My documentation of my second time at @periplusworkshops last summer, which had me doing some mad stuff with dirt.
Myself and some pals spent our time developing a bioplastic lino that could be carved into, printed with, washed and reused. The final recipe used only a few ingredients, the main one being dirt from the garden surrounding the house in Alikianos.
Thanks to Periplus for giving me the opportunity to make these glorified mud pies. I 🤎 mud x
This summer I designed a little something to go on some @tanhaicollective t-shirts. You (yes you) should listen to Circa 2019. And The Tanifesto album. All of it’s great to be honest.
In November I worked at a design festival, built a desk, had guinness in a tennents glass, went to a ceilidh, played excquisite corpse, designed things for friends, designed things with friends, got banned from a building, did a logo for a tiny gallery, had good chats, had good dinners and saw some good art.
An hour of poster making for a theoretical radio station that I now wish was real. No pausing please x
Capsule Radio is in response to a brief set by @intl.international , designed for infinite collective listening for humans and non-humans alike.
Hand drawn moving illustrations based on a leaf I picked up in Dorset which had unusual holes in it, perhaps eaten by an insect. I do not have a picture of said leaf, it got crushed in my bag
@scavenger.collective wanted a rebrand, so I rebranded like crazy.
By far my favourite logo for my favourite design collective, this logo was born from potato prints in my kitchen.
I’ve written more about the process in an article on their website (link in bio) which explains how it came to be and shows why I shouldn’t be allowed to write anymore.
Big love,
L
Poster for Temporal Topologies, an exhibition showcasing a research-based project on the Korean diaspora, by @keenmekm
“Rooted in field research that began in New Malden—home to London’s Korean community—this exhibition sensorially explores the largely unseen North Korean migrant community through the lens of contemporary artists, Yihwa Kim and Ye-eun Kim, posing questions around division, time, and the shifting topographies of memory. The diverse perspectives and dialogues that emerge within the exhibition space will not merely remain as audience responses, but will serve as research material and critical ground for the project’s future development.”
If you’re in London, get down to AMP Gallery!!
