Anton Janizewski

Buchpräsentation Warm, Kalt und Sehnsucht Ferdinand Dölberg & Jan Koslowski 07.06.2026, 16 Uhr Lesung & Präsentation der Werke aus dem Buch. Es lesen: Mark Tumba, Banafshe Hourmazdi, Brigitte Cuvelier, Jan Koslowski & Ferdinand Dölberg. Musik: Ali Atari Accidental Interest Books & Anton Janizewski Weydingerstraße 10, 10178 Berlin — Book presentation Warm, Kalt und Sehnsucht Ferdinand Dölberg & Jan Koslowski 07.06.2026, 4 pm Reading & presentation of the works included in the book. Readings by: Mark Tumba, Banafshe Hourmazdi, Brigitte Cuvelier, Jan Koslowski & Ferdinand Dölberg. Music: Ali Atari Accidental Interest Books & Anton Janizewski Weydingerstraße 10, 10178 Berlin @ferdinanddoelberg @kos_lowsky @accidentalinterestbooks @mund.hiro @banafshehourmazdi @a.tari2600 #ferdinanddoelberg #jankoslowski #accidentalinterestbooks #antonjanizewski #warmkaltundsehnsucht

“With Dead Flips (2026), Chung turns explicitly to the question of currency. More than 200 Euro coins, cast in transparent resin, are inserted into slits in the gallery wall – as if suspended mid-action, caught in the moment of being fed into a vending machine. Each coin reveals both sides simultaneously, collapsing the binary of heads and tails into a continuous surface. Replicated yet immobilised, they evoke a system of exchange that has stalled. In an increasingly cashless society, where transactions become abstract and contactless, the coin persists as a form of “hard” currency – tangible, weighty and tied to the gesture of insertion. Here, however, that gesture leads nowhere. The promise of access is deferred, held in suspension. Value is both present and inoperative.” - Carina Bukuts Jiyoon Chung’s solo exhibition “Dead End” is currently on view at the gallery until June 6, 2026! Jiyoon Chung Dead Flips 2026 Paint, wood, urethane resin 120 x 142 cm, ⌀23,25 x 2,4 mm each Photos by Julian Blum @exhibitiondocumentation @fearwillfollowyou #jiyoonchung #deadend #antonjanizewski #euro #deadflips

We‘re happy to share installation views of Rebekka Benzenberg‘s current solo exhibition „They longing for an Ancient Tragedy“ at Kunstmuseum Mühlheim! „Violence, aggression, and the symbolic dismantling of female bodies run like a common thread through Benzenberg’s work. Medusas, witch masks, masks of shame, and classic symbols of power such as fur are part of her artistic arsenal. From these motifs, she develops works that oscillate between the defamation of femininity and strategies of female empowerment. Mythological and art-historically charged motifs are not merely cited but dissected. Benzenberg lays bare their symbolic function and reveals how deeply misogynistic images are inscribed in cultural narratives, and how tenaciously certain images persist from antiquity to the present day. The exhibition is conceived as an attack on these continuities. The visual politics of power and its symbols form the starting point and focal point of the presentation.“ Rebekka Benzenberg They Longing for an Ancient Tragedy Kunstmuseum Mühlheim 26.04. - 13.09.26 Copyright: Helena Grebe, Stadt Mühlheim an der Ruhr. @rebekka.benzenberg @kunstmuseum_mh #rebekkabenzenberg #kunstmuseummühlheimanderruhr #antonjanizewski

We are happy to share the latest Tagesspiegel article on Jiyoon Chung’s current solo exhibition “Dead End”! It was written by Lisa Maria Scharf. Thank you Lisa for this great article! “Dead End” is on view until June 6, 2026. Photo by Julian Blum @exhibitiondocumentation @fearwillfollowyou @tagesspiegel #jiyoonchung #deadend #antonjanizewski

