The final line-up for our upcoming event features artists whose works harness the phantasmagorias, mystifications and servitudes of modern society to erode it from within, stripping it of the facade of perfect normality—ostensibly governed by the laws of flawless scientific and technological rationality—which conceals its mythological nature, inhabited by the apotropaic rituals of economic exchange.
Hailing from New York City, Margaret Chardiet will oil the event with one of the intensely provocative performances transmitted by her lifelong, programmatic industrial noise project Pharmakon. Following the spawn of its fifth transformation after a five-year hiatus, she will also present new material of this maggot mass that explores the human condition and purges the embodiments of real abstraction.
Congo-born oracle Nkisi will exhibit a specimen of Black Industrial/Noise in the form of a 3-hour DJ set aligned with the ongoing homonymous project by the Black Industrial Research Group, which “reclaims a postcolonial lineage of techno and noise within a loosely defined concept of Black Industrialism”. Tracing its roots from the ethnomusicological wax cylinders recorded in Africa in the early 20th century—whose overlooked anomalies can be seen as a form of proto-noise avant la lettre—to the Black British urban experience, Melika Ngombe Kolongo’s sorcery invokes the experimental and aberrant uses of teknology, inherent to the radical forms of so-called popular music, to expose its false official neutrality.
Tube Tentacles is “the closest thing to what you fear most”. Owner of a unique setup comprising valve synthesizers and other industrial rarities, Enrique Garoz’s output spans a range of projects including splits with legendary Japanoise artists and recent releases on Deathbed Tapes. To try out an exercise in defamiliarisation, he will perform at an unusual time and show his elusive vision, the product of an atmospheric and penetrating conception of noise that brings it closer to the most abstract non-human entities of Lovecraftian cosmic horror, in line with CCRU’s representations of Capital.
Last few days to get an early bird ticket.
Art: @ex.alls
Today airs the first mix of my @dublab.cat residency called Clockwork Sonata.
Live at dublab.cat 19.00 CET
Clockwork Sonata (I): Trailing Thistles.
(01:00:00)
Some more pages of the short essay “I Refuse To Be Sentient (M02)”.
Unspoken Tongue, Eternal Warfare.
Words on pages 02-03 by Gordon Matta Clark (Translated)
Typeface: Tool Serif by @fontsfromfolch
We had the pleasure to design the poster for the exhibition “I Won’t Move So I Don’t Wake You Up (No Cambiaré Mi Postura Para No Despertarte)” at Pablo’s Birthday In New York, curated by Tadeo Nusser.
The exhibition interrogates surfaces as archives; how contact, impact, touch, weather, language, paint leave traces that persist beyond the moment of the event.
Works by:
Casa Antillón @casantillon
Anna de Castro Barbosa @annbarbosanna
Raul Galán H @raulgalanhurtado
Frank Gerritz @frank.gerritz
Victoria Palacios @victoriapalacios_
Júlia Peña @imnotjuliette
Lorena Torres #lorenatorres
On view until February 27.
Pablo’s Birthday
105 Hudson St. APT 410
Tribeca, New York
NY 10013
Image 05: Alternative Colorways.
Words & Images for “I Refuse To Be Sentient (M02)”, a short essay written and designed as part of an ongoing investigation I started in 2021 based on “In Defense of the Poor Image”, published by Hito Steyerl in 2009.
Part One: On Image Survival. Text on Image 03 by Hideo Kojima: Words extracted from a MGSV 2015 Interview (Translated). Text on Image 04 by Gordon Matta Clark (Translated).
Part Two: On Dream Synthesis. Photo taken at La Specola (Florence) in November 2025.
Typeface: Tool Serif by @fontsfromfolch
As an end-of-year gift, we present A-Gen, a copyleft tool developed by Ex-All that is free to use and exploit.
A-Gen is a generator of random shapes, symbols and patterns. We wanted to create a tool that would allow us to generate shapes in a semi-controlled way but with the curiosity that randomness generates.
ex-all.com/a-gen
If you have any questions or need instructions on how to use it, please do not hesitate to contact us. We would love to see and share the results!
HNY from D&T.
EX🄯25-26
We proudly present Ex-All (/ˈɛks ɔːl/ – Éks Ol), the collaborative venture of Diego (@_godiero ) and Tristán (@toa3__ ).
After years of working together, we felt it was time to establish a studio of our own, one committed to exploring the limits of our graphic practice while continually pushing the boundaries of form, materiality, and physical presence.
Our services include: Image, Graphic, Editorial, Web, Sound & Motion Design, along with Visual Research and Creative Consulting.
Discover more about us and our work at ex-all.com
For inquiries and availability, please reach out at [email protected]
Looking forward to what comes next.
Now on Sale —— limited print of 25 copies of “A Death To Call My Own” posters.
50x70cm, Coated Paper 150 g/m2.
20E + Shipping.
Hand delivery in Barcelona & Madrid.
Please get in touch via DM to get yours.
Photos by my dear @imnotjuliette 💌
Its been 3 years since the first @interi.oor release, United We Stand. These are some low quality scans (using my parents cheap printer — the very same I used to do all my posters & artworks between 2020-2023) of the research I conducted for my Bachelor's Final Proyect in which Interior came to light 🕸
toa.earth is updated with most of my works from last year.
I guess this is an official announcement of my freelance status. For any inquiries and current availability please email [email protected] 🍀
