Valuart

@valuartdotcom

We support projects poised to redefine the standards. We are in step with the growing synergy between art and technology.
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Weeks posts
Jesse Draxler, Pillar (2023–2024). Acrylic, graphite, spray paint, epoxy and collage on wood panel. First unveiled in GOOD ARTISTS DO BAD THINGS, Milan. Sold at Christie’s First Open: Post-War and Contemporary Art (18 Dec 2024) for USD 63,000
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8 months ago
Technical support for Moving Borderlines, a group exhibition featuring fashion and multidisciplinary photographers presented by Foundry Downtown. On view until October 20th, 2025. @daron_bandeira @raghefarah @__ronjohn @afrorabian @preschelleann laura.puscasuu @faxon_lab
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7 months ago
Technical support for MOLOCH by Sasha Sime, now on view at Foundry Downtown. An AI-driven installation exploring the systems of meaning, memory, and machine through digital recursion. On view until October 20th, 2025.
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7 months ago
Presenting Custom Feelings (2025), part of Skygolpe’s CTRL_ABSENCE collection, debuting at his upcoming solo show with Fellowship in London, Nov 20–26, 2025. @skygolpe @fellowship.xyz
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7 months ago
Skygolpe working on his upcoming solo show with Fellowship in London, Nov 20–26, 2025. @skygolpe @fellowship.xyz
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7 months ago
Sunday Review cover, The New York Times by @jessedraxler
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7 months ago
Back to "GOOD ARTISTS DO BAD THINGS" in Milan, where @jessedraxler and @achilleidol merged underground culture with contemporary art.
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8 months ago
Fashion Editorial by @jessedraxler
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8 months ago
"Dark and liminal layered dreams and all manner of everyday mythical themes. Glory in the chaos.. another wondrous offering from visual magician Jesse Draxler." — @cchelseawwolfe , on The World is Mine and I'm Thinking About You by @jessedraxler
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8 months ago
Skygolpe’s first AI-generated short film CONTACT was unveiled in Milan during the BLACKOUT project. The work reinterprets the spark of connection from The Creation of Adam, shifting the focus to the delicate tension between humans and machines. #Skygolpe #CONTACT
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8 months ago
Artnet sat down with Skygolpe for their 7 Questions series, highlighting his unique path from digital abstraction to physical canvases. “I feel like painting is the natural evolution of my research.” - @skygolpe Read more, link in bio
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8 months ago
"The power is in between, but the center should be avoided." Solar Cage by @skygolpe
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8 months ago