WORLDFAZE ART PRACTICE

The second edition of Art of Exchange unfolded at @worldfazeartpractice , bringing together artists, diplomats, and cross-sector leaders in a shared space of exchange. Engaging with themes of youth empowerment and the support of emerging artists, the programme moved through studio practice, conversation, and encounter. What emerged was not only insight into artistic processes, but a dynamic exchange shaped by different perspectives where community, collaboration, and new forms of support begin to take shape. #ArtOfExchange #CulturalDiplomacy #NextGeneration #DiplomArts #SwissEmbassyinGhana

On Friday, the 13th of March, Worldfaze Art Practice hosted @rebeccaibel , founder of @contemporaryartmatters and some art patrons and Collectors from Columbus, Ohio; showcasing works of incredible artists including @kingsedemart , @selormamekorfia , @nanafrema8 , @frankcoffieart , @awuyahkofi , @narteydaniel7 , @artist_j.b.k , @samo.space , @hassan_issah1 , @rebekkamacht and @kwabena_lartey . This experience is to highlight the various artists and create meaningful partnerships with art enthusiasts in Columbus, Ohio. #worldfazeartpractice #ghana #art

AFRICA EVERYWHERE: Identity, Art & the Spaces Between You’re invited to @fiftyfourmag ’s global exhibition series (the Ghana edition), in collaboration with @worldfazeartpractice . Africa Everywhere reminds us that Africa has always been art; beyond galleries, beyond borders, carried in bodies, languages, and movement. This exhibition brings together: @kwabena_lartey , whose contemporary art speaks back to history, @trevcole ole, with a special selection highlighting the Jiye tribe and the Durbar Festival, @giovannaphotography , with images from Issue 12/13 documenting the Siddi tribe and @albertchime , capturing intimate moments across Ghana, showcasing the country as art. Across these works, identity unfolds as something lived, inherited, and continually reshaped, shaped by place, displacement, lineage, and imagination. Together, they reveal African identity as intersectional, layered, fluid, and deeply personal, yet unmistakably collective. Curated for Fifty Four Mag’s Issue 12/13, Africa Everywhere exists in the space between tradition and the present, origin and belonging. It is not a statement frozen in time, but a continuum, a testament that African creativity is not a moment, but a way of being: moving, adapting, and enduring. 📍 World Faze Art Practice, Accra 🗓 Exhibition Dates: 6–10 March 2026 🎟 Free entry Limited copies of Issue 12/13 will be available on site. Come as you are. Leave with a deeper sense of how Africa lives everywhere. All film production & exhibition planning and execution in Ghana will be led and managed by @expeditionhubert , serving as the project’s Lead Project Manager. #ameccaofafricanculture

Worldfaze Art Practice welcomes Frank Coffie as part of our ‘Visiting Artists’ program dedicated to emerging artists. Frank Coffie is a Ghanaian visual artist whose work explores identity, memory, and the emotional resonance of transitional spaces. He holds a Diploma in Fine Art from Ruth Prowse School of Art (Cape Town, 2017), where he was awarded the Erik Laubscher Award for creative excellence, and a Certificate in Art and Design from Ghanatta College (Accra, 2013). Coffie’s practice combines yarn, oil paint, and visual memory to create textured figurative works that explore impermanence and belonging. #worldfazeartpractice #visitingartistprogram #ghana

AFRICA EVERYWHERE: Identity, Art & the Spaces Between You’re invited to Part 2 of 3 of @fiftyfourmag ’s global exhibition series (the Ghana edition), in collaboration with @worldfazeartpractice . Africa Everywhere reminds us that Africa has always been art; beyond galleries, beyond borders, carried in bodies, languages, and movement. This exhibition brings together: @kwabena_lartey , whose contemporary art speaks back to history, @trevcole ole, with a special selection highlighting the Jiye tribe and the Durbar Festival, @giovannaphotography , with images from Issue 12/13 documenting the Siddi tribe and @albertchime , capturing intimate moments across Ghana, showcasing the country as art. Across these works, identity unfolds as something lived, inherited, and continually reshaped, shaped by place, displacement, lineage, and imagination. Together, they reveal African identity as intersectional, layered, fluid, and deeply personal, yet unmistakably collective. Curated for Fifty Four Mag’s Issue 12/13, Africa Everywhere exists in the space between tradition and the present, origin and belonging. It is not a statement frozen in time, but a continuum, a testament that African creativity is not a moment, but a way of being: moving, adapting, and enduring. 📍 World Faze Art Practice, Accra 🗓 Opening Night: 5 March 2026 🗓 Exhibition Dates: 5–10 March 2026 🎟 Free entry Limited copies of Issue 12/13 will be available on site. Come as you are. Leave with a deeper sense of how Africa lives everywhere. #ameccaofafricanculture

