T.H.E Dance Company

𝘚𝘵𝘳𝘢𝘯𝘨𝘦𝘭𝘺 𝘍𝘢𝘮𝘪𝘭𝘪𝘢𝘳 lands in Singapore this May as part of SIFA 2026, following its premiere in Hong Kong. A bold encounter between the human body and a digital other, reworked with new 👀 motion capture and avatar elements. Secure your seats now. 🗓 22–24 May 2026 📍 Victoria Theatre 🎟 Click the link in our bio for early bird access and save 20% Post-show artist talks: 22 & 23 May 2026

𝗘𝗮𝗿𝗹𝘆 𝗕𝗶𝗿𝗱 𝗻𝗼𝘄 𝗼𝗻 — 𝟮𝟱% 𝗼𝗳𝗳 𝘂𝗻𝘁𝗶𝗹 𝟭𝟴 𝗔𝗽𝗿𝗶𝗹 A pattern repeats. A vibration travels. Something begins to return. Elusive returns this year with two world premieres by @panzetti_ticconi (Italy/Germany) and @art_project_bora (South Korea), created with the dance artists of T.H.E Dance Company. Each work unfolds from a clear line of inquiry, tracing how the body holds memory, sensation, and time. In 𝘊𝘈𝘙𝘐𝘓𝘓𝘖𝘕, patterns inspired by the mechanics of the music box gather force as cycles begin to slip and destabilise. In 𝘖:𝘳𝘰, mourning moves through the body as vibration—felt, heard, and carried. Presented as part of cont·act Dance Festival in collaboration with Esplanade – Theatres on the Bay, and included in the Asia-Europe Cultural Festival 2026 – Closing Curtain by Asia-Europe Foundation (ASEF). Don’t miss this year’s mainstage presentation. Enjoy 25% off tickets before 18 April. Tickets available via the link in the bio.

Public Studio Classes (PSC) Schedule Public Studio Classes return in full swing from 5 January! Take a look at our updated schedule and get to know the instructors who’ll be guiding you through each class. Whether you’re just starting out or continuing your practice, we can’t wait to move with you soon. See you in class! 🤸

We’re kicking off our next Contemporary Dance Foundations course from 3 July 2026! Begin your dance journey with @steff1e0 , our regular Public Studio Class instructor and second company dance artist for this cycle. This course aims to build on contemporary dance foundations for a comfortable transition to our weekly public level 1 technique classes. Suitable for absolute beginners. For more information, visit the link in our bio.

“There are images, but there are also some processes that are invisible.” As the original avatar performer behind the work’s motion capture and avatar integration, Zelia reflects on the invisible physical languages and choices that shaped the work. Strangely Familiar opens in just one week at Victoria Theatre as part of the Singapore International Festival of Arts. Hear more about the process behind the digital presence at the heart of the work. 📅 22–24 May 📍 Victoria Theatre 🎟️ Tickets available via the link in our bio

Panzetti/Ticconi are no strangers to T.H.E audiences. After choreographing MALEBRANCHE for T.H.E Dance Company at Elusive in 2024, and later presenting their own work AeReA at cont·act Dance Festival 2025 at ArtScience Museum, the duo now return with a new collaboration, CARILLON. Performed by the dance artists of T.H.E Dance Company, CARILLON draws inspiration from the delicate mechanics of the music box, unfolding through repetition, rhythm, and revolving patterns that gradually shift between celebration, excess, and collapse. Known for their striking visual worlds and precise choreographic language, Ginevra Panzetti and Enrico Ticconi have been creating works across dance, performance, and visual art since 2008. Experience CARILLON this June as part of Elusive—A Double Bill by T.H.E Dance Company at cont·act Dance Festival. 📅 19–21 June 📍 Esplanade Theatre Studio 🎟️ Tickets available via contactdancefestival.com Elusive is presented by T.H.E Dance Company as part of cont·act Dance Festival in collaboration with Esplanade – Theatres on the Bay. The event is also included in the Asia-Europe Cultural Festival 2026 – Closing Curtain, organised by Asia-Europe Foundation (ASEF). Photo credits: 1. Provided by Panzetti/Ticconi 2. CARILLON Development – Crispian Chan 3 & 4. MALEBRANCHE – Bernie Ng 4 & 5. AeReA – Crispian CHan

Just a glimpse of the world of 𝘚𝘵𝘳𝘢𝘯𝘨𝘦𝘭𝘺 𝘍𝘢𝘮𝘪𝘭𝘪𝘢𝘳 in rehearsal 👁️ Don’t miss the full experience at @sifasg . 📅 22–24 May 📍 Victoria Theatre 🎟️ Get your tickets via the link in our bio

