Anetta Mona Chisa

@amonachisa

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TAR STAR Aleksandra Vajd & Anetta Mona Chişa & Tjaša Pogačar   The Sun: a thing of the now; a contemporary object. Masked complexity, hidden intricacy. It is the raw ingredient of images. No order, no dimension, no simulation. First flash, lightning-bolt. The cosmos is a shot. Dark dot, blind thought, deep naught. Back to the unknown. A fractal experience of light, cloning of the real. Shot by us. 
Published for the occasion of the exhibition TAR STAR 6.2.-6.4.2025 by: Museum and Galleries of Ljubljana/Cukrarna Gallery Represented by: Blaž Peršin
Cukrarna Gallery represented by: Alenka Gregorič
Editor: Tjaša Pogačar @__tpp__ 
Text: Lukaš Likavčan @lukas_likavcan 
Conversation with the artists: Tjaša Pogačar
Slovenian language editing: Miha Šuštar
Slovenian translation: Miha Šuštar, Katarina Mahnič
Slovenian language editing: Miha Šuštar
English language editing: Miha Šuštar
Photos: Blaž Gutman @blazgutman and Aleksandra Vajd & Anetta Mona Chisa
Design and layout: Ajdin Bašić
Printed by: Cicero d.o.o., Ljubljana
Print run: 300
Number of pages: 112 
June 2025
Cukrarna Gallery, Ljubljana   Our heartfelt thanks go to the amazing Karolína Matušková and Lenka Glisníková, aka SHOTBY.US, who revealed this publication, suspended in space. @shotby.us @lenkaglisnikova @karel__ma #sun #photosphere #now #photography #light #tjasapogacar #anettamonachisa #aleksandravajd #lukaslikavcan #shotbyus #heliography #catalogue #cukrarnagallery
179 3
5 months ago
🪢Art&Science Permeations (panel) 🗓️ Sunday 14.12. 17:30-18:30, @avu_prague - Veletržní 61 & online (livestream 🔗 in bio) The panel brings together researchers and practitioners working across more-than-human ecologies, technological imaginaries, and material investigation to discuss what happens when disciplines cross paths. Rather than approaching art & science as separate worlds, the panel asks: How can artistic inquiry expand scientific thinking; how can scientific methods inform artistic experimentation? What ethics, vocabularies, frictions and noise shape these collaborations? Join us to think through the boundary zones where artistic and scientific approaches intersect, collide, or crash into one another. 🐉🐉🐉Panelists: • Robertina Šebjanič is an artist/researcher whose practice drifts through the fluid thresholds of ecology, (geo)politics, and arts, attuned to the rhythms and ruptures of aquatic worlds. • Anetta Mona Chișa is an artist working across sculpture, video, installation, and text to explore the transformation of materials, technologies, and environments—investigating their politics, agency, and embodied experience. • Alexander Refsum Jensenius is a music researcher and research musician. As a Professor of Music Technology at University of Oslo he leads RITMO Centre & the emerging MishMash Centre for AI & Creativity. 🎤 Moderated by: • Benedetta D’Ettorre — organiser, researcher & curator exploring sustainability and collective cultural futures across ecosystems and scales. full programme at uroboros.design #uroborosfestival2025 #permeatingnoise #artscience
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5 months ago
Introducing the artists participating in the first show of Tempo gallery @amonachisa ✨ Anetta Mona Chişa is an artist whose practice traverses installation, video, performance, and sculpture, engaging deeply with themes of materiality, interdisciplinarity, and the fluid interplay between art and science. Born in Romania and based in Prague, Chişa approaches the world through a lens of attentiveness, seeking to experience reality as a continuous flow rather than a collection of discrete objects governed by physical laws. She has exhibited internationally, often in collaboration with other artists, and her practice remains engaged with issues of labor, materiality, and a critical exploration of norms and perception, challenging the viewer to reconsider entrenched perspectives. She engages in critical discourse that interrogates societal norms, materiality, and the body’s presence within these frameworks. Art, for her, does not merely represent but enables a communion with the world, allowing for intuitive