Back by popular demand, @timsteckler & @nikpeschke5 lend us their spectacular vegetable woodwind (VegWind?) skills, all to catch the attention of @zohrankmamdani 🥕🥒
Mr. Mayor, we would love to invite you to the store to talk all things food and accessibility in nyc. You’re also welcome to join our VegWind band!
@nycmayor@nycmayorsoffice
#mrplum #greenpointbrooklyn #foryoupage💙 #jazz #sax
Omg it’s finally happened - we have excited the faceless podcast void and now can be SEEN. Get excited for a brand new VIDEO episode tomorrow ft a very special guest.
Come see a musical that’s also a movie that’s also created right before your very eyes!!
Level 4 class shows that bring a bit of *movie magic*. Montage! Slo-mo! Meet-cutes! Action! All the tropes (we hope)! And of course, singing and dancing. 🕺🏻💃🏽The next three Saturdays at The Magnet Theater at 6pm— next one in less than 24 hours!!
Oh snap we got a new name and a new vibe!
Because when we can find any hope, we gotta make some ourselves.
Get excited for some kickass new eps coming up!
Hard to believe @pakatibbs , who I’ve known since before I think I had a working memory, is an actual adult who just got married and has a house and all that jazz, but who has not actually changed that much in all the best ways. You may be married to Caroline now, but we will forever be child stars in Abbie’s movies and Miniclip Pod Panic world champions 💪 🚀
I recently got back from one of the most incredible experiences in where else but Cambodia! 🇰🇭
My family and I traveled with @cambodianlivingarts , an organization dedicated to restoring the Cambodian arts community in the decades following the Khmer Rouge, where artists were among the millions targeted and killed by the regime. Through dance, mind-blowing shadow-puppet theatre, the culinary arts, traditional and modern music, and more, we saw not only how CLA was rebuilding what was lost, but helping young people imagine a new and invigorated artistic and cultural community.
This trip was especially meaningful for me at a time when the world seems particularly fragile. The people running CLA, the folks I met on the trip, and the artists CLA supported were people building, out of the desolation of a genocide, something invigorated and beautiful. It reminded and taught me some of how construction out of ruin was and is possible.
