Lucy

Harrows II, 2025, apple fruit leather cast in bronze Thank you @art_volt_ for showing this work @foireplural this past weekend! There is still time to check it out at booth #201 until 6pm today. Photographs by @josh.jensen

More documentation of CORED at Produit Rien Slide 1 - Recipe Box, laser engraved fruit leather, found box, 2026 Slide 2 - Cellar Shelves, sweet/savoury apple pickles, compote, apple cider vinegar, vinegar wood stain, wood, 2026 Slide 3 - Window Gradation II, fruit leather, wood, cotton, 2026 Slide 4 - Window Gradation II, detail Slide 5 - Installation view of Cellar Shelves and Apple in the Sink Slide 6 - Window Gradation I, fruit leather, wood, cotton, 2026 Slide 7 - apples at 8 weeks Photos by Josh Jensen We would like to acknowledge the support of @canada.council

Lucy Gill at @foireplural 📍 Visit us at Booth #201 in the Project Spaces section @_lucegill Harrows II series (installation), 2025 Bronze, fruit leather and wax Various dimensions Lucy Gill is a visual artist from unceded Musqueam, Squamish, and Tsleil-Waututh territories (Vancouver), now based in Tiohtià:ke/Mooniyang (Montréal). They hold a BA in Sculpture and Art History from Concordia University, as well as a Diploma in Fine Arts from Langara College. Their practice is rooted in sculpture and alternative textile production. They use sustainable and regenerative materials to create work that embraces reuse, transformation, and decay. Through delicate fruit leather sculptures, edible work, performance, cast bronze, and self-made tools, Gill calls attention to the products we ingest and the mechanisms that surround them. PLURAL 2026 April 10-12, 2026 Grand Quay, Port of Montreal — Photo credit : Josh Jensen @josh.jensen #artvoltcollection #agaccanada #foireplural #lucygill @fineartsconcordia @concordia.alumni

Thank you to everybody who came out to see our collaborative exhibition CORED Slide 1 - Installation view of Pared Lightbox, Window Gradation II, and Cellar Shelves Slide 2 - Pared Lightbox, apple skins, gifted crayon box, 2026 Slide 3 - Cellar Shelves, sweet/savoury apple pickles, compote, apple chips, apple cider vinegar, vinegar wood stain, wood, 2026 Slide 4 - Apple in the Sink, laser engraved fruit leather, wood, 2026 Slide 5 - Installation view of Cellar Shelves and Apples in the Sink Slide 6 - Tklapi Rack, edible fruit leather strips, clothespins, string, wood, 2026 Slide 7 - Exterior installation view of Window Gradation I and II Slide 8 - Window Gradation II, exterior view at night Slide 9 - Window Gradation I, exterior view at night Photos by Josh Jensen We would like to acknowledge the support of @canada.council

I am 4 months sober today! Life is good

Join us tomorrow, Wednesday February 25 from 17h - 20h for the finissage of CORED at @produitrien 6909 rue Marconi “In working with the apple’s temporality, Josh and Lucy draw our attention to its attendant possibilities and realities: of stickiness, of deepening hue, of sustenance to be shared, of tomorrow, of next year. (Of an end, maybe: eaten, moth-nibbled, redistributed, decomposed.)” - Hannah Ferguson @hannah___ferg “En travaillant avec la temporalité de la pomme, Josh et Lucy attirent notre attention sur ses possibilités concomitantes, sur ses réalités : sa capacité d’adhérence, l’approfondissement de sa teinte, sa capacité d’être partagé, son lendemain, son cycle de vie. (D’une fin, peut-être : mangée, mitée, redistribuée, décomposée.) - Traduction par Hannah Blair @lowbrowprophet This event is sponsored by @wills.beer Final open hours: Tuesday February 24, 12h - 18h Wednesday February 25, 12h - 20h Thursday February 26, 12h - 18h Friday February 27, 12h - 18h Photographs by Josh Jensen This project is supported by @canada.council

With our upcoming Volume 4 launch in Toronto, we wanted to highlight another featured artist from the issue. Lucy Gill’s practice combines references to agriculture, the body, and the environment to demonstrate their interconnectedness and inseparability. They explore these themes by creating fruit leather textiles from dehydrated fruits and vegetables, and through sculptures cast in bronze. We look closely at Gill’s recent performative work “Untitled (wading/shedding)” in an essay by @daisy_____d featured in Volume 04. Photography by @honesteds (Photography by Josh Jensen and Thomas Alexandre) Be sure to check out Lucy’s current show in Montreal, CORED, made in collaboration with @josh.jensen Open from February 23rd - 27th, from 12h-18h @produitrien Finissage on Wednesday February 25th from 17h-20h

I made this piece at the @artelescreativecenter in Finland last September and never got around to sharing it. This sheet is made from apples collected from a tree on the residency grounds, lingonberries picked from the forest and bananas and their peels. Hundreds of fruit leather squares pasted together make this sheet the size of my body. Pall, fruit leather, 2025

Process shots of Josh and I working on our show at @produitrien taken by the amazing @bogbaby_ Come say hello next Saturday or join us for the finissage Wednesday February 25th from 17h-20h This project is supported by @canada.council

CORED is an in-situ durational installation focusing on themes of preservation, labour, and maintenance explored through the transformation of apples. Open hours of the exhibition at @produitrien invite viewers to engage with the continually evolving work throughout January and February as it is being made collaboratively by Lucy Gill and Josh Jensen. Open every Saturday in January and February from 10h - 17h Open February 23rd - 27th from 12h - 18h Finissage on Wednesday February 25th from 17h - 20h CORED est une installation in situ de longue durée qui explore les thèmes de la préservation, du travail et de l’entretien par l’entremise de transformations effectués sur des pommes. L’exposition à la galerie @produitrien invite les visiteurs à découvrir l’oeuvre collaborative de Lucy Gill et Josh Jensen qui sera en évolution continue au cours des mois de janvier et février. Ouvert tous les samedis en janvier et février de 10h à 17h Ouvert entre le 23 et 27 février de 12h à 18h Finissage le mercredi 25 février de 17h à 20h This project is supported by the @canada.council

Some more detail shots of Lucy Gill's Harrows series. @_lucegill Gill’s practice focuses on creating a sustainable and regenerative leather material out of fruits and vegetables to create work that embraces reuse, transformation and decay. In their Harrows series, Gill plays with the permanence of their work by transforming the ephemeral and edible material into a bronze agricultural tool. In their first iteration, “Harrows”, the rods of the sculpture are made of rolled sheets of fruit leather that have been burned away and replaced with bronze through the process of loss-wax casting. In “Harrows II”, Gill used imprints of the rods from “Harrows” to recast the work through the process of sand casting, further abstracting the form from its original state. Through this repeated action of reconstruction and evolution, Gill is able push vegetal matter far beyond its original life cycle while formally referencing the process they are born out of. 1: Harrows, 2024 Bronze Variable Dimensions 2-4: Harrows II, 2025 Bronze Variable Dimensions 📸 : @charleslebrun_ #lucygill

Some installation shots of Lucy's harrows series, shown in "Ground Level; First Floor". @_lucegill 1-3: Harrows II, 2025 Bronze Variable Dimensions 4-5: Harrows, 2024 Bronze Variable Dimensions 📸 : @charleslebrun_ #lucygill