ardea.berlin

We’re starting the month of June with a fantastic performance: Noelia Sinkunas’s quartet. Together with Carolina Rodríguez on violin, Nacho Santos on bandoneon and Cristian Basto on double bass, the argentine pianist and composer Noelia Sinkunas will be presenting her last album „Unión y perseverancia“, where she proposes a dialogue between tango, chamamé and improvisation, seeking to expand -and even challenge- the limits of Argentine popular music. And to kick things off, we’ll start the night with a set by me, alongside the incredible Chris Sergeant on bass, piano, and guitar, and Leo Gerstner on drums. Amazing musicians, amazing people. A real pleasure to be able to share some music with them. Nos vemos ahí? Tuesday 2.06 Rotbart @rotbart_rixdorf (Böhmische Str.43, 12055) Doors: 8pm / Concert: 8:30pm Ticket: suggested price - 10-15€ ABOUT NOELIA SINKUNAS Noelia Sinkunas is an acclaimed Argentine pianist, composer, and producer known for her innovative blend of tango and chamamé with contemporary styles. She won the 2023 Gardel Award for her album “Salve” and recently released her fourth album, “Unión y Perseverancia,” featuring collaborations with prominent musicians such as Mocchi, Ricardo Mollo, Leo García, Alex Musatov, Milagros Caliva and Nana Arguen. Noelia has performed solo across Latin America and Europe, captivating audiences in countries like France, Switzerland, Spain, Italy, and the Netherlands, where she participated in the prestigious “Pianoduo Festival in Amsterdam.” Her 2024 tour included memorable moments such as closing the 27th edition of the Sonorama Ribera Festival in Spain with Ysy A, and performances at the Auditorio Nacional Sodre in Uruguay with Mocchi, as well as notable events in Santiago de Chile and Bogotá with Electronic Octect Piazzolla conducted by Nico Sorin. Intérpretes: Noelia Sinkunas quartet @noeliasinkunas @carorodri23 @nach.santos @bastocristian Belén Marinato trio @belen.marinato @sergeant593 @leo.gerstner Production: @ardea.berlin Photo flyer: @rubenpinedachilliph

🟩🟩🟩🟩 Last tuesday we had our last live session of the 2026 line up 🤯 Since months we had been inviting different FLINTA artist for exploring themes of identity, migration, and collectivity through sound and image as forms of resistance. The closing was a deep live set by @kerunein KAREN CHALCO who explored the limits of sound and noise through programming and improvisation. We are still vibing her frequencies 🛸🛸🛸🛸 🫂Thank you so much to our community for sharing this events once per month, opening the conversation around sound, machines and experimentation. Special thanks to our team that made this project possible from the beggining: Direction, project management, production: Marcela Villanueva (@realmarce @sorora_ev sorora e.V., @karnekunst ) Programm, production: Belén Marinato (@belen.marinato , @ardea.berlin ) Communication & Social Media: Florencia Ondona (@mariaflorenciaondona ) Photos: PJ (@savel.nokupalugar ) Technical and production assistant: Rocio Martínez (@ro.m.oon ) Graphic Design: Leila Gabard (@heeeylyla ) Set-Design: Tereza Yakovyna (@yak_tereza ) 𝘙𝘈𝘋𝘈Я 𝘌𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘢𝘭 𝘪𝘴 𝘢 𝘉𝘦𝘳𝘭𝘪𝘯-𝘣𝘢𝘴𝘦𝘥 𝘱𝘳𝘰𝘫𝘦𝘤𝘵 𝘣𝘺 𝘚𝘰𝘳𝘰𝘳𝘢 𝘦.𝘝., 𝘴𝘶𝘱𝘱𝘰𝘳𝘵𝘦𝘥 𝘣𝘺 𝘔𝘶𝘴𝘪𝘬𝘧𝘰𝘯𝘥𝘴 𝘦.𝘝., 𝘪𝘯 𝘤𝘰𝘭𝘭𝘢𝘣𝘰𝘳𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩 𝘉𝘢𝘳𝘥𝘰 𝘗𝘳𝘰𝘫𝘦𝘬𝘵𝘳𝘢𝘶𝘮, 𝘈𝘳𝘥𝘦𝘢, 𝘢𝘯𝘥 𝘒𝘢𝘳𝘯𝘦 𝘒𝘶𝘯𝘴𝘵 Let’s keep connected! 🔊📡

