part of my last mfa crit for the year 🦾
110x135, mdf, wrought iron awning, oyster shell
thanks @sinaischild for the all the help with this one and angel @babyspinach2 for the documentation <3
album cover for @marcuswhaleinlandsea new album ‘Nether,’ shot in an abandoned train tunnel in sydney, so grateful for the trust making this ~ first single Extra Life out nowwww, videos coming soon 🎚️🕳️
and some more
elsewhere I, 0.9x1.5m, oak, archival inkjet print
desire path (side a), 1x1.5m, oak, 9 x archival hahnemuhle inkjet prints
desire path (side b), 1x1.5m, oak, 2 x archival hahnemuhle inkjet prints
i want warm air going over my skin, 1.2x1.2m, oak, inkjet print, enamel keychain
mwah! 🍀
documentation by @casper.plum
video made with @marcuswhaleinlandsea 🔑
i feel as far as i can see, 5:34 single channel video, 18m degraded steel perimeter
install documentation @casper.plum
thanks to everyone who came thru to see grad show last week, loved making these works, loved sharing it with u
i carved a heart in the tread of my sneaker
documentation @casper.plum ❣️
‘The World Spins’ exhibition curated by Raisa McLean and Juliette Berkeley with works by Tom Denize, Joey Dillon, Felix Oliver and Vivienne Tetaz opening this Saturday @tcb_gallery 6-8pm 🌟
[The World Spins is an exhibition in absentia. The presented works have all failed to arrive, or else will never go. Love don’t go away. Come back and stay forever.]
“[…] the weird is marked by an exorbitant presence, a teeming which exceeds our capacity to represent it. The eerie, by contrast, is constituted by a failure of absence or by a failure of presence. The sensation of the eerie occurs either when there is something present where there should be nothing, or if there is nothing present when there should be something.”
-Mark Fisher, ‘The Weird and the Eerie’, 2016.
had the honour of writing a profile on @_purple_stars_expleting_ ‘s expansive and incredible practice for @un_projects , full piece up on their website under un Extended if you wanna read🙇♂️
edited by @_victoriaperin
![‘The World Spins’ exhibition curated by Raisa McLean and Juliette Berkeley with works by Tom Denize, Joey Dillon, Felix Oliver and Vivienne Tetaz opening this Saturday @tcb_gallery 6-8pm [The World Spins is an exhibition in absentia. The presented works have all failed to arrive, or else will never go. Love don’t go away. Come back and stay forever.]“[…] the weird is marked by an exorbitant presence, a teeming which exceeds our capacity to represent it. The eerie, by contrast, is constituted by a failure of absence or by a failure of presence. The sensation of the eerie occurs either when there is something present where there should be nothing, or if there is nothing present when there should be something.”-Mark Fisher, ‘The Weird and the Eerie’, 2016.](https://sp1.picnob.com/p/pt_6729183134695263604772_0_2b2e6522bb2920ecd98ff2d9654a9c29.jpg?o=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&h=4002566344324b3a4c903e067d5b5f33)
