Caspar Connolly

Nothing ever really dies anymore, 2025 XPF foam, polylactic acid, sand, ink, fibreboard, aluminium, stainless steel, flashe vynal, wax, wood, oil based enamel, polyethylene, polyvinyl chloride, cyanoacrylate, glass Shown last year as part of Emergent Fields @fsmyergallery curated by Joon Youn and David Sequeira. Pictured with work by Jieun Ha and Camille Thomas and supported by University of Melbourne. Special thank you to Charlie Robert, Claudia Van Eeden, Joseph Dogget-Williams, Oscar Capezio, Matthew Benjamin, Stephen Brahm, Tcb gallery, Cafe, Melbourne cemetery, Baillieu Library, Kathleen Syme Library, Royal Park, iNaturalist.

Latest on un Extended via our EiR program. Maggie Kontev marks a shift in Caspar Connolly's practice: 'The whooshing sound synonymous with listening to a shell meets my ears first, the world around me translated into a fuzzy humming. Unlike previous shows, Cache’s windows were opened to let in the city’s noise pollution, which filtered through the shell and into me, resulting in a small, windy tunnel.' @maglevkon @youb02 @c.a.c.h.e._ @_victoriaperin Read the article in full on un Extended now. Edited by our un Extended Editor-in-Residence, Victoria Perin and supported by @creative.australia

‘Story’ 📝 Eucalyptus (with wood lice) 📝 wood glue 📝 fencing from Melbourne General Cemetery 📝 plastic sting ray 📝 paper, wax 📝 flower frogs 📝 studio dust, sawdust, iron dust 📝 trade brush 📝 glove With thanks to @charlie.2o12 @joseph_doggett_williams @claudvaneeden @beautifulshrubs

‘Story’ Caspar Connolly Opening Friday 11th July 6-8pm @youb02