展覽預告📣📣
《刻痕：石與海的記憶 ｜
Imprint: Memories of Stone and Sea》
藝術家 Artists :
鄭詠文Van CHENG
@vanforart
盧棠棣Vanessa LO
@lutangli
展期 Exhibition Period : 17/04-03/05/2026
開放時間Opening Hours : 13:30–19:00
（週三至週日開放，公眾假期休館）
Wed-Sun, Closed on public holidays
開幕 Opening :
17/04/2026, Fri, 1800-2000
場地 Venue : 本陶藝社
石硤尾白田街30號 賽馬會創意藝術中心 L5-22
Indige Studio
L5-22, JCCAC 30 Pak Tin Street, Shek Kip Mei, Hong Kong
@indige.hk
_____________________
「刻痕：石與海的記憶」
本展覽以「石」與「海」為核心意象，探討記憶在恆常與流變之間的辯證關係。
鄭詠文透過「複製品」與「原物」的位置對調，讓人造物進入自然的循環，自然原石進入文明的視野，試圖在短促的人類生命與悠久的地質時間之間，建立對話並介入自然演化律則。
盧棠棣則以海洋的流動性為載體，捕捉時間如潮汐般周而復始、消逝與重構的瞬息，透過石質媒介的厚重感，將破碎記憶「結晶化」，轉化為靜謐的永恆刻痕。
兩位藝術家藉由不同的物質尺度，構築出一場對時間本質的深刻思辨，見證時間如何在物質之上留下不可磨滅的印記。
《Imprint: Memories of Stone and Sea》
The exhibition employs ”Stone“ and ”Sea“ as central ontological metaphors to investigate the dialectical tension between the permanence and transience of memory.
Van CHENG interrogates the boundary between the ”replica“ and the ”original“ through a strategic transposition of their positions. By integrating anthropogenic artifacts into natural cycles and situating raw lithic materials within a civilizational gaze, Cheng seeks to establish a discourse between the brevity of human existence and the expansive duration of geological time, mediating the deterministic laws of natural evolution.
Vanessa LO engages the fluidity of the marine environment as a conceptual vessel, capturing the ephemeral moments where time—akin to the tidal pulse—undergoes a process of recurrence, dissipation and reconfiguration. Utilizing the haptic density of stone, Lo ”crystallizes“ fragmented memories, transmuted into silent, eternal incisions.
Through divergent material scales, both artists construct a rigorous philosophical inquiry into the essence of temporality, documenting the indelible imprints inscribed by time upon the physical world.
