Clay, Metal, Gemstones and Horsehair - all my favorites ✨
In this photo, you can see a few pieces that really embody what I’m about: earthy textures, sacred horsehair, and vintage and rare stones often combined with freshwater pearls🐚🌕
🫶Anna
Happy Full Moon✨
✨🌟🔨🤍I’ve been renting my little part of the Scintillant studio for over 5 years now, sharing this space with over 20 artists in the heart of the historic San Francisco neighborhood- the Mission. So grateful for this space to create!
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San Francisco and Bay Area beauties come visit me💛studio visits are available by appointment✨always here to make all your jewelry dreams come true 💎
Photo by the amazing @nicolemorrisonphoto
This Spring I came upon a lot of vintage shells at a local scrap yard and new capsule collection launched @the_livingarchive_ at San Francisco Art Fair last week🐚✨collection was so well received that I decided to add a few more pieces for my next show - ARTWEAR @deyoungmuseum May 8th and 9th 🤍 come play with jewels and collect your own piece of wearable art🧜
photos on @mralfonsogilmore by @paige.bt@the_livingarchive_ styled by @theflippside with @cyuaka garment.
One set of perfectly mismatched earrings - a million ways to wear 🤍🐚✨‼️ The Strata.
I designed this set to be lightweight, wearable, and effortlessly striking.
I personally curate four types of pearls per pair, making each unique and xtra special. Their mobile-style movement catches the light perfectly with every turn, adding a subtle dimension to your look✨
Secure your pair online before I raise my prices by 20% next week! Thank you as always, for your support of my small creative atelier🤍🤍🤍
Xx,
Anna
Another meaningful commission completed ✨
This magical, organic ring was handcrafted in 14K gold and designed around a cherished heirloom diamond, thoughtfully reclaimed from an older piece of jewelry and given new life. The stone carries its own history, now reimagined within a custom sculptural setting as if shaped slowly by the heat and time of the Earth itself 💫☄️both ancient and modern.
Creating pieces like this is always a reminder that jewelry holds memory. It evolves with us, transforming across generations while preserving the stories we choose to carry forward.❤️🔥
Grateful to my client for the trust, the collaboration, and the opportunity to continue to bring deeply personal commissions to life.
If you’ve been thinking about transforming a meaningful stone or creating a future heirloom, my 2026 commission calendar is beginning to fill. Reach out via DM or through my website to start the conversation.🕊️
#AnnaMonetStudio #HeirloomRedesign #SustainableLuxury #ModernHeirloom #MadeInSanFrancisco
Introducing my latest design - a precious metal cage for your Oura ring. A refusal to let technology flatten our style🌞
This piece reclaims the device as something personal, wrapped in metal, set with upcycled stones, every step of the way shaped by human hand. What’s typically uniform and homogeneous becomes expressive again. What tracks the body is allowed to carry memory, taste, and intention✨
I believe the individual taste, your point of view, your history is more essential than ever. In a world where technology tends to homogenize us, personalization becomes a quiet form of resistance. Maybe it’s a heirloom stone from the past, a fragment that holds meaning only to you, or a material that simply feels right.
This is about honoring your individuality and signature style. About letting the objects we wear speak back.
Contact me for a custom order, together we will create your unique wearable tech enhancement💌
Video by @iseegems
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#WearableArt #ouraring #JewelryAsArt #MaterialCulture #wearabletech
This year in the studio was about returning to fundamentals, exploration of new mediums, refining process with clay, and deepening my material expertise.
Across objects, collections, and spatial ideas, the focus stayed consistent: favoring natural materials, and slow making that acknowledges its impact. The work became a way to test how art and design can act as tangible references to future landscapes grounded in responsibility, ethics, and connection to the natural world.
Alongside the making were moments of community and friendship, conversations in studios, shared tables, exhibition days, and the quiet support that sustains creative work. These exchanges shaped the work as much as the materials themselves.
Closing the year rooted and grateful for the people, places, and processes that carried it forward, and committed to creating art and design that honors the land it comes from and the full cycle of the future it enters.
Wishing you a beautiful and inspiring New Year my friends🤍✨thank you for sticking with me through this wild ride.
Xo,
Anna
Feeling called to share my year in looks. One for each month + a bonus at the end because I went to the MET Gala for designers this year🦋
I love clothes and how they make me feel✨each piece has potential to be an expression of vitality, beauty, love. Let me know which one is your favorite 😘
Officially unearthing ~𝓕𝓤𝓣𝓤𝓡𝓔 𝓕𝓞𝓢𝓢𝓘𝓛~ Drop Part I✨
The latest collection examines the legacy of our digital age by imagining the biomorphic shapes of outdated and disposed technology as artifacts of the future. Each piece pairs reclaimed tech forms in sterling silver and hand-selected freshwater pearls shifting their meaning from disposable to enduring.
Pearls hold a dual significance here: historically symbols of tears in Victorian culture they are naturally formed through a regenerative process symbolizing protection and healing. Pearls intentionally ground the jewelry objects in nature’s slower timeline.
The collection invites one to consider permanence, material culture, and how nature continues to interact and transform what we leave behind.
Orbital Relic Collar and Reclamation Ring are now online. Limited quantities are available to ship before Xmas🤍
This collection means a lot to me and I hope you love it as much as I do✨
Xx,
Anna
Marrakesh, Yves Saint Laurent Foundation 💫 last month, we were fortunate to experience Marrakesh from our home base on Rue Yves Saint Laurent, neighboring one of my new favorite modern buildings in Marrakesh. Visiting the neighborhood and reading more about the building addition and its integration into the cultural and historic landscape was truly fascinating and I wanted to share it with you.
Since I started on my interior design and architecture journey a few years ago, I find that unmistakably I am drawn to the same themes I always am in other art and design practices I partake in. It is craft, ancestral knowledge, and a sense of deep connection to its place with emphasis on preservation and environmental practices.
What it has to do with the YSL building, you may ask? We’ll read on…
First, when you approach the foundation, you’d notice that the building doesn’t sit on the ground - it meets it. The curved façade lands gently onto the sidewalk, almost folding into the terrain.
The exterior, made from brick formed with local earth, reads like a woven textile - dense but breathable, tuned to the rhythm of the light.
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Inside, the palette quiets. Raw plaster, terrazzo with local clay and repurposed minerals, matte tile, and stone flooring absorb heat and soften sound. It’s a space designed to hold you with care and beauty.
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Then, color - bright moments of stained glass begin to appear. Cooler tones filter through the openings in the East , warmer ones through the West, echoing the principles of sacred architecture. They don’t decorate. They adjust the atmosphere, shifting our senses.
The cherry on top is the café uniforms - color tones pulled from the same stained glass, connecting people in motion to the static architecture.
It’s a space that reminds: the most powerful design doesn’t compete with its surroundings. It listens.
