afonso

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Graphic design for @afonsobli albums release and @_benetto performance at @casadocomum

Reset, Restart, Repeat (https://2025.fbaul-dcnm.pt/RRR) Projects of the 1st year of the Master in Communication Design @fbaul Featuring Queer Clubbing Archive: Lisbon post-pandemic dancefloors, by Afonso Horta @afowso #resetrestartrepeat #collecting #archiving #retelling #lgbtqia+ #clubculture

Book design on archives developed in the context of a masters degree project.ೃ࿔*:･ Text rights: [1] Dekker, Annet. 2017. Lost and Living (in) Archives. What it Means to Be Lost and Living (in) Archives. Amsterdam: Valiz. [2] Sluis, Katrina. 2017. Lost and Living (in) Archives. AccuMuLate, Aggregate, Destroy Database Fever and the Archival Web. [3] Kosnik, Abigail De. 2016. Rogue Archives: Digital Cultural Memory and Media Fandom. Queer and Feminist Archival Cultures: The Politics of Preserving Fan Works. Cambridge, Massachusetts / London, England: MIT Press. [9] Berry, David. 2017. The Post-Archival Constellation: The Archive under the Technical Conditions of Computational Media. In Memory in Motion: Archives, Technology, and the Social, Amsterdam University Press. [5] Ernst, Wolfgang. 2013. Aura and Temporality: The Insistence of the Archive. Quaderns portàtils MACBA, Barcelona. [6] Jussi Parikka. 2017. Planetary Goodbyes: Post-History and Future Memories of an Ecological Past. In Memory in Motion: Archives, Technology, and the Social, Amsterdam University Press. [7] Özge Çelikaslan. 2017. Lost and Living (in) Archives. Autonomous Archiving, Collective Memory. Amsterdam: Valiz. [8] Yuk Hui. 2017. On the Synthesis of Social Memories. In Memory in Motion: Archives, Technology, and the Social, Amsterdam University Press. [9] Berry, David. 2017. Rogue Archives: Digital Cultural Memory and Media Fandom. Archival Styles: Universal, Community, and Alternative Digital Preservation Projects. Amsterdam University Press.

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