Making Waves #20 What if the voice on the other side of the phone was someone reading you a poem? In a time marked by displacement, violence, and war, how can we speak of lives so often reduced to their suffering? This edition brings together visual artist Hoda Afshar and poet Ghayath Almdahoun, whose practices turn to poetry and beauty as a means of restoring presence, dignity, and complexity to the dehumanized body. Moving between language and image, they ask: why a poem? What can it hold that other forms cannot? And why do we continue to place our trust in the poet? Hoda Afshar will present two of her video works, „Undone“ and an excerpt from „Remain“, alongside a poetry reading by Ghayath Almdahoun featuring his poem „If We Lived in a Virtual World“. The session will be followed by a conversation between the two artists, reflecting on the role of poetic language in confronting injustice, and on beauty not as escape but as a form of resistance; one that insists on humanity where it is most denied. The discussion will also open onto questions of collectivity and solidarity, exploring how shared practices and entangled experiences might help us navigate, resist, and make sense of the systems of violence shaping our world. Poster image: Hoda Afshar „Undone“ (video still) (Bios in comment below)

📡🚨🚨LAST TRANSMISSION🚨🚨📡 Since September 2025, FLINTA artists from different parts of the world based in Berlin have passed through RADAR, leaving us deep frequencies, melodies, voices, and experimental sounds: pure experimentation, identity and presence. This TUESDAY 14th APRIL we are reaching the last session of this cycle with @kerunein 📆14TH APRIL 20HS 📌Jessnerstraße 33, 10247 Berlin @bardo_projektraum ///// MEET THE ARTIST # KAREN CHALCO Karen Chalco is a sound improviser who is constantly learning, exploring noise and freely experimenting with DIY electronic circuits, soundscape recordings and free software programming. 🔊What she shared with us about her sound research: “Fragments of wandering recordings slipping through unstable spaces, altering interstices and merging with persistent vibrations — at times sustained as transfigured noise, drifting across thresholds between intention, dispersion, and deviation”. We invite everyone who has been part of this journey — our extended sound community — to gather and celebrate this closing through experimental sound ✊🏽🎉 TICKETS IN BIO! 𝘙𝘈𝘋𝘈Я 𝘌𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘢𝘭 𝘪𝘴 𝘢 𝘉𝘦𝘳𝘭𝘪𝘯-𝘣𝘢𝘴𝘦𝘥 𝘱𝘳𝘰𝘫𝘦𝘤𝘵 𝘣𝘺 𝘚𝘰𝘳𝘰𝘳𝘢 𝘦.𝘝., 𝘴𝘶𝘱𝘱𝘰𝘳𝘵𝘦𝘥 𝘣𝘺 𝘔𝘶𝘴𝘪𝘬𝘧𝘰𝘯𝘥𝘴 𝘦.𝘝., 𝘪𝘯 𝘤𝘰𝘭𝘭𝘢𝘣𝘰𝘳𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩 𝘉𝘢𝘳𝘥𝘰 𝘗𝘳𝘰𝘫𝘦𝘬𝘵𝘳𝘢𝘶𝘮, 𝘈𝘳𝘥𝘦𝘢, 𝘢𝘯𝘥 𝘒𝘢𝘳𝘯𝘦 𝘒𝘶𝘯𝘴𝘵. @sorora_ev @musikfonds.de @bardo_projektraum @ardea.berlin @karnekunst #experimentalmusic #berlin #soundart #contemporarymusic

