In mid-March, a little over a month before last week’s public opening of the new
@fondazionedriesvannoten in Venice,
@ad_italia convened a dozen of the artists and collaborators whose work is on view in the Fondazione’s inaugural presentation, The Only True Protest is Beauty. It was the first time many in the group had been inside the Palazzo Pisani Moretta and it was a treat to be with them all in that first flush of excitement. Paris-based French designer
@wendyandreu and I chatted about the pleasure and power of in-person gatherings in this fractious, inhumane moment. The London-based Palestinian fashion designer Ayham Hassan and I spoke about his pieces, which honor the long legacy of Palestinian weaving and embroidery and are installed in conversation with work by
@commesdesgarcons and Christian
@lacroixofficial . We all marveled at the immense beauty of the setting and generosity of Van Noten and his partner in life and work, Patrick Vangheluwe. (Their Airedale terrier, Scott, joined the group portrait, too.) Huge thank you to Dries Van Noten and Patrick Vangheluwe, to the artists and gallerists who traveled to Venice for the portrait, and to Giulia Castelli of
@gc_agency and her team.
You can read my story online now and in the May editions of AD Italia (May 12),
@archdigest ,
@ad_magazine ,
@ad_spain , and
@ad_germany when the issues arrive on newsstands.
📸 Alessandro Timpanaro,
@aletimpa . Pictured, clockwise from top left:
@xaviermanosa ,
@isaacmonte.nl ,
@driesvannoten , Mario Codognato, Cristina Codognato, Pao Hui Kao,
@lsendino ,
@kaorikurihara.ceramique , Roberto Beltrami,
@armand__louis ,
@anncarringtonart ,
@ayham_hassan_99 , and
@wendyandreu