leaps, alternative visions, and a receptivity to the complexity of what surrounds us. Her solo and collaborative exhibitions have been presented in numerous institutions, including Kunsthalle Bratislava, Anca Poterasu Gallery in Bucharest, n.b.k. Berlin, GAK Bremen, Kunstraum NOe in Vienna, and the Romanian Pavilion at the Venice Biennale. She has also participated in various group exhibitions at institutions such as Rudolfinum Gallery in Prague, Sprengel Museum Hannover, Art in General New York, Display Prague, Lunds Konsthall, Bozar Brussels, KINDL Berlin, MoCA Miami, MIGROS Museum Zurich, MuMoK Vienna, The Power Plant Toronto, and Schirn Kunsthalle Frankfurt, as well as the Taipei and Moscow Biennials, among others. visual @jiri_macku pic 1 by Jozef Rabara @rabarafoto pic 2&3 by Tomas Soucek @verdikt11 (Coinciding Objects, exhibition “XYZYGY” Curated by Marika Kupkova, TIC Galerie U Dobrého pastýře)
 Program is supported by @ministerstvokultury @mesto_praha.eu @mcpraha5
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11 months ago
⇝ Anetta Mona Chişa v poslední době vystavovala v Cukrarna Gallery ve slovinské Ljubljaně (2025), v brněnské Galerii U Dobrého pastýře (2024) nebo v rámci Fotograf Festivalu (2022). Anetta je aktuálně prorektorkou pro umění a výzkum na Akademii výtvarných umění v Praze. ✹ Pokud jste ještě nenavštívili výstavu III. Bodies of dust 〽︎ III. Těla prachu neváhejte, výstava potrvá už jen do 23. května 2025. Navštívit ji můžete například příští čtvrtek 15/5/2025 od 18:00 rámci komentované prohlídky výstavou & křtu katalogu výstavy III: Těla prachu. Budeme se na vás těšit. ⬅︎
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1 year ago
Další z umělkyň vystavujících na výstavě III. Bodies of dust 〽︎ III. Těla prachu je Anetta Mona Chişa. Ta je na výstavě zastoupena dílem Shodující se objekty, 2019—2024 a videem Řekni mi, prachu, o tvé komplikované hmotě, 2020. 〔 Co o Anettě Mona Chişa píše kurátorka výstavy Šárka Koudelová? I. 〕 „Anetta Mona Chişa ve své práci kombinuje kulturní, společenské a materiálové kontexty, čímž je aktualizuje a vytváří svébytnou decentralizovanou strukturu myšlenkových vztahů. Skrze nejstarší známé jeskynní malby rukou, které podle některých teorií prováděly výhradně ženy, tak nastavuje pravěké matriarchální zrcadlo boji s neustávajícím útlakem patriarchátu. V častých kolaborativních instalacích zkoumá podstatu média fotografie. Tu vnímá ukotvenou v širokém ekologickém a mytologickém kontextu, provázanou s chemickými substancemi, solemi, tekutinami a přírodními i vytvořenými zdroji světla a energie. Tento přístup, jdoucí po materiálové podstatě vrstevnaté lidské zkušenosti spolu s vegetariánstvím, které je v rámci anti-omnivorních stravovacích strategií tradičně pod drobnohledem konzervativních výživových specialistů, Anettu přivedl i k práci na volném cyklu Shodující se objekty, (2019 – 2024). Postupně narůstající sbírku sdíleného vápníku, tedy objektů, které jsou jím z velké části tvořeny, Anetta kus po kusu podrobuje tzv. kyselé zkoušce. Vápník při kontaktu s kyselým roztokem nejprve pění a následně krystalizuje ve vápenaté soli.“
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1 year ago
Final weekend of Tar Star by @aleksandravajd and @amonachisa in @cukrarna.art 🕳️ https://cukrarna.art/en/program/exhibitions/45/aleksandra-vajd-anetta-mona-chisa/ Photo: Blaž Gutman / MGML
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1 year ago
TAR STAR Revealing luminous fractures and constellations of matter, and summoning all to behold, but especially those who seek meaning in light and shadow, being such as have been envisioned by ANETTA MONA CHIȘA & ALEKSANDRA VAJD invoking the alchemy of stars and tar, with the aid of screens, cables, and the spectral residue of burned asphalt. Aleksandra Vajd & Anetta Mona Chişa Tar Star 6. 2. — 6. 4. 2025 Curated by Tjaša Pogačar Cukrarna Gallery, Ljubljana #tarstar #anettamonachisa #aleksandravajd @aleksandravajd #tjasapogacar @__tpp__ #cukrarnaart #heliography #bitumenofjudea #sun #screen #anaconda #magicalbeasts @magicalbeastsbled @cukrarna.art
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1 year ago
