Anders Herwald Ruhwald

@andersruhwald

Chicago | Detroit | Copenhagen Andersens (Cph) | Moran Moran (L.A) | Officine Saffi (Milano) | Volume (Chicago) @unit1_3583dubois
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Weeks posts
@AndersRuhwald solo exhibition 𝘼𝙡𝙠𝙖𝙡𝙞 𝙎𝙝𝙞𝙛𝙩 is on view at Louis Buhl & Co. through May 16th! For the new series of work, Ruhwald developed an array of lithium-based glazes used across the sculptures.⁠ ⁠ 𝘼𝙡𝙠𝙖𝙡𝙞 𝙎𝙝𝙞𝙛𝙩 brings together a group of sculptural works that examine materiality, transformation, and the environmental implications embedded in contemporary production.⁠ ⁠ The title 𝘼𝙡𝙠𝙖𝙡𝙞 𝙎𝙝𝙞𝙛𝙩 references lithium’s classification as an alkali metal, and points to processes of chemical and environmental change. Ruhwald invites viewers to reflect on how these material realities shape both our environment and our understanding of it.⁠ ⁠ DM for more details!⁠ ⁠ #AndersHerwaldRuhwald #LouisBuhl
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1 month ago
Object for Ferns is currently showing as part of “Earth is our Common Ground” @bornholmskunstmuseum @lauramottcurator writes: The growing plants gradually envelop the ceramic forms, creating an evolving relationship between static sculptural elements and dynamic organic matter. Ruhwald views this vegetative growth as serving dual purposes: the plants function as kinetic components that animate the sculptures while simultaneously establishing a reciprocal relationship with their caretakers. This dependency becomes especially pronounced with indoor installations of the works, where the plants’ survival depends entirely on human intervention—watering, maintenance, and ongoing care. For Ruhwald, this fragility is intentional, embedding mutual responsibility into the artwork’s existence. The sculpture’s presence in the world becomes inseparable from the commitment of those who tend to it. Ruhwald increasingly conceives of the human body not as separate from nature, minerals, and organic matter, but as part of an ongoing continuum…. In Bornholm, he is collaborating with a fern specialist to incorporate a wide variety of these ancient, non-flowering plants—among the oldest species on Earth. The choice of ferns carries both formal and conceptual weight. Selecting something ubiquitous to the region and placing it within the heightened awareness of a gallery or museum setting creates a perceptual shift. This recontextualization exposes the plant’s fragility and emphasizes the reciprocal relationship between artwork and caretaker. Increasingly, Ruhwald considers care as a central theme, particularly as environmental concerns become more prominent in his practice, including his lithium works. He views this development as building a relationship between the audience and broader ecological questions. Ruhwald questions how we exist in the world and the pressures humanity faces as a species that has fundamentally altered the natural environment—an environment that will, in turn, reshape us. The show closes April 12th —————————————— Object for Ferns Glazed ceramic and ferns 70h x 80w x 51d in 177h x 203w x 130d cm 2025 Photo: Anders Sune Berg
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2 months ago
I am delighted to announce that “The Earth is Our Common Ground” is now open @bornholmskunstmuseum . It is the most extensive museum presentation of my work in Denmark so far and includes sculptures created over the last five years, spanning three of the museum’s beautiful galleries. The exhibition will be on view until mid-April 2026. An extensive catalog will be available from the museum late next week, featuring a comprehensive collection of images of the installation shot by Anders Sune Berg.
