a few months ago I did lettering for Ventoline T••••••shirts. Thanks to Félicité @brigadecynophile for inviting me 💫
........and shout out to my sister @zala_cizej for pos/ng
The B0X: Tjaša Cizej
Sample, Draft
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02.06.2025
Werkplaats Typografie
2e Leeghwaterstraat 5B, 1018 RA Amsterdam
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The concept of the exhibition centered on the idea of authorship and ownership, expressed through the creation of my own watermarks. Each design explored the visual language typically associated with digital watermarks—those often found on protected images or documents online. The forms, typefaces, patterns, and compositions were inspired by these digital marks but reimagined in a more physical, spatial context. The title Sample, Draft was drawn directly from the words commonly used in online watermarks—“Sample” or “Draft”—which frequently appear over images as a way to prevent unauthorized use.
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100films 100posters
61 〈너와의 거리 D is for Distance〉
Design: Chaehee Park and Tjaša Cizej @tjasulla
Film Director: Christopher Petit, Emma Matthews
Finland, 2025
동시대 푸티지와 아카이브, 영화사를 몽타주로 엮은 필름 에세이인 ‘너와의 거리’는 탈진실(post-truth)의 시대에 대해 보여주는 동시에, 한 젊은 남성이 어린 시절 겪은 뇌전증이 어떻게 세상의 비애를 상징하게 되었는지, 그가 어떻게 역경을 극복했는지 묘사한다.
”More is known about the universe than the brain”. This sums up the situation of Louis Petit, sufferer of a rare, frighteningly debilitating form of complex epilepsy that shattered years of his young life and erased his memory of childhood. Louis’ parents, filmmakers Christopher Petit and Emma Matthews, tell Louis’ ongoing story through an extraordinary archive of footage that includes documentation of his seizures. The family finds itself up against the unbending bureaucracy of Britain’s inhumane health care regulations – and seeks provisional solutions elsewhere, including Rotterdam itself.
Yet this is only one layer of a remarkable essay-collage. The father’s unmade film project concerning two Americans, writer William S. Burroughs and former CIA chief James Angleton – both addicted, obsessive and paranoid – provides a wider frame to explore the links between “technology and the subconscious”, capitalism and the “inner reality” of the mind. Using a stunningly edited array of film clips, art works (including Louis’ rich depictions of his “visionary” condition), sound textures and road movie travels, D is for Distance focuses simultaneously on the microcosm of personal pain and the macrocosm of social decline. The details are bleak, but the film is a beacon of hope.
– Adrian Martin
주최: 관광거점도시 전주시
주관: 전주국제영화제 @jeonju_iff 사월의눈 @aprilsnow_press
큐레이터: 강주현 @judekang
The Box:
Rita Palha Lopes ( @ritapalhalopes )
‘A Shape Is Never Done’
13/02/2025
De Ateliers @deateliers
Stadhouderskade 86, 1073 AT Amsterdam
Doors open at 16h
Performance starts at 17h
@joana.cunha.pinto
Poster by Tjaša Cizej @tjasulla
P⚫️ster for Sound Explicit festival[24]
Organized by P.A.R.A.S.I.T.E. Institute //////// P74 Center and Gallery
…..Printed with inkjet and 🟢 with silkscreen
and thanks to MaTas for holding it while I tried to take some pics lol
Graphic des/gn for @preciousliquidm Mag No.1:Sep23 💕
Its seXy, sweet, cute and H0t!!!!❤️🔥
Go grab a copppyyyy!!!
Thanks to @ninocadeau for his patience and trust🩷🙏
Contributors:
Corentin Garrido
Cristiano Codço De Amorim
Christine Janjira Meyer
Nadhir Nor
Lala Albert
Kittyx666xxCharli3x
Sebastien Millot
Nino Cadeau
Emile Cerf
Yasmine El Amri
Alice Darrow