Amal Rakibi

@amalrakibigallery

GALLERIST • CURATOR • OUTLIER Curating art, interiors and exceptional living. For collectors who dare. Private advisory ↓
Followers
37.1k
Following
884
Account Insight
Score
59.77%
Index
Health Rate
%
Users Ratio
42:1
Weeks posts
Welcome to AD Middle East’s April-May ‘26 #ArtIssue. In this edition, we shift our focus to the art of collecting and those who have made it their mission to archive, showcase and support the work of artists from across the Arab world and beyond. To collect is, in many ways, to insist on continuity, especially in moments when the world feels anything but stable. This issue arrives at such a moment, where across the region and beyond, uncertainty has become a daily condition, its reverberations felt not only in headlines but in homes, in studios, and in the quiet, persistent act of making. And yet, it is precisely here, within these interiors, that another narrative takes shape. In the #ArtIssue, Christian Louboutin (@christianlouboutin ) opens up his transportive world in Paris (and his extensive collection of objects from Syria, Egypt and beyond); gallerist Leila Heller (@leilahellergallery ) showcases her nurturing New York abode; art patron Tariq Al Jaidah (@tajcollectionqatar ) takes us into his cartographic residence in Doha – a living map of Middle Eastern art, photographed on the very day of the Israeli–US attack on Iran. Interior stylist Emma James’ (@emmaajames ) Cairo apartment is an eccentric cabinet of wonders, while collector-turned-gallerist Amal Rakibi’s (@amalrakibigallery ) deeply intuitive space in Dubai graces our cover. The homes in this issue are not simply sites of display. They are living archives that resist erasure, that gather and preserve, and insist on presence. Elsewhere in the issue, we also turn to artists whose practices are shaping the region’s visual language. Safwan Dahoul (@safwan_dahoul ), one of Syria’s most prominent voices, offers an unusually personal reflection on his latest body of work. While alongside him, a younger generation asserts itself with equal clarity, namely the up and coming Saudi artist Hayfa Al Gwiaz, who we also profile (@hayfa_algwaiz ). At the link in bio, step inside our April-May ‘26 #CollectorsIssue. Photography: @zigamihelcic , @ambroisetezenas (styling by @sarahdebeaumont ), @pernilleloof , @zigamihelcic , @shewifa | Words: @aidannovaa
2,436 79
1 month ago
When Amal Rakibi (@amalrakibigallery ) and her husband decided to rent an ageing Al Barsha villa, they agreed on one condition: that they would be free to completely transform the interiors. “We told the owner we would take the house if he gave us the green light to do whatever we wanted,” she recalls. “And he did.” The transformation began with the staircase. The original structure was gutted and replaced with a dramatic spiral form that now anchors the interior. From there, the rest of the house evolved gradually. “You always start with a vision,” she says. “Then you realise something isn’t working, so you add [to it] until it feels right.” Discover the full home tour at the link in bio. Video by: @fatmanism | Words: @mona.basharat عندما قررت أمل راكيبي وزوجها استئجار فيلا قديمة في البرشاء، اتفقا على شرطٍ واحد: أن تكون لهما الحرية الكاملة في إعادة تشكيل المساحات الداخلية. وتستذكر قائلة: "أخبرنا المالك أننا سنستأجر المنزل إذا منحنا الضوء الأخضر لنفعل ما نريد — وقد وافق." بدأ التحوّل من الدرج. فقد أُزيل الهيكل الأصلي بالكامل واستُبدل بدرج حلزوني درامي أصبح اليوم العنصر المحوري الذي يرتكز عليه التصميم الداخلي. ومن هناك، أخذ المنزل يتطوّر تدريجياً. وتقول: "تبدأ دائماً برؤية، ثم تكتشف أن شيئاً ما لا يعمل كما يجب، فتضيف وتعدّل حتى يصل المكان إلى توازنه." اكتشفوا الجولة الكاملة للمنزل عبر الرابط في البايو.
4,133 265
1 month ago
Not everything has to make sense. If it feels too much, you’re probably doing it right. Photo @zigamihelcic featured in @admiddleeast
10.2k 415
1 month ago
MARRAKECH. DAY 2 — Glam Day. Celebrating life. Celebrating love. #TheArtOfGathering #CuratedExperiences #EditorialLiving #MarrakechEdition aliaiza The most Amazing
60 27
5 hours ago
MARRAKECH. DAY 1 — Warming up. Celebrating life. Celebrating love. #TheArtOfGathering #CuratedExperiences #EditorialLiving #MarrakechEdition
473 67
3 days ago
A monumental artwork. A sculptural staircase. A room that refuses to stay silent. Because art should never simply sit inside a space. It should reorganize the entire experience of it. Toma-L - Couleurs Mécaniques - 2024 Technique mixte sur toilen en lin. 180 x 240 cm Sold @amalrakibigallery
448 46
5 days ago
My walk-in closet. A condensed version of everything I love: art, vintage and design. Forget about me. Leave me here with fashion, and Madonna on repeat. Photo @zigamihelcic
470 22
6 days ago
47 years old. Alive.
1,156 69
7 days ago
TOO MUCH… is usually where the magic starts. Leopard with florals. Leather against texture. Palm trees in a room already filled with movement. On paper, none of it should work. That’s exactly why it does. The most memorable interiors are never built on perfect matching. They’re built on the confidence to let unexpected pieces coexist. Because layering isn’t about adding more. It’s about adding character. Photo by @zigamihelcic featured in @admiddleeast
342 34
9 days ago
Sometimes, the first piece isn’t a painting. It’s a statement. For us, it was the staircase: the line, the texture, the rug, the wallpaper… Everything else grew around it. Photo @zigamihelcic featured in @admiddleeast
515 33
19 days ago
More pattern. More texture. More contrast. Less fear. That’s how a space becomes yours. Photo @urmanova_imagery
533 51
24 days ago
Too big? That’s the point. Artwork by @taherjaoui on view at @amalrakibigallery Photo @zigamihelcic
507 22
26 days ago