ALLGORITHIM Store

Richard Avedon — Richard Avedon: An Auto-Biography, 1993 First Edition, Signed, No. 189 / 250 One of 250 signed copies of the definitive survey of Avedon’s fifty-year career. Published by Random House in 1993, the folio volume reproduces 284 photographs spanning fashion, portraiture, and documentary work from the 1940s through the 1990s — the full arc of one of the twentieth century’s most consequential image-makers. Original white cloth with gray and black lettering. Housed in original slipcase and publisher’s shipping box. A faint hint of toning to the spine; otherwise fine.

Studio 54 Preview Party Invitation — New York City, 1994 Original promotional invitation for a Studio 54 preview party held Monday, April 4, 1994 on West 54th Street, Manhattan. Issued for Like It!!!, the event offered complimentary buffet and cocktails with table dances featuring over 150 international entertainers. Admits four. Printed in bold Studio 54–style graphics on card stock. Fold lines and handling creases present throughout, consistent with age and storage. 3.5 × 8.5 inches. A direct artifact from the club’s 1990s revival — late-period Studio 54, well removed from its disco-era peak, but still trading on one of New York nightlife’s most enduring names. Sold as shown.​​​​​​​​​​​​​​​​

Andy Warhol – (Interview Magazine, Vol. VII #9, Signed) 1977 A complete original issue of Interview magazine, signed by Andy Warhol on the cover. The September 1977 issue features a color portrait of actress Shelley Duvall — a fitting subject for a publication Warhol founded as a platform for celebrity, culture, and the art of conversation. Warhol launched Interview in 1969 following his recovery from the near-fatal shooting that reshaped his life and practice. Originally titled inter/VIEW, the monthly became an essential document of its era — part portrait studio, part cultural record, wholly Warhol. The signature here is not incidental. It collapses the distance between publisher, artist, and artifact, transforming a magazine into an object of authorship. To hold this issue is to hold a moment at the height of Warhol’s cultural dominance — a piece of commercial culture converted, by a single signature, into something else entirely. Details: – 11½ x 15 inches / 29 x 38 cm – Signed in marker: Andy Warhol – Complete 46-page issue, Vol. VII #9, September 1977 – Fine vintage condition A rare, historically grounded piece of Pop ephemera — collectible both as signed Warhol material and as a primary document of New York’s cultural moment.

A special engraver’s proof of Richard Avedon’s portrait of Marilyn Monroe — one of the most iconic and candid images ever made of her — laid in to a signed limited first edition of Richard Avedon: An Autobiography (Random House, New York, 1993), number 189 of only 250 copies. Avedon described the sitting as hours of performance: dancing, singing, the full projection of Marilyn Monroe. Then the drop. When it was over, she sat quietly in the corner, expression gone. He approached carefully, unwilling to photograph her without her awareness. As he raised the camera, she didn’t say no. That moment — the silence after the performance — is what the image holds. The proof is offered here framed, independent of the book. 19.25 H × 16.75 W in.

Iggy Pop – Silver Gelatin Photograph by Mats Bäcker Framed, Hand-Signed | Edition of 400 | From Raw Power (2012) A striking and rare silver gelatin photograph of Iggy Pop, captured mid-performance in all his raw, shirtless glory by renowned Swedish music photographer Mats Bäcker. This image immortalizes Iggy at his visceral, kinetic peak, and was originally issued as part of the limited bibliophile edition of Bäcker’s celebrated monograph Raw Power (Norstedts, 2012). Part of a limited edition of 400, this print is hand-signed and numbered by the artist on the front (recto), and professionally framed with archival-quality double matting. Bäcker’s work, celebrated for its gritty intensity and intimacy, offers an unfiltered glimpse into the energy and chaos of live performance at a time when punk and rock were still unpredictable forces. Going into this new year, we’re pleased to offer collectors 20% off all items in the store through the end of January. Use code YES2026 at checkout.

Andy Warhol Signed “Campbell Soup” $5 Bill A rare Pop artifact that bridges fine art and everyday currency. This U.S. five-dollar banknote bears Andy Warhol’s signature and “Campbell Soup” inscription—an intimate nod to the iconography that defined his career. Equal parts objet trouvée and autograph piece, it’s a compact slice of Pop history with undeniable wall power. Details Artist: Andy Warhol (American, 1928–1987) Title: Signed “Campbell Soup” $5 Bill Medium: Ink on U.S. $5 banknote (legal tender); autograph/inscribed multiple Signature: Hand-signed “Andy Warhol”; inscribed “Campbell Soup” (front) Dimensions: Approx. 2.61 × 6.14 in (6.6 × 15.6 cm) Condition: Very good vintage condition with expected handling commensurate with an authentic banknote; crisp signature and inscription.

