Ailsa Wong

軀 Ｕｎｂｏｄｉｅｄ Solo exhibition by Ailsa Wong Opening: 16 May 2026, 1 - 8 p.m. (RSVP only) Opening performance: 2:45 - 4:15 p.m. (free donation) Performers: ch…… and Auror Exhibition period: 16 May to 11 July 2026 Venue: @hone___fineart (Yim Tin Tsai Village No.5, Sai Kung, Hong Kong) Opening Hours: 1 - 5 p.m. (Saturdays, Sundays and public holidays, RSVP only) RSVP (link In bio): https://forms.gle/unbsFZyEfeyJuMiBA 𓆭 𓆭 𓆭 𓆭 𓆭 𓆭𓆭 𓆭 𓆭𓆭 𓆭 𓆭𓆭 The exhibition considers the “body” (軀) as a medium through which the unbodied comes into appearance. The installation takes bamboo collected from Yim Tin Tsai as the core of this corporeal form, forming a system that continuously sways and remains mutually interconnected. “Unbodied” refers to a non-material state— consciousness, residue, or qi—something that cannot be fully contained or embodied, and which flows through both the paintings and the space as a whole. Rather than existing in opposition, the “body” and the unbodied permeate one another within the same system. The house becomes a bodily shell, a structure that can be entered, within which installation and painting generate an inner landscape. 𓆭 𓆭 𓆭 𓆭 𓆭 𓆭𓆭 𓆭 𓆭𓆭 𓆭 𓆭𓆭 @ailsa.ww Ailsa Wong explores ways of connecting consciousness with primitive emotion, responding to a perceived vacuum of belief. She develops intuitive processes that blend artificial and natural systems, allowing material to form