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USF Contemporary Art Museum

@usfcam

4/3/26–5/9/26 → Things Don’t Seem The Same: 2026 MFA Thesis Exibition, USFCAM, Tampa
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In Dr. Jocelyn E. Marshall’s graduate seminar on critical perspectives and contemporary art, MA and MFA students curated an exhibition using the USF Contemporary Art Museum collection that was hosted by the USF Dept. of Women’s, Gender, and Sexuality Studies, which will remain on view till April 2027. Opening on April 14th, Office Hours kicked off with a packed house, students’ individual talks about the selected works, and exciting, cross-disciplinary conversations amongst attendees from across the university. An exhibition catalogue is forthcoming this summer (online & USF library), which is designed by Vinh Huynh and edited by Mya Jones, featuring essays by all students and a foreword by the Chair of @wgs_usf , Dr. Michelle Hughes Miller. Office Hours: Toward Alternative Futures imagines new possibilities through acts of refusal and redefinition. The selected works center themes of visibility, embodiment, and resistance by exploring how marginalized communities navigate oppressive societal systems. Through strategies of appropriation, remix, and parody, the artists challenge mechanisms of power and offer vibrant, nourishing portals. Office hours are typically a time for asking questions, testing ideas, and thinking aloud. Situated within academia, this communal space becomes an active ground for dialogue and reflection. At a moment when the future feels uncertain, this exhibition turns the shared space into an exploration of creative practices vital to imagining and building alternative futures. As student curators, we invite you to join us in questioning, reimagining, and reshaping together a more just world. Office Hours was curated by Spring 2026 Critical Perspectives on Contemporary Art – Curation Focus students Camilla Byrd, Dysere Rivera-Matos, Josepha Yague, Kayla Simons, Kenny Jensen, Lauren Nelson, Mya Jones, Sabrina J. Barilone, Vinh Huỳnh, Yasmin Diogo, and organized by @jocelyn.e.marshall and @usfcam .
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3 days ago
JOIN US FOR… Breaking Barriers: Gathering Light Opening Reception and Artists Panel: Friday, May 22 // 7-9pm, USF Contemporary Art Museum The USF Contemporary Art Museum is honored to present Breaking Barriers: Gathering Light, a curated selection of photographs created through the 2025 Breaking Barriers workshops. These intensive online photography workshops—offered free of charge to veterans and their families in the USF community, Tampa Bay, and beyond—were led by artist and educator Kristen Roles, with assistance from US Air Force veteran Derek Hopkins. Gathering Light reflects the many ways participants encountered, shaped, and gathered light, revealing it as both a physical phenomenon and a metaphor for perception, resilience, and connection. Through these images, Gathering Light honors the creative labor of all participants and invites visitors to slow down, look closely, and consider how the simple act of seeing and sharing what we see can help us better understand ourselves and one another. For more information, check out the link in our bio! Free and open to all. Editha Perez Heberlein, Glow and Shadow, 2025. -- @theartsatusf @artschoolusf @tampavamc @ovsusf @hillsboroughfl
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3 days ago
LAST CALL! Things Don’t Seem The Same: 2026 MFA Thesis Exhibition closes THIS Saturday, May 9. Thank you to the MFA students for their participation, the CAM and School of Art History faculty and staff for making it possible, and all who attended. We look forward to seeing you May 22 for the opening of our next exhibition, Breaking Barriers: Gathering Light. This show presents a curated selection of photographs created through the 2025 Breaking Barriers online photography workshops (offered free of charge to US military veterans and their families). For more information, check out the link in our bio! Free and open to all.
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11 days ago
Finals week can be intense, and a change of pace can help. The Contemporary Art Museum offers an inspiring atmosphere, featuring work by seven MFA artists across a range of media. Curious about architecture? Wrap up the day with an architecture lecture on Wednesday evening. And save the date for Graphicstudio’s open house + benefit sale. All events are free to attend.