Dear Patrons, Artists, and Colleagues, As we conclude the 2025 season, we would like to express our sincere appreciation for your continued support and partnership, your commitment to the arts remains essential to our work. Kindly note the gallery will be closed on the following dates: Closed from: 24/12/2025. Reopening on:15/01/2026. Thank you for staying with us, we look forward to continuing our collaboration in 2026. Artwork Credit: Serlom Amekorfia, The Bond, 2025. 8×10×7 inches Galvanized mesh, fiber, plaster of Paris, cement, acrylic paint, and mirror.

‘Behind The Curtains’ an exhibition by Samuella Graham has been extended to December 24. Through this body of work, the artist does not offer solutions, but a space: a space to see menstruation not as shameful or hidden, but as elemental, a natural cycle that carries its own dignity, its own power. #BehindTheCurtains #worldfazeartpractice #exhibition #ghana #menstrualart

We are pleased to announce the extension of ‘Memories in Forms’ by Selorm Amekorfia to December 24, 2025. Amekofia’s practice resists the contraints of strict categorization. Instead, it thrives in the in-between, between sculpture and painting, abstraction and narrative, the external world and inner experience. Still on view until December 24th at Worldfaze Art Practice. #MemoriesInForms #worldfaze

‘Her Red Palm’ 2025 Acrylic and P.O.P on canvas 94cm x 94cm Inspired by the artist encounter with a lady who had coloration in her palms. Interested to know more, Samuella researched on the condition known as ‘Endometriosis’, a condition resulting from the appearance of endometrial tissue outside of the uterus and causing pelvic pain, especially associated with menstruation. This piece highlights some of the struggles women experience during that time of the month. #BehindTheCurtains #worldfazeartpractice #exhibition #menstruationhealth

‘Dreaming Pillow’ 2025 Galvanized mesh, fiber, POP, cement, acrylic paint and mirror. 19 x 11 x 13 inches Selorm has been drawing since he was a kid and was passionate about it but he didn’t have the desire to pursue it as a career because people say, art is not a career. Fast forward in his teen years, he started posting his sketches online and from the feedback, he was encouraged to do it professionally. One day, holding his pillow while thinking through it, he ended up falling asleep with his head on the pillow and had a dream where a voice whispered to him to pursue art professionally, and that drove him to go for it. This experience is captured beautifully in this body of work to talk about how we shouldn’t give up on our dreams. #MemoriesInForms #worldfazeartpractice #exhibition #organicforms

‘Respect! Her Vagina’ 2025 Acrylic and P.O.P on canvas 87cm x 106cm This piece is inspired by the stories of young girls who are taken advantage of, simply because they don’t have access to menstrual products. Some are pressured to trade sex for menstrual products, and others are told the myth that sex will stop their cramps. This work calls for better education, support and protection; reminding us that no girl’s body should ever be used as a bargaining tool for her basic needs. #BehindTheCurtains #worldfazeartpractice #exhibition #ghana

‘Sad at First, Happy at the End’ 2025 Mixed Media- Galvanized Mesh, Fiber, POP, Cement, Mirror, Acrylic Paint. 18 x 14 x 9 inches ‘Sad at first, Happy at the end’ was inspired by the artist personal story. The story as narrated by Selorm is a bittersweet experience of enjoying what most people refer to as ‘last born privilege’ while growing up. Little did he know that his mom will take seed to conceive another child. Hearing the news made Selorm feel sad and concerned about losing his ‘last born privilege’ but then after his mom gave birth to his younger sibling, it brought joy and happiness to his heart knowing that he now has a younger sibling. This is the memory that has inspired this sculpture and also the artist, Selorm, admonishes families to unite and create their own happiness. #memoriesinforms #worldfazeartpractice #exhibition #organicforms