experiential structures that reflect inner landscapes. @chungyw_ Sound duos @bungee_neighbour member ch…… makes their solo debut, exploring sonic connections through fieldwork, daily objects, and voice. Re-linking senses with natural soundscapes and crafting forms in the interplay of shades and noises. @auroredelune Auror’s soundscapes are built from fragile textures and found sounds. Fragments of dreams fold into recordings of the waking world, softly blurring inner and outer realities. @hone___fineart Located in the historic Yim Tin Tsai, Sai Kung, Hone is an island-based art space that breaks away from the urban landscape.

This Saturday!🪝See you on the island (remember to RSVP)🤎 🪾Trailer of 軀 Ｕｎｂｏｄｉｅｄ🪾 Trailer music by @auroredelune 𓆭 𓆭 𓆭 𓆭 𓆭 𓆭𓆭 𓆭 𓆭𓆭 𓆭 𓆭 𓆭 軀 Ｕｎｂｏｄｉｅｄ Solo exhibition by Ailsa Wong Opening: 16 May 2026, 1 - 8 p.m. (RSVP only) Opening performance: 2:45 - 4:15 p.m. (free donation) Performers: ch…… and Auror Exhibition period: 16 May to 11 July 2026 Venue: Hone (Yim Tin Tsai Village No.5, Sai Kung, Hong Kong) Opening Hours: 1 - 5 p.m. (Saturdays, Sundays and public holidays, RSVP only) RSVP (link In bio): https://forms.gle/unbsFZyEfeyJuMiBA

🪾More info about the exhibition🪾 𓆭 𓆭 𓆭 𓆭 𓆭 𓆭𓆭 𓆭 𓆭𓆭 𓆭 𓆭 𓆭 軀 Ｕｎｂｏｄｉｅｄ Solo exhibition by Ailsa Wong Opening: 16 May 2026, 1 - 8 p.m. (RSVP only) Opening performance: 2:45 - 4:15 p.m. (free donation) Performers: ch…… and Auror Exhibition period: 16 May to 11 July 2026 Venue: Hone (Yim Tin Tsai Village No.5, Sai Kung, Hong Kong) Opening Hours: 1 - 5 p.m. (Saturdays, Sundays and public holidays, RSVP only) RSVP (link In bio): https://forms.gle/unbsFZyEfeyJuMiBA

