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Yevgenia Belorusets

@1001doch

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Published with @equatormagazine : The Demand for Silence "Everyone wants Ukraine to be a nation of heroes – but no one wants to talk about the violence required to sustain armed resistance to Russia’s invasion" /articles/the-demand-for-silence
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5 months ago
First of our three talks at the end of the year ⚡️ —> Yevgenia Belorusets, Adam Raz, Nahed Samour, Berlin Review Editors & Goethe-Institut in Exile 𝘙𝘦𝘧𝘶𝘴𝘪𝘯𝘨 𝘝𝘪𝘰𝘭𝘦𝘯𝘤𝘦—𝘏𝘰𝘸 𝘵𝘰 𝘚𝘩𝘪𝘧𝘵 𝘵𝘩𝘦 𝘗𝘢𝘳𝘢𝘥𝘪𝘨𝘮 𝘞𝘩𝘦𝘯 𝘵𝘩𝘦 𝘗𝘢𝘳𝘢𝘥𝘪𝘨𝘮 𝘪𝘴 𝘒𝘪𝘭𝘭𝘪𝘯𝘨 Thursday Nov 27, 7–10 p.m. Salon am Moritzplatz Oranienstrasse 58 10969 Berlin-Kreuzberg  “Entrenchment” is a military term, but it increasingly describes how we speak, read, and think—even beyond the battlefield. Two epicenters of war in particular have come to dominate our political imagination: Ukraine, which has been fending off the Russian attack for nearly four years, and the Middle East, with its craters of lethality stretching across Gaza and the West Bank, Syria, and Lebanon.   The war diaries of Yevgenia Belorusets (@1001doch ), now continued in Berlin Review’s freshly printed Reader 5, examine Ukraine’s war-torn society up close. They pose a seemingly impossible question: can one reject militarization and still resist the violence of the aggressor? Join us as Yevgenia discusses Ukraine’s fatal predicament, at the close of the war’s third year, with Berlin Review editor Tobias Haberkorn.   In Palestine and Israel, with a fragile ceasefire in place, it remains unclear how the region could move from a paradigm of killing to one of justice and peace. In our second panel, Carmen Herold of the Goethe-Institut in Exile will discuss paths out of genocidal violence with Palestinian-German legal scholar Nahed Samour and Israeli historian Adam Raz.   Berlin Review Editors, Authors & Friends#𝘙𝘦𝘧𝘶𝘴𝘪𝘯𝘨 𝘝𝘪𝘰𝘭𝘦𝘯𝘤𝘦—𝘏𝘰𝘸 𝘵𝘰 𝘚𝘩𝘪𝘧𝘵 𝘵𝘩𝘦 𝘗𝘢𝘳𝘢𝘥𝘪𝘨𝘮 𝘞𝘩𝘦𝘯 𝘵𝘩𝘦 𝘗𝘢𝘳𝘢𝘥𝘪𝘨𝘮 𝘪𝘴 𝘒𝘪𝘭𝘭𝘪𝘯𝘨 Thursday, Nov 27, 7–10 p.m. Salon am Moritzplatz Oranienstrasse 58 10969 Berlin-Kreuzberg A talk organized by Berlin Review in cooperation with the Goethe-Institut in Exile. Free entrance; magazines on sale.   blnreview.de/events @carmen.hld @1001doch @tobiashaberkorn #adamraz @nahedsamour @goethe_institut_im_exil @salonammoritzplatz
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5 months ago
Almost four years into the war, Ukraine is still standing. But at what cost? 𝐘𝐞𝐯𝐠𝐞𝐧𝐢𝐚 𝐁𝐞𝐥𝐨𝐫𝐮𝐬𝐞𝐭𝐬’𝐬 𝐰𝐚𝐫 𝐝𝐢𝐚𝐫𝐢𝐞𝐬 𝐟𝐨𝐫 𝐁𝐞𝐫𝐥𝐢𝐧 𝐑𝐞𝐯𝐢𝐞𝐰 have captured aerial warfare, forced mobilization, and the battle over water in Mykolaiv. In her latest, she asks what the implacable logic of war is doing to a generation of Ukrainians.   “I remember how in May 2022 I returned to Kyiv after a month’s absence. The car radio was on quite loud. The almost ear-splitting voice of a woman shouted: ‘Good morning, heroic people of a heroic nation! We know who we are. We will not be broken!’ The anchorwoman’s voice, expressing her fear through rage, as if she were really begging for help, is still stuck in my head. Her intonation, it seemed to me, refuted her assertions. The entire tone of her voice screamed at me: ‘Can’t you see, they’re forcing us to be heroes?’” “Every time I quote the statements, rituals, and rules of conduct from this time of war, I realize that even the slightest distancing from them is often interpreted as a dangerous affinity for the ‘enemy side.’” Read Yevgenia’s (@1001doch ) memo on the costs of Ukrainian endurance as Russia’s attacks remain unrelenting and the West appears willing to fight down to the last Ukrainian. 𝐈𝐧 𝐘𝐞𝐯𝐠𝐞𝐧𝐢𝐚’𝐬 𝐨𝐰𝐧 𝐆𝐞𝐫𝐦𝐚𝐧, 𝐨𝐫 𝐢𝐧 𝐆𝐫𝐚𝐜𝐞 𝐍𝐢𝐬𝐬𝐚𝐧’𝐬 (@𝐠𝐠𝐠𝐠𝐠𝐧𝐢𝐬𝐬𝐚𝐧 ) 𝐜𝐫𝐢𝐬𝐩 𝐄𝐧𝐠𝐥𝐢𝐬𝐡 𝐭𝐫𝐚𝐧𝐬𝐥𝐚𝐭𝐢𝐨𝐧. A (very) early preview to our upcoming Reader 5, in German and English, now online at 𝘣𝘭𝘯𝘳𝘦𝘷𝘪𝘦𝘸.𝘥𝘦 (link in bio @blnreview ) Get a print 𝐬𝐮𝐛𝐬𝐜𝐫𝐢𝐩𝐭𝐢𝐨𝐧 𝐚𝐭 𝐨𝐧𝐥𝐲 𝟖 – 𝐞𝐢𝐠𝐡𝐭! – 𝐞𝐮𝐫𝐨𝐬; 𝐫𝐞𝐜𝐞𝐢𝐯𝐞 𝐑𝐞𝐚𝐝𝐞𝐫 𝟒 𝐢𝐦𝐦𝐞𝐝𝐢𝐚𝐭𝐞𝐥𝐲 𝐚𝐧𝐝 𝐑𝐞𝐚𝐝𝐞𝐫 𝟓 as early as November 24. ➡️ 𝘣𝘭𝘯𝘳𝘦𝘷𝘪𝘦𝘸.𝘥𝘦/𝘢𝘣𝘰 ————— Also by Yevgenia: —Kein Ende des Krieges, BR No 1 —Die Einberugung, BR No 4 / Reader 1 — Mykolajiw, 2023/24, BR No 7 Titelfoto: Serhii Nuzhnenko Portrait: Yao Tsy
