Within We Have The Cure (2024), a stylized nail salon installation, a video plays on a tablet embedded into the manicurist’s table, inviting visitors to sit, listen, and engage. Through headphones, Kosisochukwu Nnebe narrates a reflective, poetic account of Black histories, identity, and survival, as viewers watch the careful process of a manicure unfold. The video captures moments of creativity and autonomy, design choices, hand massages, conversation, highlighting the salon as a space of care, connection, and expression. Interwoven with this intimacy are powerful refrains that recall how adornment has historically functioned as a tool of resistance and survival. The act of tending to the body becomes more than aesthetic; it becomes a language through which histories of refusal are carried and communicated. In this space, beauty is redefined as both a personal ritual and a collective practice of liberation.
Artist:
Kosisochukwu Nnebe (
@kosisochukwunnebe )
Co-Curators:
Megan Kammerer (
@megan.j.kammerer ) and Samantha Lance (
@samantha.lance1 )
Installation Team:
David Wigley (
@davidcwigley )
Venus Nwaokoro (
@art.cnvenus )
Matt Walker (
@dustythumb )
📸 Image Credits: Video feature from We Have The Cure (2024) on display in ‘We Have The Cure’, featuring Kosisochukwu Nnebe at the Visual Arts Centre of Clarington, 2026. Courtesy of Kosisochukwu Nnebe.
📸Cover Image Credits: Kosisochukwu Nnebe, We Have The Cure, 2024, 00:09:01, dimensions variable. Photo credit: Vladim Vilain.
@ontarioartscouncil
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#WeHaveTheCure #2026Exhibitions #MultidisciplinaryArt #ArtExhibition #VisualArtsCentreOfClarington