Viewix | Video Production

@viewix.com.au

Performance marketers who only make video. šŸŽ¬ Social reels + ads for brands šŸ’™ 18.7M+ views for clients šŸ“ Dulwich Hill, Sydney šŸ“© DM "VIDEO"
Followers
1,343
Following
61
Account Insight
Score
46.68%
Index
Health Rate
%
Users Ratio
22:1
Weeks posts
Genuine reactions for genuine performance.
193 3
1 month ago
Our Wes Anderson phase hit hard.
788 15
10 months ago
Comment ā€œEditorā€ and we’ll DM you the Link!! You live in Premiere. Your Reels slap. You made your mates go viral once... maybe twice. Now you’re ready to level up. We’re looking for multiple Video Editors to join our crew at Viewix - a creative, fast growing production house in Sydney making bold, high-impact content for premium brands. šŸ‘‰ If you’re sharp with edits, quick on your feet, and hungry for real responsibility, this one’s for you. šŸ“Comment ā€œEditorā€ below and we’ll DM you the link No DMs. No emails. Show us you’re serious.
287 198
6 months ago
$3,000 lesson in 3 seconds. We were standing on the bow of a massive international cargo ship docked in Newcastle. The kind that hauls wind turbine blades from China to fuel Australia’s renewable energy push. We’d been filming for a client all day with a brand new DJI Mavic 4 Pro. This was its third and final flight. I hand launched it off the side of the ship. Something I’ve done plenty of times before. No stress. Except this time I didn’t account for one thing. Aerodynamics. When wind hits the flat side of a cargo ship that size, it doesn’t just blow sideways. It redirects. It travels up the hull like a wall of moving air. So when I placed the drone right at that edge and let go, it didn’t drift sideways like wind normally pushes a drone. It got caught in a steady, invisible column of air rushing straight up and out. The drone couldn’t correct fast enough. Gone. Off the side. Into the water. I genuinely considered jumping after it. I wouldn’t have made it. And even if I did, the drone was done the second it hit the water. The worst part wasn’t the $3,000. It was the footage. Everything we’d captured that day, gone with it. That’s the bit that actually stung. But here’s where preparation saved us. We had a backup drone on that shoot. We were back up at 5am the next morning to reshoot everything we’d lost. The client ended up happy. They never felt the impact of it. That’s the job. Since then we’ve added two contingencies we didn’t have before. First, we always have a backup unit on location. Second, we now save footage to the controller simultaneously as we fly, so if a drone ever goes down again, we’ve still got the shots. Hand launching makes sense in a lot of situations. On the side of a cargo ship where the wind is being redirected vertically up the hull? Not one of them. If you fly drones professionally, take this one with you. The conditions you can’t see are the ones that’ll catch you out.
20 0
2 months ago
Can’t get any work done around here šŸ¤¦ā€ā™€ļø
22 4
2 months ago
Nothing distracts Vish in his pursuit of videographical greatness.
19 1
2 months ago
He was never seen again…
25 3
2 months ago
David never edited again.
47 2
2 months ago
We don’t just make it look good, we make it count.šŸ‘ŒšŸ¼
25 0
2 months ago
Don’t talk to him, he’s wired in šŸ‘ļøšŸ‘ļøšŸ’»
56 5
2 months ago
Everyone knows the production team gets to eat the food after
25 1
2 months ago
When your bosses mog the office šŸ˜
78 10
2 months ago