Franco

𝔽𝕣𝕒𝕟𝕔𝕠 𝕄𝕒𝕞𝕒𝕣𝕚𝕝 Buddy man Playful characters, indecisive lines, and contradicting forms, Mamaril rejects the balance of ecosystems by forwarding works that abandon all structural demands. Evidently, the non-normative approach employed by the artist demonstrates a quiet rebellion and a gentle remembering of a person independent from all meaning imposed by externalities. His work displayed, which spans years to date, conveys an unapologetic message that transposes the very meaning of existence as he lives through hostile spaces and circles. Irrespective of recognition or whether they would care to admit it or not, an entire generation of homegrown artists from the 4023 to 4026 has similarly adopted his approach to creativity. His works are realized in other people’s writings expressed in metal roof sheets, transcendental colors, and flowing shapes. Text by @bangungot__ Franco Mamaril (b. 1996 | San Pedro, Laguna) creates artworks that reflect his experiences through online and offline interactions and programming languages. His artistic approach involves transforming traditional media into generative images via experimental design software. By engaging in these realities, Mamaril enhances his narrative-making and explores themes of acceptance and the impact of internet culture. Active in the art circuit since 2021, he has collaborated with local collectives like SPK and @multicabpress , participated in the 2023 digital residency Portal Park in Rotterdam, and will attend a creative retreat in Mamburao, Occidental Mindoro in 2024. ─•─────•─────•─────•─────•──── Where is the End of the Line? A drawing exhibition by Franco Mamaril, Gabe Tiano and Zeus Bascon April 9-30, 2026 at @bunso.gallery Please visit at Blk 113, 53 Connecticut Avenue, Greenhills, San Juan City or contact 09209276436 / 8584-2891 for inquiries Artist photo by @danny.cstllo , with additional artwork documentations courtesy of bunso gallery

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Where is the end of the line? Hindi ko rin alam buds Salamat kina Zeus Bascon at Gabe Tiano sa paglalakad kasama sa linya na ‘to. If you’re around, daan kayo! xD tysm din @bunso.gallery 🙏🏽

⋆.˚✮𝕋𝕙𝕒𝕟𝕜 𝕪𝕠𝕦✮˚.⋆ Where is the End of the Line? opening reception last night @bunso.gallery 𓍯𓂃𓏧♡ Maraming salamat sa lahat ng naglaan ng oras para makabisita at makicelebrate with us! Thank you @__theartmerchant___ for giving us space! ♡ ̆̈ Our drawing exhibition runs until April 30, 2026. bunso gallery is open daily from 10AM to 7PM ▶︎ •၊၊||၊|။|||| | Please visit at Blk 113, 53 Connecticut Avenue, Greenhills, San Juan City or contact 09209276436 / 8584-2891 for inquiries. ̤̮ ⠀⠀⠀⠀⠀⠀⣴⠶⢦⣤⠶⠶⣄⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⣇⠀⠀⠀⠀⢀⣿⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠙⢧⣄⠀⣠⠞⠁⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⣀⡀⠀⠉⠛⠃⣠⣄⡀⠀⠀⠀ ⠀⠀⠀⠀⡞⠉⠙⢳⣄⢀⡾⠁⠈⣿⠀⠀⠀ ⠀⠀⠀⠀⢻⡄⠀⠀⠙⢿⡇⠀⢰⠇⠀⠀⠀ ⠀⠀⠀⠀⠀⠙⣦⡀⠀⠀⠹⣦⡟⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠈⢳⣄⠀⠀⠈⠻⣄⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⡞⠋⠛⢧⡀⠀⠀⠘⢷⡀⠀ ⠀⠀⠀⢠⡴⠾⣧⡀⠀⠀⠹⣦⠀⠀⠈⣿⡤ ⠀⠀⣀⣿⠀⠀⠈⠻⣄⠀⠀⠀⠀⠀⠉⠈⣷ ⢠⡟⠉⠛⢷⣄⠀⠀⠈⠀⠀⠀⠀⠀⠀⣰⠏ ⠀⢷⡀⠀⠀⠉⠃⠀⠀⠀⠀⠀⠀⠀⣴⠏⠀ ⠀⠈⠻⣦⡀⠀⠀⠀⠀⠀⠀⢀⣠⠞⠁⠀⠀ ⠀⠀⠀⠈⠙⠶⣤⣤⣤⡤⠶⠋⠁⠀⠀⠀⠀

We made exclusive t-shirts and postcards for our exhibition! They will be available at @bunso.gallery for the duration of WHERE IS THE END OF THE LINE? Scan the QR code for the catalog or DM us if you want to pirchase.જ⁀➴🛒𖦹˖°.TY! ─•─────•─────•─────•─────•──── Where is the End of the Line? A drawing exhibition by Franco Mamaril, Gabe Tiano and Zeus Bascon April 9-30, 2026 at Bunso Gallery Please visit at Blk 113, 53 Connecticut Avenue, Greenhills, San Juan City or contact 09209276436 / 8584-2891 for inquiries

