Join us at miart 2026 in Milan!
We’re excited to present the work of Marko Gutić Mižimakov at this year’s fair.
📅 April 17–19, 2026
(Preview on April 16)
📌 South Wing, Allianz MiCo, Milan
📍 Find us in the Emergent section
Booth E11, Level 1 – Balcony of the South Wing
Curated by Attilia Fattori Franchini
@fieramilano@miartmilano@attiliaff
#miart2026
#galerijamanus
All I know is — it is March all year, these years.
hey, so..
these are temporal snippets iterated again and again, the same but never the same, gathering thickness and structuring into armor
or
these are temporal snippets cut into ribbons and cast as pathways along the Sagittarius constellation
or
a room, inside a cage overlooking a cage where
“On most days the light is just a pale pink to a coral hue, on others however
when the Observation Outpost is closer to the heated gas of the accretion disk - a gradient shift - intense crimson to indigo to turquoise. I run from pragmatics to aesthetics.”
better photos are by @davidbakaric
the show in Zagreb is on until 08.05. @galerijamanus
March 24 at 7:30 PM
Manuš, Zagreb📍
Marko Gutić Mižimakov
It Is March All Year, These Years
Marko Gutić Mižimakov is a performance, animation and text based artist, exploring ways of shaping sensory materials through intimate, collaborative and social processes. They took part in the artistic research programme a.pass in Brussels (2022–2023) and taught at Paris College of Art (2022–2025); they currently work as an external associate at the Academy of Fine Arts in Zagreb. Their performances, films and installations have been presented at various international exhibitions and festivals, including the Museum of Contemporary Art Zagreb, Beursschouwburg Brussels, V2 Institute for Unstable Media Rotterdam, Ostrale Biennale Dresden, Antimatter BC, City Museum of Ljubljana, the Museum of Contemporary Art Skopje, D21 Kunstraum Leipzig, Galerija Močvara Zagreb and Galerija Nova Zagreb. Their work has been recognised with awards including Zlatna Lubenica and the DENES Award, as well as a nomination for the Croatian Theatre Award.
@akvae
#markogutićmižimakov
#galerijamanus
Dear all, last week my brother died suddenly and I’m posting temporarily to let you know (in bulk) that I’m back in BXL from tomorrow, and will get back to your emails/dms shortly xx
into 34
🐚💦
imbrication may contain: spit and clumsy conch blowing practice, vanilice that will later turn to dust, having fun while sucking at pool, jo’s summer 35 mm, flixbus stop conversation with natasha while looking at reflection city, i finally got myself a hardcopy of that delany 📕, the galleries were pink when i arrived, Christmas started in November, i am in awe of Stefa’s work and working through
(33)
Throwback to January, when @fettesans generously hosted this performance. Still processing most of this hc year, so haven’t really shared these up til now. (Also it’s report writing time)
𝐒𝐜𝐢𝐞𝐧𝐜𝐞 is a series of performances around envasive encounters with written and spoken language. The basic premise is that the performer or artist as reader engenders different artifacts as translation or symptom of a ‘textual infection’.
𝐒𝐜𝐢𝐞𝐧𝐜𝐞,𝟏 is a performance about reading. It is composed of books and bookshelves, dusty memorabilia, bodies, text and (lack of) light. Simultaneously domestic and museum-like, it is set in someone’s apartment pointing towards the precipice of public-private. Its main gesture is invasion followed by contamination. Its movement - slow. Its atmosphere - vacant, humorous, clumsy. The performers retain a level of inaccessibility as does the work itself.
And so, out of nowhere comes a bundle of text, a piece of language. Ominous and threatening, this alien enters (through the ear? or is it the eyes?). All too soon it is no longer possible to voice to mouth to speak without housing this intruder.
𝐒𝐜𝐢𝐞𝐧𝐜𝐞,𝟏 was done in collaboration with @lalacurrata and @marinlemic . and developed through @ricerca_x residency. The final presentation of the project was hosted by Fette Sans at @iamthethreshold . Financed by Croatian Ministry of Culture and the City of Zagreb respectively.
performance photos are by @davidbakaric 🫶
Liste Art Fair Basel opens today!
We are pleased to present a solo booth by Marko Gutić Mižimakov.
Marko Gutić Mižimakov is a visual, performance and text-based artist living between Brussels and Zagreb. They are interested in shaping sensory materials through intimate, collaborative, and social processes.
In their work bodies, including digital and palpable objects, are animated, choregraphed, and sung into non-orientable forms via different media processes of translation. Often borrowing from queer science fiction, their work is a form of speculative technology of mutual translation.
Booth 34
June 16-22
@akvae@liste_art_fair_basel
foto @nicola.morittu
We are pleased to inform you about our upcoming participation at Liste Art Basel with a presentation of Marko Gutič Mižimakov.
Booth 34
June 16–22
Marko Gutić Mižimakov is a visual, performance and text based artist living between Brussels and Zagreb. They are interested in shaping sensory materials through intimate, collaborative and social processes.
In their work bodies, as well as digital and palpable objects, are animated, choreographed and sung into non-orientable forms via different media and processes of translation. Often borrowing from queer science fiction they see their work as a speculative technology of mutual transformation.
- Turquoise (OOO Cage View 3)
laser print photography, metal frame , 2024.
100 × 70 × 46 cm
📸 @glorijalizde@akvae@liste_art_fair_basel
#markogutićmižimakov#galerijamanuš
#listeartfairbasel#basel
