This work is included in ‘Boundless’ on view at the new Hollis Taggart Downtown location until June 21. Featuring the work of ten artists whose compositions embrace the limitless vocabulary of abstraction, Boundless is a meditation on freedom of form, gesture, and perception. Curated by Paul Efstathiou, Director of Hollis Taggart Downtown, the exhibition will showcase the work of gallery artists, André Hemer, Dana James, and Osamu Kobayashi as well as Elizabeth Abel, Chellis Baird, Katherine Boxall, Joanne Greenbaum, Margaux Ogden, Matt Phillips, and Kelly Worman. Congrats to @paulefstathiou@eleanorflatow@hollis.taggart for the expansion! @hollistaggartdowntown@hollistaggart
Pictured: Moving Pictures (Botanics Study Tuesday, Sicily), 2025. Acrylic, oil, and pigment on canvas, 40 x 30cm.
#painting #contemporarypainting #contemporaryart #boundless #andrehemer #hemer #paint #hollistaggart #newyorkexhibitions
Thrilled to have a review of my recent New York exhibition ‘Troposphere’ in the latest edition of ArtForum @artforum - available in print and online. Thanks to @darrenjonescritic for the thoughtful and considered words and to @hollistaggart for making the exhibition happen! #troposphere #artforum #hollistaggart #newyork #newyorkexhibition #andrehemer #artreview #paint #painting #contemporarypainting #contemporaryart
Last days to catch 𝓣𝓮𝓬𝓱𝓷𝓸 𝓓𝓻𝓮𝓪𝓶𝓲𝓷𝓰 at Ames Yavuz @amesyavuz —Thanks to everyone in Sydney who came out to see the show and the whole gallery team. And an extra big thanks to architect Gakkú Jumaniyasova @vltreg for her work in conceptualising some of the generative play and countless algorithms that form the show.
Photography (portrait): Leonhard Hilzensauer
Photography (installation): Josh Raymond
#painting #technodreaming #contemporaryart #contemporarypainting #andrehemer #amesyavuz #sydneyexhibitions #generativepainting #generativeart #aicontemporaryart #painter
I have works showing in two hemispheres 🌎🌏 this week, with group shows at Gow Langsford Gallery in Auckland and as part of the LUIS DE JESUS LOS ANGELES presentation at the Dallas Art Fair @dallasartfair
Works pictured:
Perpetual Sky (Milano), 2026. Oil, Acrylic, 3D filaments, Pigment on canvas. 40 x 30 cm. Courtesy Gow Langsford Gallery, Auckland @gowlangsford
Phenomena (Sicily, April 17, 14:18 CEST), 2022. Acrylic and pigment on canvas
64 x 47 in (162.6 x 119.4 cm). Courtesy LUIS DE JESUS LOS ANGELES @luisdejesuslosangeles
#andrehemer #perpetualsky #gowlangsfordgallery #luisdejesuslosangeles #dallasartfair
Installation views from ‘Moving Pictures’ at Kristin Hjellegjerde Gallery, West Palm Beach. On view until September 13, 2025.
“Grounded in his personal archive of plein-air digital recordings of flowers, ferns and skies, Hemer’s paintings are thriving Baroque worlds, informed by a shapeshifting process that moves between traditional painterly approaches and algorithmic and digital translations.
These paintings embrace the space between the real and the imagined; capturing lush floral landscapes across locations in Sicily, Côte d’Azur, and Madrid, that are then amalgamated with the false naturalism of forms that have been ‘dreamt’ by custom built generative AI tools. The resulting paintings are akin to moving pictures, each painting representing a frame in motion between these two worlds.”
#andrehemer #painting #contemporarypainting #contemporaryart #movingpictures #botanics #painter #abstraction #abstractpainting #westpalmbeach
#kristinhjellegjerdegallery
#contemporaryabstraction #abstraction #kunst #newzealandpainters #newzealandpainter #newzealandpainting #hemer #andrehemer #postinternetpainting #postmaterialism #imageobject
COMING SOON! André Hemer’s salon exhibition at our West Palm Beach Gallery previews on the 22nd of May!
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André Hemer (b. 1981, New Zealand) maintains an artistic practice which explores the intersections between digital media and painting. He received his PhD in Painting from the Sydney College of the Arts, University of Sydney, Australia in 2015 and his MA from the University of Canterbury, New Zealand in 2006, including a Postgraduate Research Residency at the Royal College of Art, London (2006). His work embraces and reveals the transformations and transactions that occur between the contemporary digital image and the traditional painted object. He has exhibited widely and is represented internationally by Kristin Hjellegjerde Gallery; LUIS DE JESUS LOS ANGELES in the United States; Yavuz Gallery in South-East Asia; Gow Langsford Gallery in Auckland, New Zealand and Bartley and Company in Wellington, New Zealand.