空hone | 展覽預告 Hone Gallery | Exhibition Preview 黃雅珊：軀 (Ailsa Wong: Unbodied) 「軀」並非限制，而是一種通道，使那些無形體的存在，得以在擺動與滲透之間短暫顯現。 The ”body“ is not a limitation, but a conduit that allows unbodied existences to temporarily manifest between oscillation and permeation. 藝術家黃雅珊透過在鹽田梓執拾的竹作為核心，構建出一套持續擺動、相互牽連的動態系統。在這間小屋的軀殼內，裝置與繪畫共同生成了一場內在景觀。在這裡，物質與意識、人工與自然不再對立，而是在同一個系統中彼此滲透、共生。 Artist Ailsa Wong constructs a dynamic system that continuously oscillates and is interconnected, using found bamboo from Yim Tin Tsai as its core. Within this small house-like shell, installations and paintings jointly generate an inner landscape. Here, matter and consciousness, the artificial and the natural, are no longer opposed, but permeate and coexist within the same system. 我們邀請你進入這具「身體」，在純粹的寧靜中，感受那些不被具體承載的存在。 We invite you to enter this ”body“ and, in pure serenity, feel those existences that are not concretely embodied. • 展覽日期 Exhibition Dates： 2026 年 5 月 16 日 – 7 月 11 日 (May 16 – July 11, 2026) • 地點 Location： 空hone（香港西貢鹽田梓村 5 號） (Hone, 5 Yim Tin Tsai Village, Sai Kung, Hong Kong) • 開放時間 Opening Hours： 下午 1 時至 5 時 (1:00 PM – 5:00 PM) • （僅限星期六、日及公眾假期 (Saturdays, Sundays, and Public Holidays only)） • 開幕儀式 Opening Ceremony： 5 月 16 日 (Sat) | 下午 2 時至 8 時 (May 16, Sat | 2:00 PM – 8:00 PM) • 特別演出 Special Performance： ch…… 及 Auror (ch…… & Auror) [ 僅供預約參觀 By Appointment Only ] 🔗 預約連結 RSVN Link：https://forms.gle/unbsFZyEfeyJuMiBA

