—postal labels, reflective decals, and “Hello, my name is” tags—into personal, ephemeral statements that renegotiate the relationship between art and public space. Through a series of photographs, the zine documents the transient nature of this overlooked street art. 50 unique graffiti tag was hand drawn onto“Hello my name is” stickers by @orcfull . The stickers are then stuck on the cover page of the zine. Alistair decided that “Mr Wong” was a great tag name for me. 120mm x 85mm 48 Pages Edition of 50 Selling at Singapore Art Book Fair 2024.

Leap Objects Leap Objects explores the rare phenomenon of leap years through everyday objects — grocery items marked with the expiry date of 29 February 2024. Collected from local supermarkets in Singapore, these artifacts offer a glimpse into time’s quiet anomalies, turning the mundane into subtle relics. A reminder of the unpredictable rhythms that shape our world, this zine invites people to pause, observe, and appreciate the rare moments that slip through the cracks of time. E Ian Siew 29/2 SGD 92mmW x 92mmH 28pp Binder Clipped Edition of 29

Golden Mile Complex is a photographic zine captured in the months prior to its official closure. They serve as a deliberate attempt to document and archive the building in its raw state before it undergoes restoration and redevelopment. At the time of documentation, the complex was still bustling with it’s usual activity with familiar sights, sounds and smells. However, many tenants and residents had also began to move out - leaving their flats and shops empty. Many shops had sections of the word “GOLDEN MILE COMPLEX” cut from a piece of red duct tape and stuck on their locked doors. A confirmation that the unit’s tenant had permanently vacated. Golden Mile Complex will be available for purchase at @singaporeartbookfair at @bluetaped - Booth A90 and ! Link in bio. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ A5 / 148 x 210 mm 82 Pages Softcover Perfect Bound #goldenmilecomplex #zine #bluetaped #architecture

On 3rd March 2023, a tree fell across Tiong Bahru Road, completely blocking all traffic and damaging nearby structures. The incident, likely caused by heavy rains and strong winds, showed the vulnerability of trees within urban environments like Singapore and the impact they can have on infrastructure when they fall. This incident sparked an unusual fascination with fallen trees, leading to an exploration of how urban areas manage the risks posed by aging or weakened trees. The zine documents this incident alongside instances of tree pruning and tree removal, reflecting on how cities like Singapore balance nature and development. Tree Fall Down will be available for purchase at @singaporeartbookfair at @bluetaped - Booth A90 and ! ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ A5 / 148 x 210 mm 80 Pages Softcover Perfect Bound #treefalldown #zine

63 Minutes Inside Pearl Bank is a visual documentation of Pearl Bank Apartments, an iconic residential complex in Singapore. Captured a year and a half prior to demolishment. This zine features a chronological series of images taken within a span of 63 minutes, when I explored the building in the middle of 2017. The photographs provide a unique view into typically inaccessible areas of the structure, capturing the architectural details and atmosphere of the building. The zine serves as a record for those interested in urban exploration, architecture, and the evolving landscape of Singapore’s housing. Goodbye Pearl Bank. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ A5 / 148 x 210 mm 66 Pages Softcover Perfect Bound ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ #pearlbankapartments #singaporearchitecture