March 7: we were visited by @bangungot__ and @danny.cstllo to be interviewed for our upcoming exhibition at @bunso.gallery . Here are Danny’s photographs of us. ᝰ.ᐟ︶ ⏝ ︶ ୨୧ ︶ ⏝ ︶𓈈 Franco Mamaril (b. 1996 | San Pedro, Laguna) creates artworks that reflect his experiences through online and offline interactions and programming languages. His artistic approach involves transforming traditional media into generative images via experimental design software. By engaging in these realities, Mamaril enhances his narrative-making and explores themes of acceptance and the impact of internet culture. Active in the art circuit since 2021, he has collaborated with local collectives like SPK and Multicab Press, participated in the 2023 digital residency Portal Park in Rotterdam, and will attend a creative retreat in Mamburao, Occidental Mindoro in 2024. Gabe Tiano (b. 1998, Santa Rosa, Laguna) is a Filipino visual artist and experimental musician, specializing in sound design. His work encompasses improvisational performances, soundscapes, and illustrations that explore themes of science, faith, and personal perspective through occultic abstractions and diagrams. Since 2018, he has exhibited in various galleries in and around Metro Manila and participated in notable events like The Listening Biennial. In 2023, he interned at Bliss Market Laboratory and is also known for founding Walpurgis Prints. Zeus Bascon (b. 1987 | Santa Rosa, Laguna) is a multidisciplinary artist who has moved his work from Laguna to Occidental Mindoro and beyond. His art explores themes of identity, queerness, mythologies, and survival strategies. In 2021, he launched cultural projects with Cultivating a Garden to foster local creative ecology in Santa Rosa and beyond. Active since 2006, Bascon has exhibited in various alternative spaces, galleries, and museums across Asia, Canada, and Europe. He received the Thirteen Artists Award from the Cultural Centre of the Philippines in 2018 and has engaged in numerous international residency programs and grants. ─•─────•─────•─────•─────•──── Where is the End of the Line? opening reception on April 9, 2026 / 5pm  @bunso.gallery 🍄

Big 30 hell yeah!

CATCH TWO SEASONS IN ONE! BALLER ROOM SEASON 3 AND 4 FIRST SESSION THIS SATURDAY BALLER ROOM SQUARE GARDEN FEATURING ALL VINYL SET BY SIX THE NORTHSTAR, HOPIA SANDOVAL AND LATEBOOMER! DAY TOURNAMENT FOR BALLER ROOM CHAMPIONSHIP RING! MESSAGE US IF YOU WANNA PLAY OR JUST TAMBAY! EVERYONE WELCOME! POW3R FORW4RD! BALLER ROOM AND POWER FORWARD TYPE MADE BY FRANCO MAMARIL AKA FRANK GUNNA @wolfranco

End of Side B 2025 para sa @alloutindustries.ph year end show Isputing 💡💿💡📀💡💿💡📀💡💿

What She Was Making Gumagawa ng damit ang nanay ko. Naiipon ang mga telang hindi tinatapon mga retaso na baka magamit pa. Mula sa mga telang ito nabuo ang gawa. Isinabit na hindi tapos, nasa gitna ng paggawa, bago maisuot, bago huminto ang trabaho. Hindi ito damit, kundi bakas ng oras, pag-aalaga, at paulit-ulit na paggawa na matagal nang bumubuhay sa amin bilang pamilya. para sa THE STRINGS WE HOLD, HOLD US sa Vinyl on Vinyl (VOV) Iba rin yung tapang para magpasa ng ganitong gawa. Kung tutuusin, ang layo nito sa usual kong ginagawa walang tech, walang glitch. Sarap lang sa feeling na nag-enjoy ako sa paggawa. Magbi-birthday si ermats sa Linggo. Labyu, Ma. 🤍

Yellow Basket looks at the absurdity at overproduction ng online shopping platforms like Shopee, Lazada, at TikTok Shop. Uu, convenient siya kumpara sa sari-sari store mabilis, mura (daw), at isang tap lang. Pero kasabay nun, dumadating din yung mga problema: mga diskwentong parang scam, presyong biglang nagbabago depende sa algorithm, ang daling ma-adik sa pagbili ng mga bagay na hindi naman talaga kailangan, at yung tambak na plastic na tahimik lang na dumarating sa bahay. Yellow Basket imagines an online store under low-bandwidth conditions kung saan normal lang ang mabagal, ang pag-aalinlangan, at ang pag-isip ulit bago mag-checkout. Isang space para tumingin, maghintay, at minsan… hindi bumili. low-bandwidth dreams Para sa 2025 @escbiennale @98bcollaboratory