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6 months ago
EMOP Berlin and the Akademie der Künste invite you to the Open Debate, "What is Europe Moving Towards? How Artists Are Responding to Present-Day Crises" inspired by the festival's leitmotif, what stands between us. Book your ticket now and join the conversation. #linkinbio Now, around a month after the German federal election and the third anniversary of Russia’s invasion of Ukraine, we’d like to talk to artists operating from a European perspective who have been committed to the project of European unity for many years and/or who critically examine the respective political systems in which they live. In this spirit, EMOP Berlin – European Month of Photography, together with the @akademiederkuenste , invites you to explore these questions with artists navigating these complexities. Herewith we would like to introduce you to the speakers: ▶️ artist Yevgenia Belorusets (@1001doch ) ▶️ artist Jonas Höschl (@jonashoeschl ) ▶️ artist Eric Meier (@eric__meier ) ▶️ artist and activist Marina Naprushkina (@marina_naprushkina ) Moderated by curator, art historian and co-founder of A:D:Curatorial, Maria Isserlis (@mashaisserlis ). Join us on 22 MAR, 7pm at Akademie der Künste, Hanseatenweg Language: German Admission 7.50 € Reduced Admission 5.00 € You are cordially invited to listen and join in the discussion. 📷© Yevgenia Belorusets, The Andreyevskaya Church in Kiev, 2024, from the series: 20 May to 20 June 2024); Yao Tsy; Christian Werner; Eric Meier; Marina Naprushkina; Maria Isserlis #emopberlin #berlinfotofestival #photography #berlin #exhibition #panel #opendebate #kulturprojekteberlin @kulturprojekteberlin @akademiederkuenste
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1 year ago
'Do You Have Something to Fight for?' With this question, Friedrich-Ebert-Stiftung (@fesonline ) celebrates '100 Years of Supporting and Shaping' in its anniversary year. Presenting works from the #FES art collection and 23 contemporary positions, their exhibition aims to engage in discourse on courage and bring it into a compelling juxtaposition. Opening 27 FEB at @kuenstlerhaus.bethanien . Among the prominent contributing artists are Yevgenia Belorusets (@1001doch ) and @raisan_hameed , who will also be part of the EMOP Berlin 2025 festival exhibition. 📷 © Yevgenia Belorusets #emopberlin #berlinfotofestival #officeimpart #friedrichebertstiftung #galeriekoschmieder #photography #berlin #exhibition #touch #kulturprojekteberlin @kulturprojekte.berlin
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1 year ago
«Wir waren beide der Meinung, dass in diesem Krieg Zitate aus früheren, längst vergangenen Kriegen verborgen waren, doch das schien nichts zu erklären», schreibt Yevgenia Belorusets in ihrem neuen Bericht über Mykolaijw. Belagerungen und Blockaden wie im Mittelalter, ein Krieg um die Grundlagen des täglichen Lebens. Kein Unterscheidung mehr zwischen zivilen und militärischen Zielen. In Mykolaijw ist es das Trinkwasser, das von russischen Angreifern als Waffe gegen 500.000 Bewohner:innen eingesetzt wird. Nach der planvollen Zerstörung der Frischwasserzuleitungen durch das russische Militär im Frühjahr 22 pumpten die Stadtwerke Meerwasser durch die Rohre, um einen Zusammenbruch des Abwassersystems, Ausschreitungen und Epidemien zu verhindern. Yevgenia Belorusets war im vergangenen Jahr mehrmals in Mykolaijw, hat mit lokalen Beamten und Technikern gesprochen. Wenige dokumentieren den Krieg in der Ukraine so nah, unverstellt und furchtlos vor den schwierigsten Fragen wie sie — zurecht bekam Yevgenia soeben den Alice Salomon Poetik-Preis. Lest Yevgenias neuen Text auf blnreview.de (link in bio). Und findet dort auch ihre vorherigen Texte für uns: «Kein Ende des Krieges» aus unserer No. 1 sowie ihr Protokoll «Die Einberufung» über die Mobilisierungspraktiken der ukrainischen Armee aus unsere No. 4 und dem Reader 1. Fotos: von Yevgenia selbst. Abos ab 6 € / Monat — blnreview.de @1001doch @ash_berlin #mykolaiv
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1 year ago
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4 years ago