artist portraits for @ailsa.ww hong kong, 2026

. 𝙰𝚗𝚝 𝙼𝚒𝚕𝚕 𝟹𝙳 𝚅𝚒𝚍𝚎𝚘 𝚐𝚊𝚖𝚎 𝟸𝟶𝟸𝟻 𝙰𝚗𝚝 𝙼𝚒𝚕𝚕 𝚒𝚜 𝚊𝚗 𝚒𝚗𝚝𝚎𝚛𝚊𝚌𝚝𝚒𝚟𝚎 𝚟𝚒𝚍𝚎𝚘 𝚐𝚊𝚖𝚎 𝚜𝚎𝚝 𝚒𝚗 𝙵𝙿𝚅, 𝚠𝚑𝚎𝚛𝚎𝚒𝚗 𝚙𝚕𝚊𝚢𝚎𝚛𝚜 𝚌𝚊𝚗 𝚠𝚊𝚗𝚍𝚎𝚛 𝚊𝚛𝚘𝚞𝚗𝚍 𝚍𝚒𝚏𝚏𝚎𝚛𝚎𝚗𝚝 𝚛𝚘𝚘𝚖𝚜, 𝚎𝚊𝚌𝚑 𝚏𝚒𝚕𝚕𝚎𝚍 𝚠𝚒𝚝𝚑 𝟹𝙳 𝚖𝚘𝚍𝚎𝚕𝚜 𝚘𝚏 𝚜𝚞𝚛𝚛𝚎𝚊𝚕 𝚍𝚊𝚒𝚕𝚢 𝚘𝚋𝚓𝚎𝚌𝚝𝚜 𝚊𝚗𝚍 𝚜𝚎𝚝𝚝𝚒𝚗𝚐𝚜 𝚐𝚎𝚗𝚎𝚛𝚊𝚝𝚎𝚍 𝚋𝚢 𝙼𝚎𝚜𝚑𝚢 𝙰𝙸. 𝚃𝚑𝚎 𝚊𝚛𝚝𝚠𝚘𝚛𝚔 𝚒𝚜 𝚝𝚒𝚝𝚕𝚎𝚍 𝚊𝚏𝚝𝚎𝚛 𝚊𝚗 𝚘𝚋𝚜𝚎𝚛𝚟𝚎𝚍 𝚙𝚑𝚎𝚗𝚘𝚖𝚎𝚗𝚘𝚗 𝚒𝚗 𝚠𝚑𝚒𝚌𝚑 𝚊𝚗𝚝𝚜 𝚜𝚎𝚙𝚊𝚛𝚊𝚝𝚎𝚍 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎𝚒𝚛 𝚖𝚊𝚒𝚗 𝚏𝚘𝚛𝚊𝚐𝚒𝚗𝚐 𝚙𝚊𝚛𝚝𝚢 𝚕𝚘𝚜𝚎 𝚝𝚑𝚎 𝚙𝚑𝚎𝚛𝚘𝚖𝚘𝚗𝚎 𝚝𝚛𝚊𝚌𝚔 𝚊𝚗𝚍 𝚋𝚎𝚐𝚒𝚗 𝚝𝚘 𝚏𝚘𝚕𝚕𝚘𝚠 𝚘𝚗𝚎 𝚊𝚗𝚘𝚝𝚑𝚎𝚛, 𝚏𝚘𝚛𝚖𝚒𝚗𝚐 𝚊 𝚌𝚘𝚗𝚝𝚒𝚗𝚞𝚘𝚞𝚜𝚕𝚢 𝚛𝚘𝚝𝚊𝚝𝚒𝚗𝚐 𝚌𝚒𝚛𝚌𝚕𝚎 𝚝𝚑𝚊𝚝 𝚘𝚏𝚝𝚎𝚗 𝚎𝚗𝚍𝚜 𝚒𝚗 𝚍𝚎𝚊𝚝𝚑 𝚋𝚢 𝚎𝚡𝚑𝚊𝚞𝚜𝚝𝚒𝚘𝚗. 𝙸𝚗 𝚝𝚑𝚎 𝚐𝚊𝚖𝚎, 𝚙𝚕𝚊𝚢𝚎𝚛𝚜 𝚊𝚛𝚎 𝚙𝚛𝚘𝚟𝚒𝚍𝚎𝚍 𝚠𝚒𝚝𝚑 𝚘𝚙𝚝𝚒𝚘𝚗𝚜 𝚘𝚏 𝚖𝚘𝚟𝚒𝚗𝚐 𝚏𝚘𝚛𝚠𝚊𝚛𝚍, 𝚋𝚊𝚌𝚔𝚠𝚊𝚛𝚍, 𝚕𝚎𝚏𝚝, 𝚘𝚛 𝚛𝚒𝚐𝚑𝚝, 𝚊𝚜 𝚠𝚎𝚕𝚕 𝚊𝚜 𝚟𝚊𝚛𝚒𝚎𝚍 𝚍𝚘𝚘𝚛𝚜 𝚊𝚗𝚍 𝚝𝚞𝚗𝚗𝚎𝚕𝚜 𝚝𝚑𝚊𝚝 𝚕𝚎𝚊𝚍 𝚝𝚘 𝚜𝚎𝚎𝚖𝚒𝚗𝚐𝚕𝚢 𝚍𝚒𝚏𝚏𝚎𝚛𝚎𝚗𝚝 𝚙𝚕𝚊𝚌𝚎𝚜. 𝙰 𝚙𝚎𝚗𝚜𝚒𝚟𝚎 𝚝𝚑𝚘𝚞𝚐𝚑𝚝 𝚎𝚖𝚎𝚛𝚐𝚎𝚜 𝚊𝚜 𝚝𝚑𝚎 𝚒𝚕𝚕𝚞𝚜𝚒𝚘𝚗 𝚘𝚏 𝚌𝚑𝚘𝚒𝚌𝚎 𝚊𝚗𝚍 𝚊𝚌𝚝𝚒𝚘𝚗 𝚒𝚜 𝚓𝚞𝚡𝚝𝚊𝚙𝚘𝚜𝚎𝚍 𝚊𝚐𝚊𝚒𝚗𝚜𝚝 𝚝𝚑𝚎 𝚌𝚕𝚘𝚜𝚎𝚍 𝚌𝚢𝚌𝚕𝚎 𝚘𝚏 𝚐𝚊𝚖𝚎𝚙𝚕𝚊𝚢 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚞𝚗𝚛𝚎𝚊𝚕𝚒𝚝𝚢 𝚘𝚏 𝚒𝚝𝚜 𝚎𝚗𝚟𝚒𝚛𝚘𝚗𝚖𝚎𝚗𝚝𝚜. 𝚆𝚘𝚗𝚐 𝚛𝚎𝚏𝚕𝚎𝚌𝚝𝚜 𝚞𝚙𝚘𝚗 𝚝𝚑𝚎 𝚌𝚘𝚗𝚝𝚎𝚖𝚙𝚘𝚛𝚊𝚛𝚢 𝚜𝚢𝚜𝚝𝚎𝚖𝚜 𝚘𝚏 𝚏𝚎𝚎𝚍𝚋𝚊𝚌𝚔 𝚝𝚑𝚊𝚝 𝚒𝚗𝚏𝚘𝚛𝚖 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎 𝚊𝚗𝚍 𝚌𝚘𝚗𝚝𝚎𝚖𝚙𝚕𝚊𝚝𝚎𝚜 𝚋𝚎𝚑𝚊𝚟𝚒𝚘𝚛𝚒𝚜𝚖 𝚞𝚗𝚍𝚎𝚛 𝚝𝚑𝚎 𝚘𝚋𝚕𝚒𝚟𝚒𝚘𝚗 𝚘𝚏 𝚕𝚊𝚛𝚐𝚎𝚛 𝚙𝚊𝚛𝚊𝚍𝚒𝚐𝚖𝚜. “𝟷” 𝟸𝟺 𝙼𝚊𝚢 - 𝟸𝟼 𝙹𝚞𝚕 𝟸𝟶𝟸𝟻 @desarthegallery