Damien Hirst – The Complete Spot Paintings 1986–2011 Exhibition Catalogue | First Edition, 2012 | Other Criteria / Gagosian Gallery Published to accompany one of the most ambitious global exhibitions in contemporary art history, Damien Hirst: The Complete Spot Paintings 1986–2011 documents the full scope of Hirst’s iconic Spot Paintings—a series that spans over 25 years and has become synonymous with his name. Presented simultaneously across all eleven Gagosian Gallery locations worldwide, the exhibition marked an unprecedented moment in art, and this catalogue serves as its enduring artifact. The book features full-color reproductions of Hirst’s Pharmaceutical, Small, Large, and Mega spot paintings—each a meditation on color, repetition, and industrial production. Paired with essays, archival materials, and behind-the-scenes photographs, it provides both visual immersion and critical insight into Hirst’s conceptual universe. Features: Over 300 pages of color plates and exhibition documentation Includes works from 1986 through 2011, with select studio and installation views Contributions by Damien Hirst and critical texts exploring the theory, impact, and legacy of the Spot Paintings Published by Other Criteria and Gagosian Gallery to coincide with the global exhibition Edition Notes: Hardcover with printed boards Dimensions: approx. 12 x 9.5 inches 336 pages | First Edition, 2012 A vital document of Hirst’s most iconic body of work, The Complete Spot Paintings 1986–2011 is essential for collectors, scholars, and anyone tracking the evolution of conceptual and post-YBA art.

Andreas Gursky Published by Snoeck, Köln, 2007 Published on the occasion of Andreas Gursky’s major retrospective at Haus der Kunst, Munich, this catalog offers a comprehensive overview of the artist’s large-format photographic practice up to the mid-2000s. With essays by renowned critics and curators, the book contextualizes Gursky’s work within the shifting terrain of globalization, architecture, and visual systems.

Larry Clark — Tulsa (First Edition, 1971) Softcover, Lustrum Press, New York Dimensions: approx. 9.25 x 7.25 inches Condition: Very good; light wear to cover consistent with age Published in 1971 by Lustrum Press, Tulsa is Larry Clark’s searing debut—a seminal photobook that redefined the documentary form. Shot between 1963 and 1971, these unflinching black-and-white images chronicle the turbulent lives of Clark’s friends in Tulsa, Oklahoma, capturing youth immersed in sex, drugs, guns, and restlessness. But Tulsa isn’t voyeuristic—it’s confessional. Clark was one of them. The camera becomes an extension of his own existence, revealing the intimate collapse of the American dream from the inside. This is the rare softcover first edition, self-published by Clark in a modest print run that has since become a touchstone in postwar American photography. It’s a raw, cinematic document—both brutal and tender—that has left an indelible mark on generations of artists, filmmakers, and cultural outsiders. A vital artifact of countercultural history and an essential piece for any serious photography or art book collection.

Now available at ALLGORITHM Store: a rare collection of one-of-one works on paper by Luke Haeger, made between 2022–2024. Equal parts diary and myth, each piece is a fragment of a larger, evolving visual language—raw, referential, and emotionally in flux. These drawings aren’t just works on paper; they’re field notes from a life lived across states of mind and American geography. Call it gonzo visual journaling: symbols drift, figures emerge, and ideas surface in a haze of instinct, memory, and myth. Luke Haeger is a Los Angeles– and New York–based artist whose practice spans drawing, painting, and conceptual installation. Born in Paradise Valley, Montana, and raised across the U.S., Haeger’s worldview is nomadic, his artistic identity shaped as much by album covers and Grateful Dead clouds as by mythology and philosophy. His drawings feel immediate but deeply coded—simultaneously childlike and considered, punk and poetic. With each mark, he maps an internal landscape shaped by chaos, movement, and the search for permanence. Though rooted in childhood gesture, Haeger’s process is anything but naive—he describes it as “just big kid scribbling with a conceptual coat on.” The result is a body of work that feels like lived experience made legible through iconography, impulse, and reflection. Art, for Haeger, is the one constant—a grounding force, a form of eternity.

Andy Warhol — Chelsea Girls, Signed and Stamped Flyer 10.6 x 7.9 in | 27 x 20 cm Original promotional flyer for two screenings of Andy Warhol’s seminal film Chelsea Girls, held at Filmmakers’ Cinematheque on October 19 and 25, 1966—just one month after the film’s premiere at the same venue. Offset printed on paper, this example is hand-signed and stamped by Warhol. Shot at the Chelsea Hotel and starring Warhol superstars including Nico, Ondine, and Brigid Berlin, Chelsea Girls is a landmark of underground cinema. With a soundtrack by the Velvet Underground and presented in split-screen—one reel in color, the other in black and white—the film explores the tension between the mundane and the transgressive, capturing the raw, experimental energy of 1960s New York. Good vintage condition with soft edge wear and mild toning consistent with age. A rare artifact from Warhol’s cinematic period—bridging avant-garde film, Pop iconography, and countercultural history.

Andy Warhol – Mick Jagger Serigraph Set Hand-Signed by Andy Warhol on Each Work | Published by Seabird Editions | 1975 Each approx. 6 x 4 inches | Available as a complete set This rare set of Mick Jagger serigraphs by Andy Warhol captures the electric intersection of Pop Art and rock stardom. Published in 1975 by Seabird Editions in collaboration with Castelli Graphics and Multiples, Inc., each piece in the series is hand-signed by Warhol in felt marker. Though smaller in scale—measuring approximately 6 x 4 inches—these works retain the bold graphic power of Warhol’s full-scale portraits. Each print features Warhol’s embossed stamp on the front, with edition markings and a blue Warhol stamp on the reverse. The series distills the raw charisma of Mick Jagger through Warhol’s distinctive layering of photography, drawing, and color, executed during a period when both artists were defining the visual and cultural language of the 1970s. A concise but potent version of one of Warhol’s most iconic bodies of work—offered here as a complete, hand-signed set. Available now at ALLGORITHIM Store. Inquire for pricing and acquisition.