𝕰𝖙𝖍𝖊𝖗

@under_ether

ANOTHER ARCHIVE OF ARCHIVES curated by @pieldepalabras
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Weeks posts
In her work, Mountainaire Hotel, artist Jessica Wohl covered the stairs of an abandoned Arkansas hotel in synthetic hair. ‘I liked thinking that the building had actually been alive the entire time it was abandoned as if it had been growing hair for the last 20 years. This device also creates a sense of mystery, fear and uncertainty, akin to what one might feel in a haunted house’.
24 1
8 months ago
Glove details through paintings from various eras, obsessed with the rings that we can see in the small leather cuts
13 0
8 months ago
Old cartoon who seems to be an early design version of Betty Boop, (couldn't find the original source)
5 0
8 months ago
"Eruption", tapestry by Tadek Beutlich
12 0
1 year ago
Yohji Yamamoto AW1998 Lookbook, full article and pictures : /yohji-yamamoto-aw1998-lookbook
11 0
1 year ago
Sculpture made of Hand-formed porcelain and found objects, by the artist Cathie Rose, 2021.
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1 year ago
Nancy Cunard was a poet, political activist, muse and style icon. I recommend this link if you want to get familiar with her works : /nancy-cunard/poems.html
4 0
1 year ago
Shots from the very inspiring movie Duke Bluebeard’s Castle, directed by Leslie Megahey, 1989
7 0
1 year ago
The Hour is Devoted to Revenge, Louise Bourgeois, 1999
12 1
1 year ago
ChloĂ« Sevigny dressed as Joan of Arc at Gemma Ward's Imperia Vodka Halloween Party at Rose Bar, New York, 2007 “I found the dress at a flea market in Paris
 The armor I ordered online. The hardest element to find was the Walkman, which was my nod to the Joan of Arc reference in The Smiths song “Bigmouth Strikes Again.” I must have gone to five or more Salvation Armies searching for one. I could only find a Panasonic. Smiths purists called me out and said it wasn’t a “real” Walkman, because it wasn’t a Sony. What nitpickers!”
12 0
1 year ago
Musical Tableau June 1914: Miss Felicity Tree, Miss Nancy Cunard, Lady Violet Charteris and Lady Diana Manners (later Lady Diana Cooper) in the musical tableau ' La Damoiselle Elue' at the French Embassy, London.
3 0
1 year ago
Back in the 19th century, hair jewelry functioned as a keepsake of the dead and as memento mori, since the wearer was constantly reminded to lead a good life because death was an ever-present possibility and could strike without any warning. It was common that more hair would be added to the jewelry when additional friends or relatives passed away.
21 0
1 year ago