Human presence does not disappear, but rather shifts. It inscribes itself in the territory indirectly, in the rhythms of work, in the repetition of gestures, in the forms that endure.
It is in this tension between the visible and the suggested that the gaze finds its limit: that which does not belong to it, but which, nevertheless, it attempts to understand.
The distance between those who pass through and those who remain.
The journey functions as a threshold for the project: an intimate and contained approach, where presence is minimal and observation takes center stage. It raises questions about territory, belonging, and how we perceive that which we do not inhabit.
