INTERNET OF BODIES
Mark Flood
@internet.of.bodies
Thursday, May 28, 2026, 6–9 PM
Meantime LA: 648 N. Fuller Avenue, Los Angeles, CA
ALLGORITHIM, in collaboration with Meantime LA, announces Internet of Bodies, an exhibition of new and historical work by Mark Flood. The opening reception takes place Thursday, May 28, 2026 from 6 to 9 PM at 648 N. Fuller Avenue, Los Angeles.
Internet of Bodies transforms Meantime LA into an immersive collision of painting, fashion, media critique, and underground cultural history. Centered on Flood’s iconic “monster body” imagery — developed throughout the 1980s and 1990s — the exhibition presents monumental unstretched paintings alongside a limited series of one-of-one vintage garments hand screen printed and signed by the artist. Reworking archival visual language through distorted corporate iconography, the work examines the collapse between the human body, branding, technology, and mass communication with the dark humor and psychological intensity that has defined Flood’s practice for over four decades.
The project blurs the boundary between art exhibition, fashion intervention, and cultural excavation — revisiting Flood’s early experimentation under the name Perry Webb and tracing a lineage from his raw 1980s studio and clothing works to the present moment of algorithmic identity and corporate saturation. The exhibition reconnects to Flood’s roots in underground music through Culturcide, the experimental media-noise group he co-founded in the 1980s, and Vulturcide, a newly formed continuation of that spirit. Accompanying the historical monster body paintings is a new series of small canvases. Each garment functions simultaneously as artwork, artifact, and wearable extension of Flood’s long-running investigation into systems of image production and control — produced from high-quality true vintage sourced specifically for the project.
Internet of Bodies positions Flood’s work within a contemporary Los Angeles context while reaffirming his enduring influence across painting, fashion, punk aesthetics, and conceptual practice
Adam Brierley (b. 1990) is a mixed-media artist based in Long Beach, California, whose work is constructed primarily from found vintage materials — photographs, postcards, books, and book pages — sourced through an intuitive and highly selective collecting practice for their visual character, history, and emotional weight. His compositions embrace the worn qualities of aged matter: softened color, surface texture, staining, fading, and the imperfections accumulated over time. Themes of nostalgia, memory, belonging, and connection run throughout. By recontextualizing these materials, Brierley produces layered works that honor the original life of each object while opening it toward new meaning.
His Elvis series is currently on view as a part of 𝐿𝒶𝓎𝑒𝓇𝑒𝒹 at ALLGORITHIM House.
Elvis - At The Top, 2026
Elvis - Behind, 2026
Elvis - The King, 2026
Elvis - Entertainer, 2026
Elvis - The Legend, 2026
Found vintage photo, clear archival photo sleeve, layered on vintage 1970’s Elvis Presley book cover
9 × 7 In
To view 𝐿𝒶𝓎𝑒𝓇𝑒𝒹, book an appointment by emailing [email protected]
Piper Huntington Olivas is a Los Angeles–based artist working across photography, film, found objects, writing, and mixed media. She graduated from California College of the Arts in 2021.
Her work treats the subject as contingent — shaped by shifts in space, structure, and the weight of historical and religious reference. Rather than fixed narrative, she constructs layered visual situations built on suggestion, symbolism, and fractured storytelling. Photography, in her practice, becomes a site of instability rather than documentation: meaning perpetually disrupted and reassembled, producing new conditions of intimacy, reverence, and distortion.
Eve, 2026
Archival paper, reclaimed wood frame
10 x 8 In
Eve will be on view tonight at the opening of Layered at ALLGORITHIM House.
Sarah Savior is a Los Angeles-based image-maker and director. Born February 28, 2002, she studied Business and Design at the University of Southern California, where she formalized a practice rooted in the theatrical and the constructed — shaped by the visual logic of German Expressionism, the sculptural extremity of Thierry Mugler, and the deliberate disruption of Dada.
Her work is conceived and executed entirely in-house: from concept development through set and prop design, casting, styling, photography, and post-production. Each project is built from the ground up, guided by a single continuous vision.
EXHIBITIONISM, 2025
48 x 36 In
Edition of 10
EXHIBITIONISM will be on view at Layered tonight at ALLGORITHIM House.
Layered opens tomorrow. An exhibition across painting and mixed media, bringing together seventeen artists around a single proposition: that meaning accumulates.
Opening reception Friday, May 8th, 6–9 PM at ALLGORITHIM House. RSVP at the link in bio.
For inquiries: [email protected] 🏡
Holy Restless Fugitive, 2026
Watercolor on hot pressed cotton paper
24 × 18 In
Holy Restless Fugitive will be on view at Layered tomorrow at ALLGORITHIM House.
Wild Horse, 2026
Acrylic, pastel, marlboro gold packs, ink on canvas
60 × 35 3/4 In
Wild Horse will be on view at Layered this Friday at ALLGORITHIM House.