“A silent yet charged dialogue, revealing tensions, frictions, and intimacies between the human body and its digital counterpart… inviting the audience to sense how we might coexist with one another, with nature, and with technology.” – Toby Yip, Dance Journal HK (translated from Chinese) We’re just two weeks away from the Singapore premiere of Strangely Familiar《熟悉的陌生》at @sifa_sg . Tickets are selling fast! 📅 22–24 May 📍 Victoria Theatre 🎟️ Tickets available via the link in our bio

HollowBody is one of the key components comprising 𝘚𝘵𝘳𝘢𝘯𝘨𝘦𝘭𝘺 𝘍𝘢𝘮𝘪𝘭𝘪𝘢𝘳, allowing artistic director and choreographer Swee Boon to enter the work through different perspectives and fully immerse himself and our dance artists into the process and performance. 📅 22–24 May 📍 Victoria Theatre 🎟️ Tickets available via the link in our bio

Dancers need high ceilings because they need to… jump high??! 💃 For dance artist Fiona Thng, that’s exactly what Goodman Arts Centre is — a safe space to spread her wings and express herself through dance. Catch Fiona and her crew from dance company The Human Expression in their upcoming performance, Strangely Familiar, at SIFA in May! There’s holographic projection and a digital avatar involved 👀 Strangely Familiar 🗓️ 22-24 May 2026 📍 Victoria Theatre Get your tickets at sifa.sg now! Pssst, T.H.E Dance Company is also working with Arts House Group for something very special. Get up close and personal with T.H.E and other artist tenants of all artforms at Goodman Arts Centre this June. 🤭 Stay tuned for more details. 👀 #ArtsHouseGroup #SIFA2026 #SIFALetsPlay #sgdance #contemporarydance

Meet Kim Bora, Artistic Director of Art Project BORA (South Korea), and choreographer of 𝘖:𝘳𝘰. Bora's work often begins somewhere before language—within the body, where sensation, memory, and time overlap. Working across dance, film, and visual arts, Art Project BORA has developed a distinct visual language that leans into ambiguity, allowing images and states to unfold rather than be explained. Her relationship with T.H.E goes back some time. In 2011, her solo 𝘈 𝘓𝘰𝘯𝘨 𝘛𝘢𝘭𝘬 𝘵𝘰 𝘖𝘯𝘦𝘴𝘦𝘭𝘧 was presented at cont·act Dance Festival, and in 2018, she created 𝘛𝘩𝘦 𝘚𝘦𝘢𝘴𝘰𝘯𝘴 with T.H.E Second Company. This year, she returns to collaborate with the main company for the first time. In 𝘖:𝘳𝘰, mourning is not told as a story, but felt as it moves through the body—travelling as vibration, carried between bodies, and held in what lingers. Part of Elusive, a double bill of world premieres at cont·act Dance Festival. 🗓 𝟭𝟵–𝟮𝟭 𝗝𝘂𝗻𝗲 𝟮𝟬𝟮𝟲 📍𝗘𝘀𝗽𝗹𝗮𝗻𝗮𝗱𝗲 𝗧𝗵𝗲𝗮𝘁𝗿𝗲 𝗦𝘁𝘂𝗱𝗶𝗼 Get your tickets now - contactdancefestival.com Photo credits 1. Headshot – Mijin Lee 2. 𝘖:𝘳𝘰 Rehearsals – Crispian Chan (@crispiphotos ) 3&4. 𝘈 𝘓𝘰𝘯𝘨 𝘛𝘢𝘭𝘬 𝘵𝘰 𝘖𝘯𝘦𝘴𝘦𝘭𝘧 – Tan Ngiap Heng (@tanngiapheng ) 5&6. 𝘛𝘩𝘦 𝘚𝘦𝘢𝘴𝘰𝘯𝘴 – Crispian Chan

It’s International Dance Day, so we’re looking back at Elusive in 2024, which brought together works by Kim Jae Duk (South Korea) and Panzetti / Ticconi (Italy/Germany), who return again this year. In Elusive, international perspectives intertwine with the visceral physicality of our T.H.E Dance Company dance artists. This year continues that conversation, with Panzetti / Ticconi working with rhythm, repetition, and form, alongside Art Project BORA (South Korea), exploring vibration, sensation, and the body in flux. Don’t miss what this year’s Elusive has in store! Tickets on sale now - link in the bio.