Malcolm McCormick’s solo presentation at NADA New York continues. We are at stand F8, come say hi.
Pictured:
The Outskirts, 2023 - 2026
oil and wax on canvas, three joined panels, 40 x 48 ¼”
#MalcolmMcCormick
#afternoonprojects
#nadanewyork
@garden_milk@newartdealers
We are in New York City at NADA New York through May 17th with a solo presentation by Montreal-based artist Malcolm McCormick. Stand F8, come say hi!
Pictured:
Installation views
#malcolmmccormick
#afternoonprojects
#nadanewyork
@garden_milk@newartdealers
Von Coffin’s solo exhibition ‘Layout Fluid’ continues this week. We are open on Saturday 1 - 5 pm.
Pictured:
Ovomorph
black and white pvc sheet, laminate, cabinet hinges, latches, acrylic paint
16” x 16” x 50” (closed)
📷: @everythingtimestudio
#VonCoffin
#afternoonprojects
We are thrilled to announce our return to NADA New York next week with a solo presentation by Montreal-based artist Malcolm McCormick, featuring a new body of sculptural paintings and works on paper.
Many of McCormick’s artworks are sculptural paintings in which multiple stretcher panels make up a single painting. Ranging from simple diptychs to complicated, interlocking forms, his constructed compositions or ‘composite paintings,’ as he calls them, add a new perspective to the image-versus-object dichotomy integral to abstract painting.
Whether composite or not, McCormick’s paintings have rich, mottled surfaces and a uniquely expressive palette. McCormick likens the relationship between his paintings to language, in which a row, or a room of paintings, creates a rhythm or syntax similar to words in a sentence or in a poem. Shapes within his paintings migrate and mutate across his practice, providing viewers a thread through which to enjoy his eclectic and playful output.
May 13 - 17
Stand F8
For preview : [email protected]
Pictured:
Untitled (cropped composition nr. 2), 2026
oil on canvas, two joined panels, 20 x 18 ⅝”
#MalcolmMcCormick
#afternoonprojects
#nadanewyork
@garden_milk@newartdealers
Spring office:
Sconce sculptures by Von Coffin
Proximity Capital by Megan Mi-Ai Lee
Rug Swept Fever Dream (hand-bound) by Qian Cheng
Come say hi ! 1 - 5 pm Saturday or by appointment
#VonCoffin
#MeganMiAiLee
#QianCheng
#afternoonprojects
#office
Von Coffin’s solo exhibition ‘Layout Fluid’ continues this week at the gallery. We are open from 1 - 5 pm on Saturday or by appointment.
Pictured:
Installation view
#VonCoffin
#afternoonprojects
Megan Mi-Ai Lee’s book Proximity Capital, a belated companion to her show at the gallery last year, now available at the gallery. It features an essay by Parker Kay and a short story by Lee.
62 pages / perfect bound / edition of 70
$20
Book design : @vanya.sundari
#MeganMiAiLee
#afternoonprojects
#ParkerKay
@meg.miai@pumice_raft
Afternoon Projects is pleased to announce Von Coffin’s solo exhibition ‘Layout Fluid’. Opening April 18th 6-8 pm.
Von Coffin (b 1983) lives in Redmond, Washington with their wife and two young children. Coffin received their MFA in Painting and Printmaking from Yale University (2016) and BFA from the School of the Art Institute of Chicago (2008). They run Coffin Farm, an experimental sculpture park on their family’s farm.
📷: @everythingtimestudio
#VonCoffin
#afternoonprojects
@coffin1001
Philip Hinge’s is a part of the exhibition The Waltz at @ad.nyc along with George Gittins and Pooneh Maghazehe.
Pictured:
Installation views
#PhilipHinge
#ADNyc
@philip_hinge
Please join us this today (Feb 28th) at 2 pm for a performance of Woojae Kim’s work I hear a silent dissonance, with percussionist Adrian Avendaño, and artist Khan Lee.
Address: 603 Powell St, Vancouver
#WoojaeKim
#AdrianAvendano
#KhanLee
#afternoonprojects
@woooooooojae@guachiii@khankills
Woojae’s solo exhibition I hear a silent dissonance continues this week at the gallery from Thursday to Saturday 1-5 pm.
Pictured:
I hear a silent dissonance (installation view)
#WoojaeKim
#afternoonprojects
@woooooooojae
Please join us this Saturday (Feb 7th) at 2 pm for a performance of Woojae Kim’s work I hear a silent dissonance, with percussionist Adrian Avendaño in the Belkin Art Gallery.
For this performance at the Belkin, Kim and Avendaño will use Kim’s handmade percussion instruments and objects, including drums, modified cymbals and gongs that borrow from traditional Korean music, to create an improvisational piece that looks to the Belkin’s current exhibition, The Structure of Smoke. Kim’s I hear a silent dissonance began as a response to the 2023 wildfire season, the most destructive fire season in British Columbia’s history, and includes material collected from some of these fire-affected forests.
Kim’s performance is part of the exhibition The Structure of Smoke. Through the lens of contemporary artists’ engagement with the metaphorical and literal processes of fire and the spaces it creates and displaces, The Structure of Smoke includes works that problematize the poetic, structural and political aspects of fire. These works complicate the inherent contradictions of wildness and domestication, technological progress and social control, colonial conditions, rebirth and death. Holding a smoked mirror to contemporary society, the works in this exhibition offer ways to undo the familiar in how we approach our uncertain future.
#WoojaeKim
#afternoonprojects
#BelkinArtGallery
#AdrianAvendano
@woooooooojae@guachiii@belkinartgallery