📢🟩📢SAVE THE DATE! THE LAST LIVE SESSION OF OUR LINE UP IS ARRIVING 📢🟩📢 🔊 Since September 2025, once per month, RADAЯ had invited FLINTA artists around the world exploring themes of identity, migration, and collectivity through sound and image as forms of resistance. This 14th April, we want you to be part of this powerful closing with KAREN CHALCO @kerunein ➡️Karen Chalco is a sound improviser who is constantly learning, exploring noise and freely experimenting with DIY electronic circuits, soundscape recordings and free software programming. 🟩🟩🟩RADAЯ transforms the concert space into a sonic laboratory, where unconventional instruments, digital processing, and performative acts, blur the lines between music and performance 🟩🟩🟩 🗓️14TH ABRIL 2025, BERLIN 📍Location Bardo Projektraum, Jessnerstraße 33, 10247 Berlin 🎟️TICKETS ONLINE by Eventbrite ♿️Accessibility Measures of the Event: * The venue is wheelchair accessible via a portable ramp. * We provide sound blockers for guests who are sound-sensitive or need moments of quiet. * Puffs and soft seating are available upon request for those who require physical rest or additional comfort. * If you have specific access needs, please approach our team – we’re here to support you. See you there! 👋 𝘙𝘈𝘋𝘈Я 𝘌𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘢𝘭 𝘪𝘴 𝘢 𝘉𝘦𝘳𝘭𝘪𝘯-𝘣𝘢𝘴𝘦𝘥 𝘱𝘳𝘰𝘫𝘦𝘤𝘵 𝘣𝘺 𝘚𝘰𝘳𝘰𝘳𝘢 𝘦.𝘝., 𝘴𝘶𝘱𝘱𝘰𝘳𝘵𝘦𝘥 𝘣𝘺 𝘔𝘶𝘴𝘪𝘬𝘧𝘰𝘯𝘥𝘴 𝘦.𝘝., 𝘪𝘯 𝘤𝘰𝘭𝘭𝘢𝘣𝘰𝘳𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩 𝘉𝘢𝘳𝘥𝘰 𝘗𝘳𝘰𝘫𝘦𝘬𝘵𝘳𝘢𝘶𝘮, 𝘈𝘳𝘥𝘦𝘢, 𝘢𝘯𝘥 𝘒𝘢𝘳𝘯𝘦 𝘒𝘶𝘯𝘴𝘵.

Last Tuesday we received @golsana.cello at @bardo_projektraum and these are some memories captured by the eye of @pj.studi0 🔊Golsana Shenasaei presented the performance “Memory is a Place, Memory is a Time”, a deep experience through sounds and memories. In this magical evening, the artist mixed her classical instrument with digital processing and electronic explorations. 🫂Thank you everyone for coming, being close and creating community through electronic and experimental arts. Our project brings together FLINTA artists exploring themes of identity, migration, and collectivity through sound and image as forms of resistance. 𝘙𝘈𝘋𝘈Я 𝘌𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘢𝘭 𝘪𝘴 𝘢 𝘉𝘦𝘳𝘭𝘪𝘯-𝘣𝘢𝘴𝘦𝘥 𝘱𝘳𝘰𝘫𝘦𝘤𝘵 𝘣𝘺 @sorora_ev 𝘴𝘶𝘱𝘱𝘰𝘳𝘵𝘦𝘥 𝘣𝘺 @musikfonds.de 𝘪𝘯 𝘤𝘰𝘭𝘭𝘢𝘣𝘰𝘳𝘢𝘵𝘪𝘰𝘯 𝘸 @ardea.berlin and @karnekunst 𝘙𝘈𝘋𝘈Я is possible thanks to this amazing team: Direction, project management, production: Marcela Villanueva (@realmarce ) Programm, production: Belén Marinato (@belen.marinato , @ardea.berlin ) Communication & Social Media: Florencia Ondona (@mariaflorenciaondona ) Photos: PJ (@savel.nokupalugar ) Technical and production assistant: Rocio Martínez (@ro.m.oon ) Graphic Design: Leila Gabard (@heeeylyla ) Set-Design: Tereza Yakovyna (@yak_tereza ) 🚨🚨🚨LAST LIVE SESSION is 14th April STAY TUNNED 🚨🚨🚨

