Looking back at one of our earlier milestones.
This project for @zeone_india involved designing every product in 3D and creating five films — this reveal being one of them — built from the ground up in Blender.
Each project teaches us something new about craft, storytelling, and precision.
AJFX has grown since then, but the intent remains the same — create work that feels cinematic and meaningful.
Agency: @papercloudfilms
Director: @_aditya_khude_
#AJFX #3DDesign #BrandReveal #MotionDesign
Proud to share my 3D animation and compositing work for the iconic @monginisjaipur
Bringing sweet creations to life with stunning visuals and detailed animations. 🎂✨
Agency: @picturesqueideas
#3DAnimation #Compositing #Monginis #CakeArt #DigitalArt #AnimationMagic #VisualEffects #SweetCreations #CreativeProcess #Filmmaking #CGI #PostProduction #FoodArt
Courtside energy, desert air, and every rally echoing louder than the last.
Hydration on point, game faces locked in.
Where every drop fuels the next serve.
Just another electric moment on court. 🎾💧
For @bislerizone at @mubadalaabudhabiopen
Shot by: @keyurbedia@sahildasofficial
Edited by: @keyurbedia
Intro VFX Sequence: @ajfx.studio@amey.karhade
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[Mubadala Abu Dhabi Open 2026, Tennis, Bisleri]
#mubadalaabudhabiopen #tennis #bisleri #framegameproduction
A Women’s Day piece we recently animated for @sipabacusindia using a hybrid workflow of design, animation, and AI-assisted tools.
What would normally take a much longer production window was delivered in 1.5 days by integrating AI into parts of the process — allowing us to move faster while keeping the storytelling intact.
This video also presents human like AI driven VO specifically made for this project.
Exploring how technology can help ideas reach the screen quicker.
#AJFX #Animation #AIAnimation #WomensDay #MotionDesign CreativeTechnology
AI Spec Ad — Fire-Boltt Earbuds
This spec project started with a simple idea:
What if the same pair of earbuds travelled across India through different dance cultures?
From classical to street styles, the concept imagined dancers from different parts of the country — all connected by the same upbeat rhythm in their ears.
Filming something like this across multiple locations in India would normally require a large production, multiple crews, and significant travel.
So this became an experiment:
Could AI help build that world instead?
Using generative tools, I explored how a product film could move through multiple environments, dancers, and moods, while keeping the energy of a dance-driven narrative.
Projects like this are a great reminder that new tools can open up faster and more economical ways to prototype big ideas.
Every brand has a story — sometimes the challenge is simply making it easy to understand.
For Timespro, a platform focused on empowering a growing India through learning, we created two motion graphic films designed to simplify their message and guide viewers through their website and course offerings.
The goal wasn’t just animation.
It was clarity — turning information into something engaging, intuitive, and easy to follow.
From visual language to pacing and transitions, every decision was made to help audiences understand faster and connect better.
Motion design that doesn’t just look good — but communicates.
Some stories are too big to stay on paper.
We imagined a film set in a future Mumbai—
where oxygen is currency, survival is negotiated daily,
and love becomes an act of rebellion.
Producing something at this scale isn’t possible for us yet.
So instead of waiting, we used AI as a tool to visualize the world,
to test the mood, the characters, and the emotional spine of the film.
This is not the movie.
This is a concept trailer—a glimpse of a vision that deserves to exist.
THE LAST BREATH
What do you think this film would look like?
The final installment from the @raymond_the_complete_man series and my personal favourite! This one was a thrilling challenge of timing, lighting and asset development, with 4+ environments and performances it was the only video completely made Inside the 3D software!
The second installment in the series for @raymond_the_complete_man is complete. Two years ago, I used a classic blend of real props and CGI extensions to create a realistic scale from scratch. This one also featured an all-green screen replacement. Stay tuned for the final part of the series!