. 𝚂𝚝𝚒𝚕𝚕 𝙸 𝚂𝚎𝚌𝚘𝚗𝚍 𝚑𝚊𝚗𝚍𝚜, 𝚚𝚞𝚊𝚛𝚝𝚣 𝚌𝚕𝚘𝚌𝚔 𝚖𝚘𝚟𝚎𝚖𝚎𝚗𝚝𝚜 𝚊𝚗𝚍 𝚌𝚕𝚊𝚢 𝟸𝟼 𝚡 𝟽𝟶 𝚡 𝟺𝟺 𝚌𝚖 𝟸𝟶𝟸𝟻 𝚂𝚝𝚒𝚕𝚕 𝙸𝙸 𝚂𝚎𝚌𝚘𝚗𝚍 𝚑𝚊𝚗𝚍𝚜, 𝚚𝚞𝚊𝚛𝚝𝚣 𝚌𝚕𝚘𝚌𝚔 𝚖𝚘𝚟𝚎𝚖𝚎𝚗𝚝𝚜 𝚊𝚗𝚍 𝚌𝚕𝚊𝚢 𝟹𝟸 𝚡 𝟽𝟹 𝚡 𝟼𝟶 𝚌𝚖 𝟸𝟶𝟸𝟻 𝚂𝚝𝚒𝚕𝚕 𝙸𝙸𝙸 𝚂𝚎𝚌𝚘𝚗𝚍 𝚑𝚊𝚗𝚍𝚜, 𝚚𝚞𝚊𝚛𝚝𝚣 𝚌𝚕𝚘𝚌𝚔 𝚖𝚘𝚟𝚎𝚖𝚎𝚗𝚝𝚜 𝚊𝚗𝚍 𝚌𝚕𝚊𝚢 𝟻𝟼 𝚡 𝟻𝟶 𝚡 𝟻𝟸 𝚌𝚖 𝟸𝟶𝟸𝟻 𝙰 𝚜𝚎𝚛𝚒𝚎𝚜 𝚘𝚏 𝚝𝚑𝚛𝚎𝚎 𝚜𝚌𝚞𝚕𝚙𝚝𝚞𝚛𝚎𝚜, 𝚂𝚝𝚒𝚕𝚕 (𝟸𝟶𝟸𝟻) 𝚊𝚛𝚎 𝚊𝚗𝚝 𝚑𝚒𝚕𝚕-𝚕𝚒𝚔𝚎 𝚏𝚘𝚛𝚖𝚜 𝚝𝚑𝚊𝚝 𝚎𝚊𝚌𝚑 𝚌𝚘𝚖𝚙𝚛𝚒𝚜𝚎 𝚊𝚗 𝚊𝚛𝚛𝚊𝚢 𝚘𝚏 𝚝𝚒𝚌𝚔𝚒𝚗𝚐 𝚌𝚕𝚘𝚌𝚔 𝚑𝚊𝚗𝚍𝚜. 𝙵𝚛𝚘𝚖 𝚊𝚏𝚊𝚛, 𝚝𝚑𝚎 𝚖𝚘𝚟𝚎𝚖𝚎𝚗𝚝 𝚘𝚏 𝚝𝚑𝚎 𝚑𝚊𝚗𝚍𝚜 𝚕𝚘𝚘𝚔𝚜 𝚊𝚜 𝚒𝚏 𝚘𝚗𝚐𝚘𝚒𝚗𝚐 𝚊𝚌𝚝𝚒𝚟𝚒𝚝𝚢 𝚒𝚗 𝚊𝚗 𝚊𝚗𝚝 𝚌𝚘𝚕𝚘𝚗𝚢, 𝚠𝚑𝚒𝚌𝚑 𝚘𝚙𝚎𝚛𝚊𝚝𝚎𝚜 𝚙𝚎𝚛𝚙𝚎𝚝𝚞𝚊𝚕𝚕𝚢 𝚊𝚗𝚍 𝚒𝚗 𝚖𝚘𝚗𝚘𝚝𝚘𝚗𝚢 𝚠𝚒𝚝𝚑 𝚗𝚘 𝚛𝚎𝚐𝚊𝚛𝚍𝚜 𝚝𝚘 𝚝𝚑𝚎 𝚍𝚊𝚢𝚜 𝚊𝚗𝚍 𝚝𝚒𝚖𝚎 𝚙𝚊𝚜𝚜𝚎𝚍. 𝙸𝚖𝚊𝚐𝚒𝚗𝚒𝚗𝚐 𝚎𝚡𝚒𝚜𝚝𝚎𝚗𝚌𝚎 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎 𝚙𝚎𝚛𝚜𝚙𝚎𝚌𝚝𝚒𝚟𝚎 𝚘𝚏 𝚊𝚗 𝚊𝚗𝚒𝚖𝚊𝚕, 𝚝𝚑𝚎 𝚊𝚛𝚝𝚒𝚜𝚝 𝚛𝚎𝚌𝚘𝚗𝚜𝚒𝚍𝚎𝚛𝚜 𝚝𝚑𝚎 𝚗𝚘𝚝𝚒𝚘𝚗 𝚘𝚏 𝚝𝚒𝚖𝚎 𝚊𝚜 𝚖𝚊𝚗-𝚖𝚊𝚍𝚎 𝚌𝚘𝚗𝚜𝚝𝚛𝚞𝚌𝚝 𝚒𝚛𝚛𝚎𝚕𝚎𝚟𝚊𝚗𝚝 𝚝𝚘 𝚘𝚝𝚑𝚎𝚛 𝚋𝚎𝚒𝚗𝚐𝚜 – 𝚠𝚑𝚎𝚛𝚎𝚒𝚗 𝚘𝚗𝚕𝚢 𝚝𝚑𝚎 𝚙𝚛𝚎𝚜𝚎𝚗𝚝 𝚌𝚊𝚗 𝚋𝚎 𝚙𝚎𝚛𝚌𝚎𝚒𝚟𝚎𝚍 𝚋𝚢 𝚒𝚗𝚑𝚎𝚛𝚎𝚗𝚝 𝚜𝚎𝚗𝚜𝚎𝚜, 𝚊𝚗𝚍 𝚝𝚑𝚞𝚜 𝚗𝚎𝚒𝚝𝚑𝚎𝚛 𝚝𝚑𝚎 𝚙𝚊𝚜𝚝 𝚗𝚘𝚛 𝚏𝚞𝚝𝚞𝚛𝚎 𝚎𝚡𝚒𝚜𝚝𝚜 𝚞𝚗𝚍𝚎𝚛 𝚝𝚑𝚎 𝚌𝚘𝚗𝚝𝚎𝚡𝚝 𝚘𝚏 𝚎𝚖𝚙𝚒𝚛𝚒𝚌𝚊𝚕 𝚛𝚎𝚊𝚕𝚒𝚝𝚢. 𝙱𝚢 𝚛𝚎𝚖𝚘𝚟𝚒𝚗𝚐 𝚝𝚑𝚎 𝚌𝚕𝚘𝚌𝚔 𝚍𝚒𝚊𝚕𝚜, 𝚆𝚘𝚗𝚐 𝚊𝚕𝚜𝚘 𝚜𝚝𝚛𝚞𝚌𝚝𝚞𝚛𝚎𝚜 𝚝𝚒𝚖𝚎 𝚊𝚜 𝚊𝚗 𝚒𝚗𝚏𝚒𝚗𝚒𝚝𝚎 𝚕𝚘𝚘𝚙 𝚠𝚒𝚝𝚑𝚒𝚗 𝚝𝚑𝚎 𝚊𝚛𝚝𝚠𝚘𝚛𝚔, 𝚒𝚗 𝚠𝚑𝚒𝚌𝚑 𝚘𝚗𝚎’𝚜 𝚜𝚎𝚗𝚜𝚘𝚛𝚢 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎𝚜 𝚜𝚎𝚛𝚟𝚎 𝚊𝚜 𝚝𝚑𝚎 𝚘𝚗𝚕𝚢 𝚞𝚗𝚒𝚟𝚎𝚛𝚜𝚊𝚕 𝚖𝚎𝚊𝚜𝚞𝚛𝚒𝚗𝚐 𝚞𝚗𝚒𝚝. “𝟷” 𝟸𝟺 𝙼𝚊𝚢 - 𝟸𝟼 𝙹𝚞𝚕 𝟸𝟶𝟸𝟻 @desarthegallery

. 𝙴𝚖𝚋𝚛𝚢𝚘𝚜 𝙲𝚕𝚊𝚢, 𝚎𝚙𝚘𝚡𝚢, 𝚙𝚑𝚘𝚝𝚘 𝚝𝚛𝚊𝚗𝚜𝚏𝚎𝚛 𝚘𝚗 𝚌𝚊𝚗𝚟𝚊𝚜 𝟷𝟼𝟶 𝚡 𝟸𝟷𝟶 𝚌𝚖 𝟸𝟶𝟸𝟻 𝙴𝚖𝚋𝚛𝚢𝚘𝚜 𝚒𝚜 𝚊 𝚖𝚒𝚡𝚎𝚍 𝚖𝚎𝚍𝚒𝚊 𝚌𝚘𝚕𝚕𝚊𝚐𝚎 𝚘𝚏 𝚌𝚕𝚊𝚢 𝚊𝚗𝚍 𝚊𝚗 𝚒𝚗𝚝𝚎𝚗𝚜𝚎 𝚍𝚒𝚜𝚙𝚕𝚊𝚢 𝚘𝚏 𝙰𝙸-𝚐𝚎𝚗𝚎𝚛𝚊𝚝𝚎𝚍 𝚒𝚖𝚊𝚐𝚎𝚜 𝚘𝚏 𝚎𝚖𝚋𝚛𝚢𝚘𝚜. 𝙸𝚗 𝚝𝚑𝚎 𝚖𝚊𝚔𝚒𝚗𝚐 𝚘𝚏 𝚝𝚑𝚒𝚜 𝚊𝚛𝚝𝚠𝚘𝚛𝚔, 𝚝𝚑𝚎 𝚊𝚛𝚝𝚒𝚜𝚝 𝚌𝚊𝚜𝚝𝚜 𝚊𝚛𝚝𝚒𝚏𝚒𝚌𝚒𝚊𝚕 𝚒𝚗𝚝𝚎𝚕𝚕𝚒𝚐𝚎𝚗𝚌𝚎 𝚒𝚗 𝚊 𝚜𝚒𝚖𝚒𝚕𝚊𝚛 𝚛𝚘𝚕𝚎 𝚊𝚜 𝚊 𝚚𝚞𝚎𝚎𝚗 𝚊𝚗𝚝 𝚠𝚒𝚝𝚑𝚒𝚗 𝚊 𝚌𝚘𝚕𝚘𝚗𝚢. 𝙰 𝚚𝚞𝚎𝚎𝚗 𝚊𝚗𝚝 𝚙𝚛𝚘𝚍𝚞𝚌𝚎𝚜 𝚊𝚕𝚕 𝚝𝚑𝚎 𝚊𝚗𝚝𝚜 𝚠𝚒𝚝𝚑𝚒𝚗 𝚊 𝚌𝚘𝚕𝚘𝚗𝚢, 𝚊 𝚜𝚒𝚗𝚐𝚕𝚎 𝚜𝚘𝚞𝚛𝚌𝚎 𝚘𝚏 𝚕𝚒𝚏𝚎 𝚏𝚛𝚘𝚖 𝚠𝚑𝚒𝚌𝚑 𝚝𝚑𝚎 𝚜𝚞𝚙𝚎𝚛𝚘𝚛𝚐𝚊𝚗𝚒𝚜𝚖 𝚒𝚜 𝚋𝚘𝚛𝚗 𝚊𝚗𝚍 𝚜𝚞𝚜𝚝𝚊𝚒𝚗𝚎𝚍. 