✨Two more days until the Li Beirut fundraiser in @spore.initiative ✨ PLEASE SHARE Join us on the 26th of March (this Thursday) from 18:00 for a program of film, poetry, and music! Vendors will be there with their gorgeous offerings, and @cedreblancberlin has taken care of our menu for the evening. All funds raised that night will go to @association.makani @egnalegna and @syrianeyesteam . Eternal thanks to our vendors, contributors, artists, and volunteers for making this happen! Your generosity and support mean everything. Missing tags: @sipsberlin @cafe_arakil @cedreblancberlin @jaramachtsachen @badapples.catering @assila.beer @familienfuerpalaestina @jose_illustration Vendors: if you are not tagged or mentioned, and if you are not yet in our orga chat group, please DM me. With gratitude and in solidarity, see you Thursday! ❤️✊🏽

On April 7 at @rotbart_rixdorf we have a double bill: @florenciaruizmusica will perform alongside daxophonist, guitarist, and improviser @Kazuhisa Uchihashi. @gustavoobligado will open the show with a solo set. 7.04 20:00 (Doors) / 20:30 (concert) Böhmische str. 43,12055 Berlín See you there. ✨ Bios Florencia Ruiz is an Argentinian music creator of a special and unique world, blending
rock, experimentation, and pop. With 16 albums to her name,
including solo works and collaborations, she has embarked on 10
tours in Japan. She has toured in Portugal, France, Spain, Berlín, NYV, Cuba, Mexico, Chile, and Uruguay. She has collaborated with renowned musicians such as Mono Fontana, Hugo Fattoruso, Leo Masliah, Quique Sinesi and
Fernando Cabrera. Kazuhisa Uchihashi (b. Osaka, Japan, 1959) plays guitar and daxophone. Since 1983 he has played free improvised music. He experimented with different kinds of machines and sound-devices to expand the expression possibilities of the electric guitar.He made a name for himself in Japan in concerts with such improvising musicians as Hans Reichel, Fred Frith,Tom Cora, Ned Rothenberg, Barre Phillips, Kan Tae Fwan, Peter Brötzmann, Derek Bailey, and others. Gustavo Obligado (b. 1990, Buenos Aires) is a Berlin-based musician, composer, and improviser. He works with saxophones, clarinets, samplers, and electronics, blending experimental music, noise, and improvisation. He has released solo albums including Phenomenas (2017) and Ulúlofono (2021), performed across Europe, South and North America, and Asia, and runs La Mona de Oro, an independent label and festival platform. About solo set  In his solo set, Gustavo Obligado plays saxophone with a real-time sampler/sequencer, using both live recordings and samples of the instrument, along with effect pedals, extended techniques, and preparations. This combination expands the sonic possibilities of the saxophone, creating atmospheric compositions where the instrument merges with electronic textures. The sonic landscapes explored in these compositions are titled phenomenas, ephemeral manifestations aimed at capturing the complexity of the wind.

There are artists who, if you leave them in an empty room with just a chair and a microphone, work their magic. @florenciaruizmusica is one of them. 💫 On April 4, she’ll be performing a selection of songs from several of her albums, as a solo artist. Before the concert, we’ll chat about a few things we’re not going to tell you now (but if you come, you’ll find out). The talk will last approximately 20 minutes and will be in Spanish. But if needed, we’ll try to do a sort of freestyle translation. Just ask—what have you got to loose? In summary: April 4 8:00–8:30 p.m. @bardo_projektraum (Jessnerstr. 33, 10247) Admission: €8 (reduced) / €12 (regular) *Reduced price: students, seniors, beneficiaries of social assistance. See you there. 📷 Nora Lezano