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5 months ago
Detroit A few of the new works currently showing @louisbuhl For the new series of work, Ruhwald developed an array of lithium-based glazes used across the sculptures. By incorporating lithium directly into the surfaces of the works, the artist highlights the material’s dual role: as a key component in the transition to renewable energy, and as a resource whose extraction carries significant environmental costs. Rather than offering a resolution to this contradiction, the sculptures hold these opposing realities in view, placing the aesthetic experience within the larger systems of mining, production, and consumption that shape contemporary life. In doing so, Ruhwald seeks to expand the visual vocabulary through which pollution and resource mining are represented, moving beyond a documentary approach to embed these concerns within the material and surface of the work itself. The show will run to May 16th
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23 days ago
@AndersRuhwald solo exhibition 𝘼𝙡𝙠𝙖𝙡𝙞 𝙎𝙝𝙞𝙛𝙩 is on view at Louis Buhl & Co. through May 16th! For the new series of work, Ruhwald developed an array of lithium-based glazes used across the sculptures.⁠ ⁠ 𝘼𝙡𝙠𝙖𝙡𝙞 𝙎𝙝𝙞𝙛𝙩 brings together a group of sculptural works that examine materiality, transformation, and the environmental implications embedded in contemporary production.⁠ ⁠ #AndersHerwaldRuhwald #LouisBuhl
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1 month ago
Bornholm We are heading into the last week of “The Earth is our Common Ground” @bornholmskunstmuseum If you happen to find yourself on Bornholm this weekend, I will be at the museum this Saturday for the concert at 2 pm featuring Sam Mumford and Anja Lillemæhlum, which also concludes the wonderful programming the museum has built around the exhibition and included conversations and lectures on topics as diverse as Ferns, Henry Thoreau, and Lithium Mining. It has been a true pleasure to exhibit at this beautiful museum, and I will remain forever thankful to all the amazing staff at the museum and especially Museum Director Tine Nygaard, who has taken it upon herself to reintroduce my work to Denmark through this exhibition and the ambitious acquisition of five works to the museums collection, generously supported by @nycarlsbergfondet I am so glad we have a beautiful catalog to document the show as it was. Some are still available from the store. DM me if you have trouble ordering from the museum website/ it’s difficult to do from outside the Daneland. I hope to see some of you there this weekend. And come have a drink with me at the amazing @strandhotellet.dk I’ll be somewhere between the sauna and the bar! Photos by Anders Sune Berg
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1 month ago
I will be giving a talk about the Unit 1: 3583 Dubois installation as part of the NCECA conference in Rooms 410 A–B Friday, 1:00–1:30 PM/ET. @unit1_3583dubois @nceca
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1 month ago
@AndersRuhwald ’s 𝘼𝙡𝙠𝙖𝙡𝙞 𝙎𝙝𝙞𝙛𝙩 opens tomorrow at @LouisBuhl ! The artist reception will take place on Saturday, March 28, from 11AM–1PM, featuring a talk with Ruhwald, moderated by Robin K. Williams (@UMMAmuseum ), joined by @SarahBlausteinStudio & @Christy_Matson . ⁠ ⁠ For the new series of work, Ruhwald developed an array of lithium-based glazes used across the sculptures. ⁠ ⁠ Highlights include “The Way of Water,” an installation created using diluted blue paint evoking natural flow, and “Rain Mound,” a large sculpture where cobalt-rich glaze oozes over a magnesium-based crawl glaze, contrasting the effects of drought and erosion. The exhibition also includes ten new sculptures in the center of the gallery. ⁠ ⁠ RSVP for the reception at the link in bio!⁠
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1 month ago
Detroit. A busy week is coming up in the city. On Thursday we will hold a special re-opening of @unit1_3583dubois from 5-8 pm Friday, I will be giving a talk about the Unit 1: 3583 Dubois installation as part of the NCECA conference in Rooms 410 A–B Friday, 1:00–1:30 PM/ET. Saturday, I will open a new solo show called Alkali Shift @louisbuhl from 11am-1pm During the opening, I will be giving a talk with @christy_matson and @sarahblausteinstudio moderated by curator Robin Williams from @ummamuseum starting at 11.15 am. The show @louisbuhl will be open Wednesday to Saturday from 12-6pm @unit1_3583dubois will be open Thursday from 12-8pm, Friday from 10am-5pm and Saturday from 10am-2 pm I look forward to seeing some of you out there! ———————————————- Above: 1 & 3: L12 Glazed ceramic 21x10x7 in 55x25x17 in 2025 2,4,6,8,9,10 Interior views Unit 1: 3583 Dubois 5&7: L15 21x1x7.5 in 53x25x19 cm 2026
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1 month ago
@AndersRuhwald 's "L14," part of his upcoming exhibition, 𝘼𝙡𝙠𝙖𝙡𝙞 𝙎𝙝𝙞𝙛𝙩, opening on March 26, with an artist reception on March 28, 2026 at Louis Buhl & Co.⁠ as part of @nceca . The title 𝘼𝙡𝙠𝙖𝙡𝙞 𝙎𝙝𝙞𝙛𝙩 references lithium’s classification as an alkali metal, and points to processes of chemical and environmental change. ⁠ ⁠ The opening reception will take place from 11 AM–1 PM, featuring an artist talk moderated by Robin K. Williams, curator at @UMMAmuseum , with Ruhwald, joined by artists @SarahBlausteinStudio and @Christy_Matson , who will be opening an exhibition at @LibraryStreetCollective . ⁠ ⁠ RSVP for the reception at the link in bio!⁠ ⁠ Anders Herwald Ruhwald, L14, 2025. Glazed ceramic. 19 1/2h x 9 1/2w x 8d in. Courtesy of the Artist and Volume Gallery.