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Moving Pictures (Botanics, Côte d’Azur), 2025•Acrylic and pigment on canvas•180 x 130 cm 70 7/8 x 52 1/8 in
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#andrehemer #kristinhjellegjerdegallery #khgallery #painting #newzealandartist #westpalmbeach
One of my favourite little paintings of recent times, showing at a wonderful group show in London opening tomorrow at @hurstcontemporary curated by @thomoosterhofprojects and featuring @inagerken@_samuelbassett@jcha_artac@juliabennett___
Preview 6-8pm Thursday 24 Apr 2025 and running until Wednesday 28 May 2025
18 Percy Street, W1T 1DX, London
Moving Pictures (Botanics Study #1, Côte d’Azur), 2025. Acrylic and pigment on canvas, 40 x 30cm. Courtesy of @kristinhjellegjerdegallery@kristinhjellegjerde
#painting #contemporarypainting #athirdhand #hurstcontemporary #londonexhibition #newzealandpainting #abstractpainting #movingpictures #andrehemer #hemer #cotedazurfrance #paintings
Artist spotlight for our upcoming exhibition:
A Third Hand
24 April - 28 May
Andre Hemer | b. 1981
Using the physical as a departure point (paint, sculpture, natural materials), Hemer then creates his own compositions using various digital processes involving AI, computational modelling and generative techniques. Hemer explores the merging of human perception with technological visuality, transporting the viewer in a realm that feels both familiar and unfamiliar.
For further information and enquiries please contact the gallery [email protected] or visit our website
Excited to share a detail of a new work being shown in Dallas this week at @dallasartfair with @hollistaggart at booth G4. Preview vernissage: Thursday, April 10
5–9PM.
Work info: Moving Pictures (Botanics, Côte d’Azur), 2025. Acrylic and pigment on canvas, 47 x 35”/ 120 x 90cm.
#dallasartfair #andrehemer #hollistaggart #painting #contemporarypainting #contemporaryart #movingpictures #botanics #cotedazur #dallasart #painter #abstraction #abstractpainting #dallasartfair2025
It’s the final week to see ‘Sunrise of Fog and Dreams’ at @gowlangsford
Pictured here: a detail of Sunset of Fog and Dreams #6, 2024. Acrylic on canvas. 120 x 90cm.
Photography:
Installation images: Sam Hartnett
Paintings: @l.hilzensauer
#painting #sunsets #sunsetsoffoganddreams #contemporaryart #contemporarypainting #gowlangsford #gowlangsfordgallery #andrehemer #aucklandexhibitions#generativepainting #generativeart #aicontemporaryart #painter
Sunrise of Fog and Dreams opened last week at @gowlangsford and runs through November 23.
Thanks to everyone who came out for the preview and also the conversation last week between myself and the amazing Reuben Paterson @reuben_paterson
Image: installation view and detail of Sunset of Fog and Dreams #1, 2024. Acrylic on canvas.
Photography:
Installation images: Sam Harnett
Paintings: @l.hilzensauer
#painting #sunsets #sunsetsoffoganddreams #contemporaryart #contemporarypainting #gowlangsford #gowlangsfordgallery #andrehemer #aucklandexhibitions#generativepainting #generativeart #aicontemporaryart #painter
𝓣𝓮𝓬𝓱𝓷𝓸 𝓓𝓻𝓮𝓪𝓶𝓲𝓷𝓰 at Ames Yavuz @amesyavuz was conceptualised in conjunction with architect Gakkú Jumaniyasova. A long form conversation took place between us in August of which an edited interview was published to illuminate the processes and concepts behind the new body of work. An extract from the conversation below:
GJ: So, the beginning of your process is always very physical. You start from things that physically exist, and take data out of them. Through photogrammetry and tools that extrapolate the volume of an object, you’re making its digital twin. It then goes through different digital processes that involve AI, computational modelling, generative modelling. And finally, it becomes a physical, painted work.
AH: It’s really important to note that there is never really an end form to anything. The form is something that can be recirculated back into the process, it’s cyclical. I think the big sea-change of the last ten to twenty years in artistic and visual media is that the hierarchy of the original form has really been diminished and exploded. It’s the reason that I like painting; it has these basic parameters that are always known and understood. You can refer to painting as a postcard of the moment of perception of that particular idea or image.
Image: Techno Dreaming #3, 2024. Acrylic and pigment on canvas, 150 x 110cm
Photography: Josh Raymond
#painting #technodreaming #contemporaryart #contemporarypainting #andrehemer #amesyavuz #sydneyexhibitions #generativepainting #generativeart #aicontemporaryart #painter