𝙸𝚗 𝚝𝚑𝚎 𝚊𝚛𝚝𝚠𝚘𝚛𝚔, 𝚆𝚘𝚗𝚐 𝚙𝚘𝚜𝚎𝚜 𝙰𝙸 𝚊𝚜 𝚝𝚑𝚎 𝚖𝚘𝚝𝚑𝚎𝚛 𝚝𝚘 𝚍𝚘𝚣𝚎𝚗𝚜 𝚘𝚏 𝚍𝚒𝚐𝚒𝚝𝚊𝚕 𝚋𝚊𝚋𝚒𝚎𝚜, 𝚊𝚕𝚕𝚞𝚍𝚒𝚗𝚐 𝚝𝚘 𝚝𝚑𝚎 𝚝𝚎𝚌𝚑𝚗𝚘𝚕𝚘𝚐𝚢’𝚜 𝚐𝚛𝚘𝚠𝚒𝚗𝚐 𝚛𝚘𝚕𝚎 𝚊𝚜 𝚊 𝚖𝚎𝚊𝚗𝚜 𝚘𝚏 𝚌𝚛𝚎𝚊𝚝𝚒𝚘𝚗 𝚒𝚗 𝚝𝚑𝚎 𝚙𝚛𝚎𝚟𝚊𝚒𝚕𝚒𝚗𝚐 𝚎𝚛𝚊. 𝚃𝚑𝚎 𝚊𝚛𝚝𝚠𝚘𝚛𝚔 𝚎𝚕𝚞𝚌𝚒𝚍𝚊𝚝𝚎𝚜 𝚊𝚗𝚘𝚝𝚑𝚎𝚛 𝚜𝚒𝚖𝚒𝚕𝚊𝚛𝚒𝚝𝚢 𝚋𝚎𝚝𝚠𝚎𝚎𝚗 𝚝𝚑𝚎 𝚚𝚞𝚎𝚎𝚗 𝚊𝚗𝚝 𝚊𝚗𝚍 𝙰𝙸, 𝚒𝚗 𝚝𝚑𝚊𝚝 𝚋𝚘𝚝𝚑 𝚊𝚛𝚎 𝚜𝚎𝚛𝚟𝚎𝚍 𝚊𝚗𝚍 𝚏𝚎𝚍 𝚋𝚢 𝚒𝚝𝚜 𝚘𝚏𝚏𝚜𝚙𝚛𝚒𝚗𝚐 – 𝚝𝚑𝚎 𝚏𝚘𝚛𝚖𝚎𝚛 𝚠𝚒𝚝𝚑 𝚏𝚘𝚘𝚍, 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚕𝚊𝚝𝚝𝚎𝚛 𝚠𝚒𝚝𝚑 𝚌𝚘𝚗𝚝𝚎𝚗𝚝 𝚊𝚗𝚍 𝚍𝚊𝚝𝚊. 𝙰𝚜 𝚘𝚗𝚎 𝚙𝚛𝚘𝚍𝚞𝚌𝚎𝚜, 𝚒𝚝 𝚒𝚜 𝚜𝚒𝚖𝚞𝚕𝚝𝚊𝚗𝚎𝚘𝚞𝚜𝚕𝚢 𝚗𝚘𝚞𝚛𝚒𝚜𝚑𝚎𝚍, 𝚞𝚕𝚝𝚒𝚖𝚊𝚝𝚎𝚕𝚢 𝚜𝚑𝚊𝚙𝚒𝚗𝚐 𝚊 𝚏𝚎𝚎𝚍𝚋𝚊𝚌𝚔 𝚕𝚘𝚘𝚙 𝚍𝚛𝚒𝚟𝚎𝚗 𝚊𝚗𝚍 𝚙𝚎𝚛𝚙𝚎𝚝𝚞𝚊𝚝𝚎𝚍 𝚋𝚢 𝚊𝚞𝚝𝚘𝚗𝚘𝚖𝚘𝚞𝚜 𝚙𝚛𝚘𝚍𝚞𝚌𝚝𝚒𝚘𝚗. “𝟷” 𝟸𝟺 𝙼𝚊𝚢 - 𝟸𝟼 𝙹𝚞𝚕 𝟸𝟶𝟸𝟻 @desarthegallery

. 𝙲𝚑𝚊𝚗𝚝 𝙱𝚛𝚊𝚜𝚜 𝚋𝚎𝚕𝚕𝚜, 𝚠𝚒𝚐𝚜, 𝚊𝚗𝚍 𝚜𝚠𝚒𝚗𝚐 𝚖𝚘𝚝𝚘𝚛𝚜 𝚂𝚒𝚣𝚎 𝚟𝚊𝚛𝚒𝚊𝚋𝚕𝚎 𝟸𝟶𝟸𝟻 𝚃𝚑𝚎 𝚒𝚗𝚜𝚝𝚊𝚕𝚕𝚊𝚝𝚒𝚘𝚗 𝚒𝚜 𝚌𝚘𝚖𝚙𝚘𝚜𝚎𝚍 𝚘𝚏 𝚋𝚛𝚊𝚜𝚜 𝚋𝚎𝚕𝚕𝚜 𝚝𝚑𝚊𝚝 𝚊𝚛𝚎 𝚜𝚝𝚛𝚞𝚗𝚐 𝚝𝚘𝚐𝚎𝚝𝚑𝚎𝚛 𝚋𝚢 𝚋𝚛𝚊𝚒𝚍𝚎𝚍 𝚑𝚊𝚒𝚛 𝚝𝚑𝚊𝚝 𝚑𝚊𝚗𝚐 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎 𝚌𝚎𝚒𝚕𝚒𝚗𝚐, 𝚊𝚜 𝚒𝚏 𝚊 𝚙𝚛𝚒𝚖𝚒𝚝𝚒𝚟𝚎 𝚖𝚞𝚜𝚒𝚌𝚊𝚕 𝚛𝚎𝚕𝚒𝚌 𝚖𝚊𝚍𝚎 𝚋𝚢 𝚊𝚗 𝚊𝚗𝚌𝚒𝚎𝚗𝚝 𝚌𝚞𝚕𝚝𝚞𝚛𝚎. 𝙴𝚊𝚌𝚑 𝚋𝚛𝚊𝚒𝚍 𝚒𝚜 𝚜𝚞𝚜𝚙𝚎𝚗𝚍𝚎𝚍 𝚏𝚛𝚘𝚖 𝚊 𝚜𝚠𝚒𝚗𝚐𝚒𝚗𝚐 𝚖𝚎𝚌𝚑𝚊𝚗𝚒𝚜𝚖 𝚙𝚛𝚘𝚐𝚛𝚊𝚖𝚖𝚎𝚍 𝚝𝚘 𝚖𝚘𝚟𝚎 𝚊𝚝 𝚌𝚎𝚛𝚝𝚊𝚒𝚗 𝚝𝚒𝚖𝚎 𝚒𝚗𝚝𝚎𝚛𝚟𝚊𝚕𝚜, 𝚌𝚛𝚎𝚊𝚝𝚒𝚗𝚐 𝚊 𝚛𝚎𝚜𝚘𝚞𝚗𝚍𝚒𝚗𝚐 𝚌𝚑𝚒𝚖𝚎 𝚎𝚊𝚌𝚑 𝚝𝚒𝚖𝚎 𝚝𝚑𝚎 𝚋𝚎𝚕𝚕𝚜 𝚊𝚛𝚎 𝚛𝚊𝚝𝚝𝚕𝚎𝚍. 𝚆𝚘𝚗𝚐 𝚍𝚛𝚊𝚠𝚜 𝚒𝚗𝚜𝚙𝚒𝚛𝚊𝚝𝚒𝚘𝚗 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎 𝚜𝚘𝚞𝚗𝚍𝚜 𝚘𝚏𝚝𝚎𝚗 𝚊𝚜𝚜𝚘𝚌𝚒𝚊𝚝𝚎𝚍 𝚠𝚒𝚝𝚑 𝚛𝚒𝚝𝚞𝚊𝚕𝚒𝚜𝚝𝚒𝚌 𝚙𝚛𝚘𝚌𝚎𝚜𝚜𝚎𝚜, 𝚙𝚘𝚜𝚒𝚗𝚐 𝚝𝚑𝚎 𝚊𝚛𝚝𝚠𝚘𝚛𝚔 𝚊𝚜 𝚊 𝚜𝚊𝚌𝚛𝚎𝚍 𝚘𝚋𝚓𝚎𝚌𝚝 𝚘𝚛 𝚝𝚘𝚝𝚎𝚖 𝚠𝚒𝚝𝚑𝚒𝚗 𝚝𝚑𝚎 𝚏𝚒𝚌𝚝𝚒𝚘𝚗𝚊𝚕 𝚛𝚎𝚕𝚒𝚐𝚒𝚘𝚗 𝚜𝚑𝚎 𝚑𝚊𝚜 𝚌𝚛𝚊𝚏𝚝𝚎𝚍. 𝚃𝚑𝚎 𝚊𝚛𝚝𝚒𝚜𝚝 𝚒𝚗𝚝𝚎𝚛𝚙𝚛𝚎𝚝𝚜 𝚑𝚊𝚒𝚛 𝚊𝚜 𝚊𝚗 𝚎𝚡𝚝𝚎𝚗𝚜𝚒𝚘𝚗 𝚘𝚏 𝚝𝚑𝚎 𝚋𝚘𝚍𝚢 𝚊𝚗𝚍 𝚜𝚘𝚞𝚕, 𝚠𝚑𝚒𝚕𝚎 𝚝𝚑𝚎 𝚋𝚎𝚕𝚕𝚜 𝚊𝚛𝚎 𝚟𝚒𝚜𝚞𝚊𝚕𝚕𝚢 𝚛𝚎𝚖𝚒𝚗𝚒𝚜𝚌𝚎𝚗𝚝 𝚘𝚏 𝚊𝚗𝚝 𝚎𝚐𝚐𝚜, 𝚜𝚢𝚖𝚋𝚘𝚕𝚒𝚣𝚒𝚗𝚐 𝚗𝚎𝚠 𝚕𝚒𝚏𝚎 𝚊𝚗𝚍 𝚝𝚑𝚊𝚝 𝚊𝚜 𝚊𝚗 𝚎𝚡𝚝𝚎𝚗𝚜𝚒𝚘𝚗 𝚘𝚏 𝚝𝚑𝚎 𝚕𝚒𝚏𝚎-𝚐𝚒𝚟𝚎𝚛. 