OPENING TODAY!!! We’re beyond excited to be back and to welcome you into our new space 💕💕💫
“It’s the litter things...”
10.04.2026 | 19:00
with Matthias Holznagel, Miki Morioka, Tomasz Mróz, Clara Rotermund, Shiho Saito, Karolina Szwed, Inga Wójcik
The exhibition is part of Constellations, a gallery-sharing initiative through which we are very happy to host 18, Murata (Tokyo) and Courtney Jaeger (Basel) at Turnus Gallery.
@18murata@courtneyjaegerbasel@turnus.gallery@constellations_galleries
We’re so grateful to Courtney Jaeger’s team for joining us with @matthiasholznagel and @clararotermund , and very happy that 18, Murata could travel across the globe to be with us @mkimrok and @saishiho 🫂🫂🫂And of course, our dears @k.arolinaszwed , @iingawojcik and @tomaszmroz_ are here with us as well!!!
Join us this weekend for the opening , we’ll be open early and late! We missed the exhibitions… and we missed you 🫶🫶🫶💕
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Turnus Gallery
Emilii Plater 31
00-688 Warszawa
It’s the little things...
on view until 24.05.2026
in collaboration with our dear friends from @18murata anad @courtneyjaegerbasel 💕💕
Matthias Holznagel, Miki Morioka, Tomasz Mróz, Clara Rotermund, Shiho Saito, Karolina Szwed, Inga Wójcik
Photos by @bartekzalewski_
“Bang” consists of a shooting-game target that the artist herself has shot through using a toy gun with BB pellets, subsequently presented as an artwork. The piece is fixed in place by magnetic spheres: the installer randomly drives nails or pins into the wall, places the work on top, and secures it with the magnets. As a result, the holes already made by the artist and those newly made by the installer in the act of installation appear simultaneously, producing a doubled image.
For Murata, who works with photography and is not a native English speaker, the word “shoot” has always felt somewhat peculiar: encountered through academic study of photographic theory and practice. At the same time, she feels a certain fatigue toward the saturated condition in which such linguistic dissonances are readily appropriated as artistic meaning within the context of art.
Fuyumi Murata
“Bang,” 2025
Shooting target, magnetic ball
5 1/2 x 5 1/2 x 3/8 in
14 x 14 x 1 cm
Fuyumi Murata & Fumiaki Nagao continues at the gallery through the weekend. We will be open Friday to Sunday 12–6PM, with a gallery walkthrough Saturday morning at 10AM.
Fumiaki Nagao
“Drawing”
Graphite on paper
16 1/2 x 13 3/8 x 3/4 in
42 x 34 x 2 cm
“It’s the little things…”
10.04–24.05.2026
with 18, Murata and Courtney Jaeger
Matthias Holznagel
Miki Morioka
Tomasz Mróz
Clara Rotermund
Shiho Saito
Karolina Szwed
Inga Wójcik
Aaaa we finally opened our new space!! 💕 And we’re so excited to share this moment with 18, Murata (Tokyo) and Courtney Jaeger (Basel). Honestly, the best way we could imagine starting this new chapter.
“It’s the little things…” is the first exhibition we’re presenting in the new location, as part of the third edition of Constellations. You are very, very welcomeeeee to visit us 🫶🫶
Turnus Gallery
Emilii Plater 31, 00-688, Warsaw
open everyday 📷 Bartek Zalewski
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@18murata@courtneyjaegerbasel@matthiasholznagel@mkimrok@tomaszmroz_@clararotermund@saishiho@k.arolinaszwed@iingawojcik@bartekzalewski_@constellations_galleries
Opening tonight at Calea Griviței 21A
April 18 18:00–21:00
Fuyumi Murata & Fumiaki Nagao
Fuyumi Murata
“Figure,” 2014-2026
Gelatin silver print
11 x 12 x 3/4 in
27.9 x 30.5 x 2 cm
(framed)
18, Murataは、新しくオープンするギャラリー「8 1/2」とスペースをシェアすることとなりました。場所は変わらず、時期を変えて彼らのディレクションする展示と私たちの展示が開催されます。
彼らのこけら落とし展は、5/1にオープニングです。皆様どうぞお越しください。
We are pleased to share that 18, Murata will be sharing its space with the newly opened gallery “8 1/2.”
The location remains the same, with exhibitions alternating between their program and ours.
Their first exhibition opens on May 1.
We warmly invite you to visit.
2月28日まで
水〜土 13:00-19:00
Twins from nursery
Miki Morioka 森岡美樹
2026年1月24日(土)〜2月28日(土)
January 24 - February 28, 2026
Miki Morioka’s ongoing body of work that forms floors has developed through research into the relationship between physical environments and human beings—particularly the question of how the ground and floors in religious and educational institutions unconsciously influence people’s actions and ways of thinking. Floors are fundamental elements of architecture, yet they are often overlooked. By focusing on them, Morioka reveals how floors quietly shape our everyday perception, posture, and bodily movement.
The works are constructed by cutting plywood boards, carving grooves into their sides, and fitting in tongues (sane). This method of joinery allows the pieces to be easily assembled and disassembled, enabling the work to expand across a large space or to exist quietly in a corner. Composed of graspable units, the modular structure suggests portability and rearticulates the relationship between body and architecture as one grounded in care and adaptability.
“As for floors, I have an image of them as nutrient-rich planes,” Morioka says. To become aware that the ground supporting our acts of standing, moving, and thinking is painted, shaped, and laid across a space is also to question the very foundations of making and viewing artworks.
This exhibition marks Morioka’s first solo exhibition. Some works are laid directly on the ground as floors, while others are assembled or hung on the wall.
#mikimorioka
@mkimrok