🪨 “One Are”, a work commissioned for the exhibition “Potential Agrarianisms” in 2021 by @majafowkes and @reuben.fowkes , found its new home in Vysoké Tatry ⛰️ at @farmavychodna.sk last month thanks to the amazing Zuzana Janečková ♡ who curated a special project about SOIL. 🪨 One are of land translated into a 100 m2 concrete sculpture — a three-dimensional imprint of the land that maps the records of agricultural work, markings and interventions into soil, remnants of cultures, tilling, cracking and erosions is back in nature. 🪨 Thanks to Zuzana Janeckova, Farma Východná, Maja and Reuben Fowkes, @marek.halasz.7 and @fond_na_podporu_umenia for help and support! #oneare #100m2 #farmavychodna #tatry #vychodna #soil #poda #centuriation #earth #cast #zuzanajaneckova #domjanahalu @dom_jana_halu #zem #voda #vzduch #potentialagrarianisms @tatry_official Supported using public funding by Slovak Arts Council #slovakartcouncil #fondnapodporuumenia #fpu
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1 year ago
Coinciding Objects installation #marble #limestone #plaster #casts #dolomite #humanbones #animalbones #teeth #snailshells #seashells #eggshells #corals #pearls #lime #crystals 2019 - 2024   Not yet, no longer #plexiglasstrays #limecrystals 2019 - 2024     Still on view at @galerie_tic within the exhibition “XYZYGY”
Curated by Marika Kupkova
TIC Galerie U Dobrého pastýře Brno
27. 3. - 6. 7. 2024 Photos by Tomas Soucek @verdikt11 
 #coincidingobjects #notyetnolonger #growing #sculpture #calcium #sediments #galerietic #anettamonachisa #xyzygy
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1 year ago
Coinciding Objects installation #marble #limestone #plaster #casts #dolomite #humanbones #animalbones #teeth #snailshells #seashells #eggshells #corals #pearls #lime #crystals 2019 - 2024   Still on view at @galerie_tic within the exhibition “XYZYGY”
Curated by Marika Kupkova
TIC Galerie U Dobrého pastýře Brno
27. 3. - 6. 7. 2024 Photos by Tomas Soucek @verdikt11 
 #coincidingobjects #growing #sculpture #calcium #sediments #galerietic #anettamonachisa #xyzygy
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1 year ago
𝐂𝐚𝐭𝐚𝐩𝐡𝐨𝐫𝐚 (2023) glass shelf, various materials, red filters, light in collaboration with Aleksandra Vajd for @mgplusmsum A return to the ontological beginnings of the medium of photography, discovering with an archaeological approach its main components, the remains and essence of the matter preserving the potential to transform and generate something new. In a physical and phenomenological experience, the viewer is faced with a redefinition of the medium of photography through its materiality and the new ways of presenting it in space. - @mgplusmsum 

views from the exhbition From Within, Down and Above 
Aleksandra Vajd in collaboration with Hynek Alt, Anetta Mona Chisa, Jimena Mendoza, Adela Svobodova curated by Ana Mizerit and Michal Novotny Museum of Contemporary Art Metelkova, Ljubljana 8. 12. 2023 – 5. 5. 2024 #immersive #anaphora #cataphora #installation #archaeology #material #analysis #aleksandravajd #anettamonachisa #museumofcontemporaryartmetelkova
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1 year ago
Anaphora (2023) metal trays with chemical substances, color filters in collaboration with Aleksandra Vajd for @mgplusmsum 
Trays filled with layers of light-sensitive substances and chemical elements refering to analogous photographic processes: #gelatine #bitumen #lavenderoil #petroleum #salt #silvernitrate #potassiumferricyanide #collodion #gumarabic #silverbromide #albumen #cellulose #ironammoniumcitrate #pigment #starch #ferroussalts... The substances react to light, air, time - an analytical investigation of the specificity of the medium of photography and the performativity of materials. views from the exhbition From Within, Down and Above 
Aleksandra Vajd in collaboration with Hynek Alt, Anetta Mona Chisa, Jimena Mendoza, Adela Svobodova curated by Ana Mizerit and Michal Novotny Museum of Contemporary Art Metelkova, Ljubljana 8. 12. 2023 – 5. 5. 2024 #immersive #anaphora #cataphora #installation #process #cyanotype #autochrome #heliography #aleksandravajd #anettamonachisa #museumofcontemporaryartmetelkova
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1 year ago