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1 month ago
Gudhjem, Denmark I am delighted to announce that @bornholmskunstmuseum has acquired four sculptures for its collection, two of which are currently on view in the galleries. The museum intends to have a representative collection of my sculptures, and these four pieces span the last 12 years, including works made for exhibitions in Detroit, Chicago, Miami and Copenhagen. The works will join three other pieces from 2002 to 2007. The acquisition has been made possible by a generous donation by @nycarlsbergfondet and a private donor and acquired through @andersenscontemporary . Above ——————————————————————— Lithium Mound #2 Glazed Ceramics 33 h x 56.5w x 26 3/4d in 84h x 144w x 68d 2025 Rain Mound (Winter to Spring) Glazed Ceramics 74 1/2h x 38w x 21d in 189 h x 97 w x 53 d cm 2023 For Leisure and Pleasure #2 glazed earthenware, pinewood, and fasteners 32 1/4h x 21 7/8w x 72 1/8d in 82h x 55.5w x 183d cm 2012 Smoulder Fired Vessel, Cracked and Mended Saggerfired ceramics with Goldleaf inlay 10h x 22w x 9d in 25 h x 56 w x 23 d cm 2014
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2 months ago
Oslo This is the last week to see “You in Between” @nasjonalmuseet as part of the grandly staged “Art Hand Work” exhibition. The piece was originally made for my first international solo museum exhibition at Middlesbrough Institute of Modern Art in 2008 and was restaged a few years later @kunstnerforbundet from which @nasjonalmuseet acquired the work for their collection. In an essay published in the catalogue for the Middlesbrough show @ezrashales writes: What Aalto feared has come to pass: consumer fetishization of commodities like instantly scratched plastic chairs, watches, and other hardware for living has displaced the chthonic laws of human sociability. Ruhwald turns the myth of a Scandinavian design ethos, a postwar phenomenon in which Aalto was a key player and in which Ruhwald himself developed, into an insular minefield, revealing it to be one part promise of democratization, one part tactical marketing, and one part insidious social engineering. The artist’s references to the household violence wrought by mass-produced commodities upon our psychology delineate a broad contemporary predicament. His exhibition is both a boutique of mainstream Modernist ornament and a slew of props for glam rock or gothic fa-shionistas. His sculpture might best be seen as the ornamental domestic equivalent of the anti-terrorist cement and stone bollards that punctuate our cities, providing discomfort as physical perches and psychological reminders of our failure to operate as a collective. This urban décor of stanchions, barriers, and impasses, similarly obstructs camaraderie, or alerts us to its absence. Art Hand Work closes this Sunday —————————————————- Above: You in between Glazed ceramic, carpet, ribbons, glass, painted metal, string and candles. Dimensions variable 2008 Photo: Gilmar Ribeiro, G2 photography Collection of Nasjonal Museet, Oslo
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3 months ago