Fatma Hassan

good people! good food! good interiors and good art! Shoutout crackhead cat painting

never too late for a Kuwait photo dump

AD100 2026 🩶🤍🩶🤍 thank you all those who attended and those who force fed me macarons! Always so surreal seeing it come to life

Bit late on this lol. But it honestly fills my heart anytime I have the opportunity to write about Sudanese talent anywhere in the world, and for this October/November ‘25 “Parting Shot”, I got to do just that with Hashim Nasr. :) Full interview also on our website! 🌐

in my عن جد 😮🫵 era I fear. Sometimes that’s all u can say about life fr

no caption I just needed to let everyone know I don’t know how to drive a car

A true “pinch me” moment :-) From my interview with Michèle Lamy for @admiddleeast !! Read all about it on the website 🌐

Very grateful to be a part of this beautiful project on remembrance, resistance, home and belonging. @yesterdaycomecloser Working with @sarraalayyan , @mouriiiiiiiiii and @ib.hasa.n was nothing short of amazing and thank you to them for the inclusion of my writings in this work; a short story of four lovers in relation to three Ayahs in three suwar that have been used as a mode of justification to oppression across the world. Particularly women. “We—who are capable of remembrance—are capable of liberation.” Profits from Yesterday, Come Closer will be given directly to multiple grassroots efforts on the ground in Palestine 🍉

In all honesty, it’s a bit jarring to look back at particular footages I took when I lived in Sudan. Looking back at everything I took, I automatically have to wonder if and how many people in these videos and photos are still alive. If the guy who sold me these mangos is still there, or if my neighbors irritating kid that kept knocking on our door managed to go back to school. I find myself thinking if those people in those images/photos are still in Khartoum, or gone up north or made it to another country safely. I have a love/hate relationship with my country. And I think everyone does to an extent. Its certain things that you can’t necessarily explain to another unless they speak and understand your accent and it’s certainly a locked aspect of yourself until you meet another Sudani. Going to Sudan was something I took for granted and assumed would be an option for me regardless, which makes this all the more sobering. I’m thankful for the family and friends who have found safety and I’m eternally grateful for the universe (or god) (???) for this, but I wish it all never happened. Here are a few videos I have of what it was like during the ousting of Bashir (🤮) it was short lived and the euphoria of it all can only be likened to eating a soft cookie and then accidentally chewing on something hard as fuck. It was a lovely few hours and I will carry that memory for as long as I will live. So this a visual love letter to Sudan and it’s mangos, guavas, our people and our collective slender grasp on the English language. 🇸🇩🕊️

“‘It Lies Beyond’ comprises 90,000 images of trash from one single landfill site. So this ‘wave-like’ formation is designed to intensify the experience. I mean, if we’re talking about consumer culture and carbon footprint, it just made sense somehow that I represent the intensity and the magnitude of what we’re dealing with through my work.“ From my interview with Rashid Rana for @admiddleeast with photos from @volteartprojects ✨🤩

this is what they call a photo dump