Residency Reflections, Jingdezhen, China đ¨đł
I canât believe itâs already been a year since I was teaching and working in Jingdezhen. Iâm deeply envious of the current cohort and faculty who are there now, immersed in such a unique, supportive, and creatively rich environment.
This ceramic tile series was developed during my residency with
@menlo_jdz in Jingdezhen, the historic centre of porcelain-making. Each tile was CNC-milled from a digital file based on a face mask motif, creating a recessed, debossed effect that references both technological precision and traditional craftsmanship.
The face mask, drawn from those I regularly used while living there, emerged as a central motif. It speaks to ideas of protection, self-care, and embodied experience, influenced by the widespread presence of wellness culture in Jingdezhen: beauty salons, massage clinics, traditional Chinese medicine, and even the practical use of masks for sun protection.
Much of this work was also made possible by the unique accessibility of materials, tools, and expertise in Jingdezhen. The cityâs infrastructure actively supports artistic experimentation, technicians, artisans, and facilities were available and willing to help realise new ideas quickly. It was a rare and empowering environment to work in, where the barriers to making were low and curiosity was met with encouragement.
Glaze-wise, I drew inspiration from carved historical ceramics in local museum collections, particularly the interaction between celadon glazes and surface depth. I experimented with celadons and oxblood reds in the gas-reduction kilns available, where glaze pooled richly in the recesses, enhancing the dimensionality of the form.
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