☆ Maggie Lindemann ☆
@maggielindemann performing at Sydney’s Roundhouse as part of her "I Feel Everything Australia Tour 2026” 🇦🇺
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Shot for @thepartae thanks to @destroyalllines
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#maggielindemann #ifeeleverythingtour #maggielindemannedit #maggielindemannupdates #maggielindemanntheme
Toronto Duo Robinson Kirby Unveil Heartfelt New Single “End And The Start”
Toronto duo Robinson Kirby have been steadily building a name for themselves with music rooted in honest songwriting, strong harmonies, and a blend of modern folk and indie influences. Their new single, “End And The Start,” arriving this Friday, continues that trajectory with a reflective track centred on change, growth, and emotional transition. The song offers another preview of their debut album Gone, due June 26, and highlights the thoughtful songwriting and understated sound that have helped the pair connect with audiences both in Canada and internationally.
The release follows previous singles “Hey Christine,” “Summer Rain,” and “AC Units,” all of which have helped introduce listeners to the themes explored throughout Gone. The album focuses on relationships, personal growth, heartbreak, and the ways people change over time, drawing from the duo’s own experiences together over the last decade. “End And The Start” fits naturally within that larger narrative, balancing intimate lyrics with a warm, stripped-back approach that has become a defining part of Robinson Kirby’s sound.
@robinsonkirbymusic
Alberta Trio Sparkle Blood Drop Explosive New Single “Restless”
Alberta trio Sparkle Blood have just dropped their new single “Restless,” a sharp, surf-tinged blast of indie rock that continues to build anticipation for their upcoming LP ZIP ZAP, arriving June 25. Known for their direct, no-frills approach, the band—Tyler Stewart (guitar/vocals), Bailey Kate (bass/vocals), and Bre Day (drums)—have a way of cutting through the noise with songs that feel immediate and unforced. “Restless” fits right into that ethos: fuzzy guitars, driving rhythms, and a vocal push-and-pull between Stewart and Kate that gives the track its edge and charm. It’s tight, hook-forward, and buzzing with the kind of nervous energy the title suggests.
What makes Sparkle Blood stand out is how naturally everything seems to lock in. There’s a looseness to their delivery, but underneath it is a very deliberate sense of momentum—songs don’t meander, they move. On “Restless,” that balance is front and centre, with the band leaning into surf-rock textures while still keeping one foot planted in scrappy indie punk territory. Bre Day’s drumming keeps things urgent without ever feeling cluttered, letting the guitars and vocals bounce off each other with just enough space to breathe.
@sparklebloodlovesyou
Spinster and the Ancestors Release “Wild West” Ahead of Forthcoming Album Garden
Spinster and the Ancestors have released their new single “Wild West,” offering another compelling glimpse into their forthcoming album Garden—a project that sits at the intersection of music, visual art, and lived experience. The work is led by Larissa Blokhuis, an interdisciplinary artist whose practice has long moved fluidly between disciplines, and whose personal and creative journey has been shaped by migration, displacement, and a deep engagement with community-based art forms.
Blokhuis was born and raised in Calgary after her family immigrated to Canada from Nederland and Jamaica, grounding her identity in multiple diasporic lineages from an early age. Before fully stepping into music as a primary medium, they spent close to a decade embedded in Vancouver’s visual arts scene, building a practice informed by performance, installation, and collaborative work. That trajectory shifted significantly in 2018 following a series of experiences with racial discrimination within institutional art spaces—an inflection point that led Blokhuis to step away from those environments and redirect their creative energy toward songwriting and performance.
@s.p.i.n.s.t.e.r
Years before it became a global hit, Tracy Chapman performed “Give Me One Reason” live on Saturday Night Live in 1989.
#TracyChapman #GiveMeOneReason #SNL #LiveMusic #musichistory
Jay Shetty LIVE TOUR – THIS CHANGES EVERYTHING! Presented by Wanderlust True North
Bestselling author, award-winning podcast host and purpose-driven entrepreneur to bring his transformational live experience to Australia
Tickets on sale from $89 at TICKETS
Wanderlust True North is proud to announce globally renowned author, podcast host and purpose-driven entrepreneur Jay Shetty as the next guest in its celebrated live conversation series, bringing one of the world’s most influential voices in mindfulness, connection and personal growth to Australian audiences this November.