𝙰𝚗𝚌𝚑𝚘𝚛𝚎𝚍 𝚒𝚗 𝚟𝚒𝚜𝚌𝚎𝚛𝚊, 𝚝𝚑𝚎 𝚊𝚛𝚝𝚠𝚘𝚛𝚔 𝚎𝚟𝚘𝚔𝚎𝚜 𝚊 𝚜𝚝𝚊𝚝𝚎 𝚘𝚏 𝚙𝚑𝚢𝚜𝚒𝚌𝚊𝚕 𝚞𝚗𝚎𝚊𝚜𝚎 𝚝𝚑𝚊𝚝 𝚒𝚜 𝚌𝚘𝚗𝚝𝚛𝚊𝚜𝚝𝚎𝚍 𝚋𝚢 𝚝𝚑𝚎 𝚕𝚒𝚐𝚑𝚝𝚗𝚎𝚜𝚜 𝚘𝚏 𝚒𝚝𝚜 𝚊𝚞𝚍𝚒𝚝𝚘𝚛𝚢 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎. 𝙰𝚜 𝚟𝚒𝚎𝚠𝚎𝚛𝚜 𝚊𝚛𝚎 𝚕𝚎𝚍 𝚝𝚘 𝚌𝚘𝚗𝚏𝚛𝚘𝚗𝚝 𝚝𝚑𝚎𝚒𝚛 𝚋𝚘𝚍𝚒𝚕𝚢 𝚍𝚒𝚜𝚌𝚘𝚖𝚏𝚘𝚛𝚝, 𝚆𝚘𝚗𝚐’𝚜 𝚏𝚒𝚌𝚝𝚒𝚘𝚗𝚊𝚕 𝚛𝚎𝚕𝚒𝚌 𝚘𝚏𝚏𝚎𝚛𝚜 𝚖𝚘𝚖𝚎𝚗𝚝𝚊𝚛𝚢 𝚝𝚛𝚊𝚗𝚜𝚌𝚎𝚗𝚍𝚎𝚗𝚌𝚎. “𝟷” 𝟸𝟺 𝙼𝚊𝚢 - 𝟸𝟼 𝙹𝚞𝚕 𝟸𝟶𝟸𝟻 @desarthegallery

Ailsa Wong Dual 2025 Wigs, rotating devices, clay and soil 183 x 40 x 50 cm The artwork primarily consists of two 2-meter-long wigs, a rotating platform, and a wooden pillar wrapped in gray clay, standing 1.7 meters tall. A rotating platform is installed on each side of the pillar, along with the wigs. The platforms rotate alternately with a mechanical rhythm, resembling breathing; when one side is activated, the other remains still. The work refers to the philosophical concept of dread. Dread is not the everyday fear; rather, it is a deep tremor and anxiety faced when confronted with freedom, nothingness, and existence itself. Here, hair becomes the material evidence of memory. It belongs to the body yet is detached from it, intertwining consciousness/spirit between life and death. When driven by mechanical forces and continuously spinning, it sees the body as a clock, performing an endless ritual, oscillating endlessly between matter and soul, life and death, stillness and motion. —-—— The Faceless Behind the Mask 顏面何存 17 OCT—16 NOV 2025 