Today is Marc Henry’s birthday! Happy birthday dear Marc! What better day to share the amazing news of the publication of Marc Henry’s first expansive catalogue, titled “Marc Henry. The Early Works”! The catalogue comprises one hundred selected works by Marc Henry. Richly illustrated in color, the works are accompanied by texts from a diverse range of writers, artists, art critics and art historians - many of which are also close friends of the gallery. With a month left until Liste Art Fair Basel, the catalogue is the perfect guide to get an understanding of Marc Henry’s artistic work process in order to be well prepared for new works of his! It will soon also be available at the gallery. The catalogue was published by Malelingue Edizioni, Milan. It was funded by Galerie Kandlhofer, Vienna. Congratulations to Lisa Kandlhofer, Delfina Pattacini and Gaddo Amunni for this amazing publication! Due to the list’s length you can find the authors in the comment section. Images by: Jana Perusich @jolnd @marc___henry @malelingueedizioni @galerie.kandlhofer @lisa_kandlhofer @delfi.patt @gaddoamunni #marchenry #antonjanizewski

Today is already the final day of Gallery Weekend Berlin 2026! Thank you for all of the amazing feedback and attention Jiyoon Chung’s solo exhibition has received so far! The gallery is open until 6 pm. You can find the exhibition text by Carina Bukuts and further documentation material on our website. Jiyoon Chung Untitled 2026 Stainless steel, LED tubes, plastic 287 x 286 x 20 cm, base: 200 x 200 Photo by Julian Blum @exhibitiondocumentation @fearwillfollowyou @galleryweekendberlin #jiyoonchung #deadend #galleryweekendberlin #antonjanizewski

Works by Nicholas Warburg are currently on view as part of the group exhibition “Deutsch!” At Kunstmuseum Heidenheim! “When a museum of contemporary art organizes an exhibition entitled ‘Deutsch!’, it may seem provocative at first. However, the aim of the exhibition is not to be German-bashing or to confirm cliché-laden images. Rather, in the subtext, the exclamation mark should be understood as a question mark and a space for discussion should be created. To this end, the exhibition brings together works by artists who, each in their own way, deal with the history and motifs associated with Germany or challenge national stereotypes.
The focus of the selection of works is specifically on a material level. Can the history or even the essence of a country be read from concrete objects or materials and their attribution?” “Deutsch!” was curated by Marco Hompes. The exhibition is on view until May 31, 2026. Nicholas Warburg Sein und Zeit Uhr 74x69x9 cm pyrographed wood slice, clock Photo by Michael Lüder @nicholaswarburg @kunstmuseumheidenheim @marco.hompes #nicholaswarburg #kunstmuseumheidenheim #antonjanizewski

We’re delighted to share the first installation view of Jiyoon Chung’s upcoming solo exhibition “Dead End”! The exhibition opens tomorrow evening, May 1, on the occasion of Gallery Weekend Berlin 2026. Please join us from 6-9 pm to celebrate both the opening and Gallery Weekend Berlin - we look forward to welcoming you! “Historically, a ‘dead end’ names a spatial condition - a street that leads nowhere, a passage cut short. Over time, the term has come to describe something less tangible yet equally pervasive: a sense of arrested movement, of directions that fail to open. In Jiyoon Chung’s exhibition at Anton Janizewski, this slippage between physical obstruction and psychological state becomes a point of departure.” - Carina Bukuts Special opening hours during Gallery Weekend Berlin 2026: Friday, May 1, 6-9 pm Saturday, May 2, 11 am - 6 pm Sunday, May 3, 11 am - 6 pm Photo by Julian Blum @exhibitiondocumentation @fearwillfollowyou @galleryweekendberlin #jiyoonchung #deadend #galleryweekendberlin #antonjanizewski

