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amy fang ᵕ̈

@az.fang

@yaleschoolofart ‘26, nyc
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Weeks posts
this weekend, T’s women’s fashion issue is out in print, marking the 28th (!!!) and final issue I’ve worked on since 2021. here are some favorites — favorite shoot, favorite spreads, favorite covers — from over the years, all produced by the crazy talented people I got to call my team … one last thanks for taking me under your wing @hanyayanagihara @patrickli__ @katsu_fan , was a dream ♥ !!
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1 year ago
𝓈𝓉𝓇𝒾𝓅𝓉𝑒𝒶𝓈𝑒 (2025) Nylon fabric, silicone, rusted steel, stainless steel specimen pins Dimensions variable * * * * Photo documentation by @humanbeef , bts of some #WIP work made this past spring—a series of objects that exist in between states of being: neither garment nor skin, insect nor human, structurally fixed in place while tearing and changing over time.
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11 months ago
Hand-lettered invitations for @hermes Met Gala dinner held last night, inspired by the history behind the venue 🤍 * * * #papersarchive
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1 year ago
Installation views of 𝘭𝘪𝘧𝘵 𝘮𝘦 𝘵𝘰 𝘵𝘩𝘦 𝘸𝘪𝘯𝘥𝘰𝘸 Dimensions variable Stainless steel, inkjet prints on archival paper, borosilicate glass 2026 (Documentation photos by @pomonadoobie ) 𝘭𝘪𝘧𝘵 𝘮𝘦 𝘵𝘰 𝘵𝘩𝘦 𝘸𝘪𝘯𝘥𝘰𝘸 takes its title from the final pages of Theresa Hak Kyung Cha’s 𝘋𝘪𝘤𝘵𝘦𝘦, a passage where the author asks to be shown the world. Here, open books evoke the bound body, offering only partial disclosures via delicate hand-spun glass droplets and images that bleed through from concealed interiors. Having spent the last year within print archives across Europe, Asia, and the U.S., I’ve been reflecting on fragile carriers of memory, what exists between the desire to hold and the inevitability of loss. As I’m still processing this last year, just wanted to give credit where credit is due: so so much gratitude to my thesis advisors this year (Nontsi, Riley, Pouya), who have let me meander in the work when needed; the librarians and archivists I’ve encountered across the way who have influenced this project; to the people who helped with developing my material knowledge over these past two years (Julia, Cat, Daryl, Preston, and of course Jason @jdavolidesign who helped create the steel armatures behind this work); my dear friends both old and new. <3
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3 days ago
Happy to have recently been included in the group exhibition For the Time Being @royalbeefgallery , where 16 artists loosely explore the idea of provisionality, casualness and contingency. Curated by Ming Chen @minqchen , Agnes Lin @shmagness , Rebecca Holt, and special thanks to friends who helped with the display <3 📸: @jackscrash uncaught (in promise)
2025 Corrugated plastic, image transfer, silicone, paste 15”x32” Textures culled from the gaze of a CCTV camera, embedded into discarded materials. I began watching live footage from this specific location a year ago, in moments before sleep and upon waking; with only hazy fragments coming in and out of focus, the captured images become ghostly, painterly.
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2 months ago
detail, install shots (rotate to view), work-in-progress piece that began from stories told to me in prato, italy this summer. i’ve found that steel blushes like skin, flowering into soft blue bruises. 6’ x 1’ x 2” documentation photos by @patgarciajr_ 📸
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4 months ago
Next Sunday, I’ll be hosting a workshop at Available Works, as part of @chachafestival ’s reading room. Would love to see old friends, meet new faces, host everyone in a space where we can relax and make work together! ~ ~ ~ Experimental Lettering: Drawing as Writing, Writing as Drawing Sunday, October 12 from 3-4p.m. 180 Maiden Lane New York This workshop draws inspiration from the layered process of Chinese ink wash landscapes to imagine new letterforms. With ink, tea leaves, stones, and flowers, we’ll “write” together and take home a collective alphabet made through drawing, stamping, and collage. Free with RSVP (will put a link up in my bio), see you there 💙
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7 months ago
𝓈𝓉𝓇𝒾𝓅𝓉𝑒𝒶𝓈𝑒 (2025), close-up details Nylon fabric, silicone, rusted steel, stainless steel specimen pins Dimensions variable Photography by Chen Xiangyun @humanbeef
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11 months ago
💌
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1 year ago
some sketches in charcoal, paper and metal for the first semester of grad school, special thanks to @gabriellanbaez for collaborating and @hanajelovsek for documenting 🩶
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1 year ago
Surrogate is an artist book as pregnancy journal which weaves together over a decade of work with progress of a 52 week performance project. Lauren Lee McCarthy offers her body to carry someone else’s baby while they monitor and control her with an app. For nine months they decide what she eats, what she does, what thoughts she meditates on — holding complete control over the body in which their baby is growing. As Roe v. Wade is overturned and gene editing opens entirely new reproductive futures, this project asks: How much control should we have over a birthing person’s body, and over a life before it begins?⁠ Editor: Clark Buckner Book Designer: Amy Fang Typeface: New Edge 666 by @charlotte__rohde Design Assistant: Uma Das O’Toole Copyeditors: Sarah Dohrmann, Chelly Jin, Wylie Kasai Printer: Typecraft Publisher: Telematic Media Arts
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1 year ago
snippets from teaching this past year <3 on digital aesthetics, Internet art, how care and criticality take shape (online, offline)… This mini community based around web design felt very dear to me — thank you most of all to Prin Limphongpand @prinraxyl (who has always believed in my silly little teaching endeavors), Jake Pfahl, and my students, who were the best part of this whole process. It’s been real…! *** Slide 1: Guest lecturer Betty Wang @studiobettywang in the classroom. Slide 2: Select web-based works by Parsons sophomore students. Slide 3: A classbook designed and bound by Moe Ebii @moeebii , with notes from each student, as a gift from the class at the end of the school year.
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1 year ago