11AM—9PM 4/F Tomorrow Maybe Artists: Oscar Chan Yik Long 陳翊朗 (@oscarchanyiklong ), Lau Wai 劉衛 (@lau_wai_lau ), Daniel Felstead (@felstead.daniel ) & Jenn Leung 梁琬琪 (@jennnital ) , Angela Su 徐世琪 (@rosyleavers ), Ailsa Wong 黃雅珊 (@ailsa.ww ), Ricky Yeung Sau Churk 楊秀卓 (@ricky_scyeung ) Curator: Joseph Chen (@chenyuen1314 ) Opening 開幕 17 Oct (FRI) 7PM 4/F Tomorrow Maybe Artist Talk: The Art of Illness – Weaponizing the Fragile Body 藝術家講座：疾病的藝術 – 脆弱身體的武器化 8 NOV 2025 (SAT) 2PM 1/F Kino Artists 藝術家: Angela Su 徐世琪, Ricky Yeung Sau Churk 楊秀卓 Closing Performance 閉幕表演: Monsters of Circumstances
15 NOV 2025 (SAT) 7:30PM
4/F Tomorrow Maybe
Artist 藝術家: Xavier Le Roy

穴 Caves Digital interactive game 2025 遊戲共有23個由中醫經脈中的穴位命名的章節，路線由本神（頭部顱頂正中線旁開三寸）到至陰（足小趾末節外側），再返回本神。 The game consists of 23 chapters, each named after an acupuncture point from the meridian system in traditional Chinese medicine. The route begins at Benshen (on the head) and travels through the body down to Zhiyin (at the tip of the little toe), then returns to Benshen. Documentation: @felixscimagery 錯體 𝓓𝓲𝓼𝓮𝓶𝓫𝓸𝓭𝔂 4-21 Jan 2025

繩索、閃現和石壁 Rope, Flash and Rock Wall Mixed media on fabric 77 x 68 cm 2024 倒影、碎土和水窪 Reflection, Loose Soil and Puddle Mixed media on fabric 78 x 98 cm 2025 迷宮、軟體和答案 Maze, Soft Body and Way Out Mixed media on fabric 96 x 85 cm 2025 Framing Design: @630_studio @cheungtszki_print Documentation: @felixscimagery 錯體 𝓓𝓲𝓼𝓮𝓶𝓫𝓸𝓭𝔂 4-21 Jan 2025