Following his sold-out tour in 2023 Jay Shetty returns to Australia with a brand-new show, bringing his live experience to the stage for a powerful three-day tour. Appearing at The Plenary on Friday, 13 November in Melbourne before heading to the Tik Tok Centre in Sydney on Saturday, 14 November and wrapping up in Brisbane on Monday, 16 November at the Brisbane Convention & Exhibition Centre.
Presented by Wanderlust True North, audiences can expect a live, transformative experience with Jay Shetty blending powerful storytelling with practical insights you can take beyond the room.
TOUR DETAILS
JAY SHETTY LIVE – THIS CHANGES EVERYTHING!
Melbourne - Friday 13 November - The Plenary
Sydney - Saturday 14 November - Tik Tok Arena
Brisbane - Monday 16 November - BCEC - Brisbane Convention and Exhibition Centre
A Chop Suey cover performed in a chaotic wok kitchen with flames exploding on every breakdown was not on the 2026 bingo card… but here we are. The energy is ridiculous, the vocals go hard, and somehow the chaos makes it even better.
#systemofadown #chopsuey #numetal #heavymetal #thepartae
When Blink 182 bring a fan onstage, chaos is always a possibility and this moment proved exactly why their live shows became legendary. The mix of unpredictability, humor, and raw energy has always been part of what made the band connect so deeply with generations of fans.
#blink182 #poppunk #liveshow #punkmusic #concertchaos
Back in 1999, Korn weren’t just popular, they were reshaping heavy music in real time. While critics dismissed nu metal as a gimmick and older metal fans pushed back against the scene, Korn were headlining huge festivals like Big Day Out and drawing crowds most heavy bands could only dream of.
By the time “Got the Life” took off, the band had already reached another level. You can feel it in these performances, thousands of people screaming every lyric before the first chorus even hits. This was the era where nu metal stopped being underground and became a worldwide movement.
#Korn
#NuMetal
#BigDayOut
#JonathanDavis
#90smetal
Arky Waters 'Run It Up' ~ out now ~
Following a prolific streak of singles that have ignited anticipation for his forthcoming debut album, Australian producer/DJ Arky Waters returns this week with his most formidable club weapon yet: ‘Run It Up.’
Further solidifying his presence in the bass music world, ‘Run It Up’ is a deep dive into darker, high-velocity soundscapes. It is a work of calculated tension, expertly blending the raw physicality of the 140/bass landscape with the meticulous, intricate sound design that has become a hallmark of his recent work.
Designed specifically to provide a high-energy "pivot" during his live sets, ‘Run It Up’ centers on a unique rhythmic identity, blending a driving four-on-the-floor beat with a heavy half-time groove. The soul of the track lies in its lead bassline, which Arky Waters crafted using a software emulation of the legendary Moog analogue synthesizer. By leaning into the volatile nature of classic synthesis, he captured a sound that feels alive and constantly evolving.
"I wanted something dark and gritty to cut into my sets. The main bass lead is made with a software copy of a classic Moog analogue synth; I think it provides so much warmth and character. It’s super unpredictable and hard to control, so you end up with these really cool moments where the filter opens up and it really seems to take over the whole track. Was so much fun to make!" ~ Arky Waters
@arkywaters@mammal_sounds
INTERVIEW
Capacity – Doomscrolling Through Sound: Inside CAMEO HD
CAMEO HD leans into cognitive overload, was that concept something you were consciously building, or did it emerge naturally through the production process?
I realized it was something I was building subconsciously. That sense of overload was already present in my mind at the time, so it was always a kind of hidden intention. At a certain point, it became clear while I was listening back to the first tracks and scrolling through YouTube Shorts. I was getting distracted by other things, and my music reflected that. I stopped for a moment and had a clear idea of what the album was going to become. My hidden intention was clear. From there, I shaped everything around that idea and decided to turn it into a concept album. It all felt very natural, almost impossible to ignore.
You describe the album as “doom scrolling through music”, what does that actually look like when you’re in the studio?
When we doom scroll, we move through a flow of random content where time disappears and attention locks onto fragments without control. But somehow we like it and want more. CAMEO HD works in a similar way, it’s like doomscrolling through sound. I ended up wanting more and more layers, just like you end up wanting more and more content in a feed. In the studio, that translated into sudden shifts, overlapping ideas, and a constant recontextualization of the material.
Full interview at
@capacity0000
