b a adeyemo

Back to basics.. testing the quality of the line using various tools. #printmaking #collage

An invitation to the exhibition In Each Other’s Keeping Artists: Bukki A Adeyemo, Niamh Hannaford, Yen-Chao Lin @ba_adeyemo @niamh_hannaford @yenchao.lynx In Each Other’s Keeping puts on display our relation to others: the network, the social fabric, the woven solidarity between artists, the mutual aid, and ultimately, friendship. The making of the exhibition is a form of collaborative hive-building, while the making of the works consists of gestures of touch and care, where the material bears witness to the artist’s hands. * Bukki A Adeyemo is a Nigerian British multidisciplinary artist with a deep interest in examining the residues of human experience by mapping traces of presence, displacement and absence - reflecting the transient nature of memory and identity. Working predominantly with mixed media, Adeyemo is drawn to the act of deconstruction - stretching objects and concepts to the limit, materially and metaphorically, allowing vulnerability to be seen and felt in the process. Niamh Hannaford is an Irish artist whose practice is formed by an obsession with materials and their cloaked values. Her work unfolds slowly, though building considered collections. By (re)assembling these materials she creates sculptures which are precariously held together by subtle text, forms of language, and playful scatterings. Echoing the resilient potential of repetitious effort as - a breath - a stretch - a break - for those tense of body. Yen-Chao Lin is a Taipei-born Montreal-based artist. Having grown up in a multifaith family, she is interested in spirituality, divination arts, and alchemy. A natural history enthusiast and an avid collector, she gathers specimens of mineral, botanical, and industrial origins, investigating material history, objecthood, and folklore. Her practice incorporates various craft techniques, such as vitreous enameling, metalsmithing, and glass; culminating in installations, sculptures, and experimental films * Private View 04.24 6-8pm Exhibition 04.25 12-4pm 04.26 12-4pm 31 Peckham Road SE5 8UB #205 corner of Havil & Peckham

Symphony II... My submission @chelseaartsclubtrust Auction now on... all for a great cause. Closes on 10 April... #auctionforcharity #auctionforacause

Eyeing up resources... (when they want what you've got and will go to any lengths to get what they dont want you to have...)

How it began... 'Symphony II' in the making. A response to the brief 'Your round'. Auction now on to support two charities - Chelsea Arts Club Trust @chelseaartsclubtrust and the Artists General Benevolent Institution @agbi_1814 Please visit /chelseaartsclubcharityauction2026 for more details

The Complicit Oak Tree, 2026. I was asked in a tutorial a few months ago if I understood my interest in the oak tree. I didn't until recently when it dawned on me that under many, my ancestors were hung and their bodies burned... So, I owe it to my ancestors to continue to tell a history that some parts of the world would rather it remained hidden... #genocide #inmemory

How do i bring you into my presence with @justinehounam and @samshawpainter @bothgalleryldn 323 Archway Road London N6 5AA

Untiled, 2026 Finding alternative ways to create and stage my practice... #sound #installation

Weight off my feet, 2026 #leanback #takeabreak #sculpture #slade #installation

Untiled, 2026 Ink on used blotting paper I spent my first term @sladeschool making inks. This pile of drawings is some of the result. UCL's @materialresearchproject is one of the reasons I wanted to come to the Slade. I am now a month into my second term and curious to see where i go next (I suspect it will include natural latex, linen, and rabbit skin glue...). #drawing ##inkmaking #marksleftbehind

'When a chair looks like a chair but is not really a chair' #conceptartist #conceptualart #sculpture #chair