🔊MEET GOLSANA SHENASAEI 🔊 @golsana.cello is a classically trained cellist with over 12 years of experience performing in orchestras, theaters, and festivals. She has collaborated with renowned ensembles such as the Tehran Philharmonic Orchestra, Austro-Iranian Symphony Orchestra (AISO), Nilper Symphonic Orchestra, and Tehran Contemporary. 🎧In recent years, she has expanded her creative focus toward sonic exploration and field recording. By incorporating live looping, unconventional sound sources, and digital processing, she experiments with sound and shapes sonic narratives. Her performance “Memory is a Place, Memory is a Time” is a live electroacoustic performance that explores how sound shapes our sense of place and our memory of time. Using collected field recordings, cello, recorder flute, electronics, and spoken word, the performance unfolds in a series of sonic fragments. Each section draws from a different urban environment. “These locations become more than settings—they become layers, memories and time capsules. The performer responds to these sounds live, creating a dialogue between presence and absence”. 24TH MARCH 2025 20 HS 📍Location Bardo Projektraum, Jessnerstraße 33, 10247 Berlin 🎟️TICKETS ONLINE by Eventbrite 🔺RADAR Experimental brings together FLINTA artists exploring themes of identity, migration, and collectivity through sound and image as forms of resistance. 𝘙𝘈𝘋𝘈Я 𝘌𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘢𝘭 𝘪𝘴 𝘢 𝘉𝘦𝘳𝘭𝘪𝘯-𝘣𝘢𝘴𝘦𝘥 𝘱𝘳𝘰𝘫𝘦𝘤𝘵 𝘣𝘺 𝘚𝘰𝘳𝘰𝘳𝘢 𝘦.𝘝., 𝘴𝘶𝘱𝘱𝘰𝘳𝘵𝘦𝘥 𝘣𝘺 𝘔𝘶𝘴𝘪𝘬𝘧𝘰𝘯𝘥𝘴 𝘦.𝘝., 𝘪𝘯 𝘤𝘰𝘭𝘭𝘢𝘣𝘰𝘳𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩 𝘉𝘢𝘳𝘥𝘰 𝘗𝘳𝘰𝘫𝘦𝘬𝘵𝘳𝘢𝘶𝘮, 𝘈𝘳𝘥𝘦𝘢, 𝘢𝘯𝘥 𝘒𝘢𝘳𝘯𝘦 𝘒𝘶𝘯𝘴𝘵. #chello #liveperformance #contemporaryart #experimentalsound #berlin

TALLER INTENSIVO DE COMPOSICIÓN DE CANCIONES Dictado por Florencia Ruiz (en español) 3.04.2026 I @bardo_projektraum Descripción: El taller será un encuentro de 3 horas dividido en dos bloques. En la primera parte se analizarán piezas de la música popular latinoamericana haciendo foco en el rock Argentino para generar consignas de composición, entender modos, caminos. En la segunda parte de trabajará sobre las ideas, piezas o canciones que les participantes envíen previamente (por ejemplo, grabaciones de celular). Se abordarán propuestas melódicas, armónicas, de acompañamiento, ritmo, forma y letra, construyendo entre todos y avanzando sobre cada obra. No hace falta tener conocimientos de lenguaje musical, simplemente ganas de entrar en el mundo de la canción IMPORTANTE: traer instrumento (en caso de querer mostrar en vivo y no a través de una grabación). 3.04.2026 Horario: 17 a 20hs Lugar: Bardo Projektraum Precio: €20,00 Idioma: español Inscripción y consultas a [email protected] Soundtrack: La forma del viento, de Florencia Ruiz. Foto: Nora Lezano #cancion #cantautoras #musicaargentina

We’re working hard behind the scenes to put together a very special evening, a celebration of Lebanon, a community gathering to help support @egnalegna @association.makani and @syrianeyesteam during this time of violence, destruction, and displacement by the expansionist project to the south. We are honored to be joined by these supremely talented and big hearted musicians and artists: @b.list.cities @anwaaralnour @dsahinmusic @cosmolautaro and @ebaamonther ❤️‍🔥❤️‍🔥❤️‍🔥 Please mark your calendars and join us in @spore.initiative on the 26th of March, from 18:00 to 22:00. More details will follow.