Our beloved AGO showroom — located on the second floor of the same building as our gallery space (address in bio) — has had a makeover. Visit us to discover new works by MT Objects, Pol Agustí, Kora Moya Rojo, and Mina Serrano.
📍 Paseo de la Reforma 382
📅 2 February – 2 May 2026
—
Nuestro showroom de AGO — ubicado en el segundo piso del mismo edificio que nuestro espacio de galería (dirección en la bio) — ha sido renovado. Le invitamos a descubrir nuevas obras de MT Objects, Pol Agustí, Kora Moya Rojo y Mina Serrano.
📍 Paseo de la Reforma 382
📅 2 de febrero – 2 de mayo de 2026
Looking back on a project we love - the 2024 interior project by Fabien Cappello (@fabien.cappello ) completed in Australia. Fabien’s practice has always lived between countries (London, Mexico City, Guadalajara) and between disciplines (furniture, public installation, textiles, color). This project carried all of that with it: a domestic space built around vivid color, vernacular references, and the slightly off-kilter humor that runs through everything he does.
A look back at the pieces from Ready-Maybe, Ramiro Gonzalez Luna’s (@part.time.ceramist ) exhibition with us at AGO Projects last year.
Trained as an art historian, Ramiro turns the readymade inside out. Where Duchamp elevated the mundane, Ramiro hand-builds it: ceramic re-creations of contemporary masterpieces sitting alongside the rituals of daily life, all flattened into the same material plane.
To enquire about pieces still available, reach out directly.
@lanzaatelier working drawings and model for the Kosovo Pavilion at the 61 Biennale d’Arte di Venezia for Brilant Milazimi’s Hard Teeth exhibition, curated by Jose Esparza Chong-Cuy and commissioned by Hana Halilaj. This is a project that discusses waiting and uncertainty, but also hope and solidarity.
@labiennale@kosovopavilion@josesparza@brilant.milazimi
This week, AGO collaborator Alma Allen (@almaallen ) opens Call Me the Breeze at the U.S. Pavilion of the 61st Venice Biennale - the first self-taught artist ever to represent the United States there.
In honour of this, we are reflecting on Poco Útil - the show of Alma’s work we hosted at AGO Projects a few years ago. Bronze, marble, and walnut forms shaped with his own hand-built tools, rooted in the landscape of Tepoztlán where he lives and works.
To enquire about available pieces, reach out to us directly.
Laura Kirar’s (@laurakirar ) Pájaro Negro: a chandelier built from steel, black sansevieria, and Jipijapa palm. The object is alive in the literal sense, and it draws on the years Kirar has spent working with Mexican materials and the craftspeople who know them best.
Enquire about available works.
AGO collaborator Fernando Laposse (@fernandolaposse ) makes a veneer out of the husks of native Mexican corn — purples, creams, deep reds, depending on the variety. It started as a way to give a material life to the heirloom corn that industrial agriculture has been steadily replacing, and the project now supports the Mixtec farmers still growing it.
Enquire about available pieces.
From Mono Rojo’s (@taller_mono_rojo ) 2022 show at AGO Projects. The collective works across Mexico in ceramic, wood, and textile, pulling from regional craft to produce contemporary objects.
Reach out to us directly or visit our website to enquire about available pieces.
Pictured here is work by Marcelo Suro (@marcelosuro ). Suro is a Mexican artist and designer based in Guadalajara, working across sculpture, lighting, and functional objects. He starts from simple geometric structures that get bent, compressed, or extended, then translates the gesture into bronze, ceramic, stone, and glass — moving between industrial fabrication and hand process.
Reach out to us directly about available pieces.
AGO collaborator Mina Serrano’s (@_minaserrano ) ceramics, on view for the first time in the AGO Projects showroom. Serrano is a Spanish multidisciplinary artist from Granada, working across porcelain, silver, and sculpture in a visual language shaped by Andalusian ceramic tradition, flamenco, and religious iconography.
Contact AGO about available works — images sourced from a recent profile by Vogue México y Latinoamérica @voguelatam , taken by @vic_tn .
Pictured here is AGO collaborator Fabien Cappello’s (@fabien.cappello ) Condesa Chandelier. Cappello works out of Guadalajara, and his work often pulls inspiration from the visual language of the Mexican street — market awnings, papelería, hand-painted signage — translated into home objects that don’t look like anything else being made right now.
Enquire about available pieces.