Only six days left until Gallery Weekend Berlin 2026 and the opening of Jiyoon Chung‘s solo exhibition „Dead End“! We are happy to be part of the new sector PERSPECTIVES, which spotlights the diversity of Berlin‘s gallery scene through a rotating, curated selection of galleries invited each year to present distinct artistic positions. Jiyoon Chung Dead End Opening: May 1, 6-9 pm May 2 - June 6, 2026 From front to back: Jiyoon Chung, 
Hyperreal, 1.0 2026
Epoxy resin, graffiti extracted with solvent 79 x 101 x 10 cm Jiyoon Chung, 
Hyperreal, 0.0 2026
Epoxy resin, distilled water 79 x 101 x 10 cm Photos by Brian Kure. @fearwillfollowyou @galleryweekendberlin #jiyoonchung #deadend #galleryweekendberlin #antonjanizewski

Rebekka Benzenberg‘s first institutional solo exhibition „They Longing for an Ancient Tragedy“ at Kunstmuseum Mühlheim opens this Saturday, April 25, 2026, at 5 pm! The exhibition is curated by Dr. Stefanie Zanon (Kreuzer). „In her artistic exploration of the history of misogyny, Benzenberg draws on motifs charged by mythology and art history and lays them bare: as symbols, as vehicles for attributions, as social explosives. In her first institutional solo exhibition, she unambiguously focuses on the many faces of misogyny—and on how deeply they are inscribed in public space. She identifies misogyny as structural violence—materialized in public space, perpetuated in images, and reinforced by history.“ Rebekka Benzenberg Peace will come and with it sleep 2025 Worbla, UV resin, epoxy resin, glass fibre fabric, woven fabric, satin fabric, king-size duvet, sheet, feather down pillow, spring mattress, aluminium frame 200 x 100 x 160 cm Photo by @exhibitiondocumentation @rebekka.benzenberg @kunstmuseum_mh #rebekkabenzenberg #kunstmuseummühlheimanderruhr #antonjanizewski

Today is the final day of Art Düsseldorf 2026! You can find us at booth no. D09, presenting works by Ferdinand Dölberg, Jonas Höschl, and Alice Z Jones. The fair is open until 6 pm. We look forward to welcoming you! Ferdinand Dölberg Die Bewegung setzt früher ein als ihr Anlass 2026 Charcoal, pigments on canvas, rotating modules 142 x 116 x 30 cm Jonas Höschl Sofort verfügbar (Das Kapital) 7 2026 Digital print on paper, framed 42 x 29,7 cm (print), 44 x 32 cm (framed) Edition of 3 + 1 AP Alice Z Jones Over the Other Shoulder (SN H0pe) 2026 Chalk, pencil, pigment dye, rust and salt on cotton blend fabric, framed 53 x 45 cm @artduesseldorf @ferdinanddoelberg @jonashoeschl @alicezjones #artduesseldorf #ferdinanddoelberg #jonashoeschl #alicezjones #antonjanizewski

We‘re delighted to announce the great news that Jonas Höschl‘s work „80 Portraits: 73 Männer, 7 Frauen“ has been acquired by the Kunstpalast Düsseldorf following the friends of the Kunstpalast patron‘s acquisition tour at Art Düsseldorf! Many thanks to the patrons and the directors of the Kunstpalast collection, Linda Conze and Felicity Korn! Jonas Höschl‘s work was first presented at Anton Janizewski as part of the group exhibition „Gentle Reminder“ back in 2023. Although the slide projector may seem reminiscent of watching old vacation pictures at family gatherings, Höschl collected these images online from anti-fascist research networks, where they serve a clear purpose: to map the neo-Nazi scene, document its key figures, and warn activists of potential attacks. In their current configuration, they are stripped of their context and function. They evoke the medium of photography itself: normally, the photographers of these portraits are far removed from their subjects, and only rarely is the gaze returned. Jonas Höschl 80 Porträts: 73 Männer, 7 Frauen 2023 80 slides, carousel slide projector Dimensions variable Photo by Choreo @choreo.info @jonashoeschl @kunstpalast @freundedeskunstpalastes @artduesseldorf artdüsseldorf #jonashoeschl #kunstpalast #freundedeskunstpalastes #artduesseldorf #antonjanizewski