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13 days ago
The semester may be winding down, but the artistic momentum continues. Support our incredible BFAs and MFAs, and experience the USF Symphony Orchestra with The Florida Orchestra’s Chelsea Gallo serving as artist-in-residence this week. All events are free. Details: www.usf.edu/arts/events
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20 days ago
ON VIEW NOW: Things Don’t Seem The Same: 2026 MFA Thesis Exhibition Brogan Willis, born in 2000, is a sculptor and designer from Cleveland, Ohio, and was raised in Charlotte, North Carolina. He completed his undergraduate studies at Penn State with a BFA in Sculpture. Willis’s work explores the intersection of athletic discipline, material labor, and cultural memory. Approaching sculpture through a process-driven lens, he tests how ordinary objects, particularly sneakers, can be transformed through repetition, endurance, and physical constraint. His practice reframes the “unnecessary,” reimagining footwear as vessels of identity, labor, and personal history. Learn more about his work and process TONIGHT at our Panel Discussion: 6-7:30pm // USF Fine Arts Building Lecture Hall (FAH 101) For more information, check out the link in our bio! Free and open to all. Brogan Willis, Interference in Stride Shoe 1, 2026.
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25 days ago
ON VIEW NOW: Things Don’t Seem The Same: 2026 MFA Thesis Exhibition Diana Sosnowska (b. 1995) is a Polish-Italian visual artist working between Florida and Italy. She holds a BA in Photography from Robert Gordon University, Scotland. Her practice investigates how institutional regimes and scientific knowledge systems both record and construct knowledge. Through the manipulation of institutional, governmental, and vernacular archives, staged photography, and sculptural interventions, Sosnowska challenges dominant understandings of history and memory, exploring the spaces where truth and fiction converge. Learn more about her work and process at tomorrow’s Panel Discussion: April 22, 6pm // USF Fine Arts Building Lecture Hall (FAH 101) For more information, check out the link in our bio! Free and open to all. Diana Sosnowska, SESSION DCC-14, 2025
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26 days ago
ON VIEW NOW: Things Don’t Seem The Same: 2026 MFA Thesis Exhibition Born in Oklahoma in 1984 and raised across Texas and the American South, Atia Shafie’s childhood shifted dramatically in the mid-1990s when, at the age of ten, she migrated with her family to Iran. The decade she spent there—negotiating new cultural codes while holding onto the remnants of another life—became the foundation of her artistic sensibility. Returning to the United States in 2005, she rebuilt her life independently. She pursued art studies, moving from graphic design to painting before ultimately finding her voice in sculpture and completing her BFA in Los Angeles, CA. Learn more about her work and process at our upcoming Panel Discussion: April 22, 6pm // USF Fine Arts Building Lecture Hall (FAH 101) For more information, check out the link in our bio! Free and open to all. Atia Shafie, On My Mother’s Land, 2026.
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27 days ago
April just keeps getting better! Attend events across one of our four schools and at the Contemporary Art Museum: MFA and BFA thesis exhibitions, an architecture lecture, an MFA panel discussion, music ensemble performances, a percussion festival, and a musical production! All events are free (ticketed events noted). www.usf.edu/arts/events
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27 days ago
“2 Paintings” is part of Sound and Motion my install at our group show called Things Don’t Seem the Same @usfcam the museam @theartsatusf and @artschoolusf the art school measurements for “2 paintings” is 9 feet tall x 5.5 feet width x 19 feet long
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28 days ago
“2 Paintings” is part of Sound and Motion my install at our group show called Things Don’t Seem the Same @usfcam the museam @theartsatusf and @artschoolusf the art school measurements for “2 paintings” is 9 feet tall x 5.5 feet width x 19 feet long
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28 days ago
ON VIEW NOW: Things Don’t Seem The Same: 2026 MFA Thesis Exhibition Through self-portraiture that foregrounds pleasure, vulnerability, and connection, Darlene Gold’s photography challenges cultural assumptions about age, sexuality, and female visibility. Her self-portraits position the aging female body as an active subject of desire. She extends this inquiry through performance and image-text works that explore erotic self-disclosure as both risk and agency. Learn more about her work and process at our upcoming Panel Discussion: April 22, 6pm // USF Fine Arts Building Lecture Hall (FAH 101) For more information, check out the link in our bio! Free and open to all. Darlene Gold, Self-Portrait/Portal & Threshold, 2025.
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1 month ago