Tom Law

@tomlaw.creative

Creative Director | Designing worlds and crafting immersive narratives. šŸ¢ @journeydotworld šŸ“ London, UK
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Weeks posts
Digital Daze. Experiments with #touchdesigner using a Kinect for real-time 3D motion capture. #generativedesign #realtimeart #tdcommunity
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12 days ago
Really enjoying messing around with #touchdesigner at the moment. Here’s an experiment using plant movement and live data. #datavisualization
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1 month ago
How do you create a 360° holographic projection? True large-scale holograms don’t (currently) exist, so we use clever trickery to make it look like they do. One of those tricks is #Hologauze, a fine woven metallic mesh that’s see-through and has a bright projection when illuminated. Here are some internal tests for a large-scale project. The real thing would need 12 projectors working in perfect sync. For now, we’re experimenting and having fun with the possibilities. #ProjectionMapping #LiveEventTech #ImmersiveMedia #creativetechnology
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9 months ago
Testing some #GaussianSplat techniques for the ā€˜Our Home’ r&d project. At first, we rushed to clean up these visual artifacts, but we’re now looking for ways to bring them back. I do find these data fragments very beautiful, it’s like stepping into a photograph or memory that’s forming. #UnrealEngine #3DScanning #Photogrammetry #ImmersiveArt
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9 months ago
Unlimited Human Potential. A teaser from a film I directed for the Saudi Pavilion at Expo 2025 Osaka. It follows five Saudi athletes, capturing their skill, drive, and dedication to sport. The full film plays on a 270° wraparound screen, immersing visitors. That format pushed us creatively, and we had to rethink pace, framing, and movement to suit the space. We tested the experience at 180 Studios in London before installing it in Japan. This was one of several narrative pieces we created at @journeydotworld where I was Creative Director across all narrative-led content in the pavilion. Our team was responsible for the full digital design of the visitor experience, from interactive installations to immersive film environments. This film was among the most ambitious, with a large-scale shoot across demanding, remote locations. Huge thanks to the incredible crew who brought it to life. Special shout out to our producer @ryanmorganproducer and my brilliant cinematographer @pablorojodop Music & Sound by @zeligsound Athletes: Rally Driver: @reemthamerr Skier: @joudfarhoud Surfer: @hanodi27 Golfer: @m.golff_ Footballer: Habeeb Al Antaif
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9 months ago
#metahuman test for a personal project. High-res skin pack with cinematic lighting. It’s amazing how realistic they look when you apply traditional filmmaking techniques in #unrealengine5
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9 months ago
Some of the 3D scans from Our Home, an immersive VR project. A moment frozen in mesh. Memories taking shape in #unrealengine5
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10 months ago
SAAS-FEE, SWITZERLAND. Shot on #makina67 using #ilfordhp5 #120film
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1 year ago
The Rub’ al Khali, Saudi Arabia. Shot on #makina67 with #lomochromepurple by @lomography
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1 year ago
Empty Quarter, Saudi Arabia. Shot on #makina67 #mediumformat #filmphotography
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2 years ago
EMPTY QUARTER, SAUDI ARABIA. Shot on #makina67 #mediumformat #filmphotography
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2 years ago
YOUNGSTOWN, OHIO. ā€˜Gary’ from the series, ā€˜US Truck Drivers’. Shot for @bammglobal _ #documentaryphotography #portraitphotography #lightbox #truckerslife #carlzeiss #lensculture
0 0
7 years ago