super thrilled to announce my new wearable zine WHEELS WILL TURN💋💿 each one comes with a booster pack in a Mini CD case
available TOMORROW IN PARIS (and sunday)
📍@unionjeunesseinternationale
2-4 blvd Marguerite de Rochechouart, 75018
12 - 6PM 🕛 25 - 26 April 2026
I’ll be there and I can’t wait to see u <33
Merci à @kdpresse et @parsonsparis.fashionstudies
AND HAPPY 25th🎂 KD PRESSE !!!🎉
PARCELS X AFFECT WINS with the fam ❤️
délire total d’avoir réalisé des centaines de zines pour le lancement de l’album LOVED de @parcelsmusic 🫶
Merci @victor_dixneuf , Juliette, la team @becausemusic & @parcelsmusic <33
hope you feel LOVED when you receive it 💌 xx
Printing Fashion invites Affect Wins to the Printing Fashion Fair at Union Jeunesse Internationale. Presented in collaboration with The New School Parsons Paris, Reading Room, and KD Presse on the occasion of KD Presse’s 25th anniversary, the fair will host publications dedicated to fashion, art and design on April 25th and 26th from 12pm to 19pm.
The publishing fair features independent fashion magazines, resellers, and collectors that showcase and sell their publications. The fair provides a unique opportunity to meet and acquire a handpicked selection of fashion printed matter, and to connect with international publishers and magazines both inside and outside fashion-specific printed media.
Affect Wins is a mini-zine that brings together images and objects of affection in one place. It can be seen as an accessory, an object free to be appropriated, where nothing is fixed.
RSVP at the link in bio.
part of my toys !!!!! :)
photography : @clementlatil_
set design : @affect_wins
Aphex Twin toy released in 2018 by Warp Records
Milla Jovovich for High Times magazine, Dec 1994
This series explores the space of @affect_wins as a living archive.
The objects are not staged or arranged for the camera; they exist as they are, carrying personal histories, obsessions, and traces of time.
They belong to her, shaped by her vision and relationship to time.
My approach was not to document the collection, but to navigate through it.
To isolate fragments, details, and moments of presence.
Each image operates as a partial view, leaving room for absence, silence, and imagination.
The collection is approached not as an inventory of rare objects,
but as an atmosphere, intimate, restrained, almost concealed.
