Philippe Terrier-Hermann

Artist at work at Villa Iblea Sketches, first gestures, a mural monotype in progress. Between work and a refreshing spring dip. Thank you @reginekolle 🙏 #reginekolle #artistresidency #workinprogress #contemporaryart #painting #artprocess #studio #artistsatwork #residencylife #visualart #artpractice #artinprogress

En parallèle de l'accueil d'artistes, si vous et/ou vos amis veulent profiter de la campagne sicilienne... /fr/annonce/loue-chambres-dans-grande-ferme-dans-la-campagne-sicilienne-eb8f375

We are delighted to open this new season of artist residencies with the remarkable Regine Kolle, whose work we have followed with great attention and pleasure since her residency at Villa Medici in 2000. #painting🎨 #contemporaryartists #artresidency #artresidence #germanartist #frenchartist #villamedici #pensionnairesvillamedici #künstler #malerei The artist with "Lady Red Lady Paddling" in The Rackroom, Berlin, 2022 Sundowner 2025 Oil on Canvas 143,5 x 164 cm The Physics of Noseriding 2023 Oil on Canvas 91,5 x 113,5 cm Beaches, Horses, Girls and Boards 2020 Oil on Canvas 120 x 150 cm

The Giovane Residency is aimed at young artists carrying a project at a key moment in their personal and professional journey. Open throughout the year, for stays of 1 to 6 months, it offers time for research, creation, and immersion in the collective life of the Villa. In this spirit, a contribution of 15 hours per week is required in support of shared activities: gardening, agriculture, DIY projects, and maintenance of the site. ‼️ Travel and food expenses are to be covered by the artist. 👉 For any information: [email protected]

Culture Moves Europe – Individual Mobility Applications to be submitted by 31/01 – 28/02 – 31/03 – 30/04 2026 for residencies of 7 to 60 days, starting from spring 2026 until the end of the year. Villa Iblea can host artists within the framework of the Culture Moves Europe – Individual Mobility programme, for projects led by the artist. This scheme supports the international mobility of artists and cultural professionals by funding research or creation projects carried out in another European country, in partnership with a host organization. Within this framework: – the artist is the grant beneficiary, – the project is designed independently, – Villa Iblea acts as the host organization. 🔗 Information and applications: /ins/fr/fr/kul/kur/cme.html

Last weekend to see the exhibition Fixer l’archipel at the Sant’Elia Foundation in Palermo. I would like to thank the foundation and everyone who works there, ISBA, La Cambre, the Institut Français, the Institut Français of Palermo, Cantine Pupillo, the City of Palermo, Wallonia-Brussels International.be And especially Elodie Mereau, Florence Verne, Mathieu Bichard, Judith Testault, Eric Biagi, Morgane Forest, Antonio Ticali and of course the artists : Alizée Berthet, Léna Besson, Tanjim Chowdhury, Hervé Charles, Michele Ciacciofera, Stefania Galegati, Mathilde Gros, Maëlle Helias, Lucine Letassey, Sylvie Luccisano, Ignazio Mortellaro, Mathilde Noir, Luca Nuvolone, Rossella Poidomani, Camille Poitevin, Tanguy Poujol, Sarah Ritter, Barbara Salomé Felgenhauer, Daphné Targotay, Philippe Terrier-Hermann et Anna Safiatou Touré #arte #artecontemporaneo #fondazionesantelia #palermo #arte #artecontemporanea #mostra #exhibition #palermo #artepalermo #videoart #siciliacontemporanea @isbabesancon @if_palermo @la_cambre @terrierhermann @fondazionesantelia @if_italia @if_palermo @villaiblea @lacambrephoto @la_cambre @cantine_pupillo @parentesi_tonde @alizee.berthet @besson.lena @s.r_tanjim @herve.charles @micheleciacciofera @stefaniagalegati @mathilde.noir @mathilde_gros_ @luca_nuvolone @poidomanirossella @camillepoi @poujolapachole @sarahritterart @barbarasalome.f @daphneta @safiatou_anna_toure

It was a great pleasure to host Daphné Budasz (doctor of history, specialist in Europe’s colonial past and its memory) and Frédéric Choffat (filmmaker and photographer whose documentaries have often engaged with the theme of contemporary migration). Together, they are developing a transdisciplinary artistic project, Sono di Mai Mine, a work that explores questions of memory, Italian colonization, post-colonial migration, and the literal and metaphorical crossing of the Mediterranean space. A poetic reflection on the limits of our own position and the desire for resistance. During their ten-day residency at Villa Iblea, they carried out research on the material traces of colonialism and the immaterial traces of contemporary migration in the Ragusa region. Immense plaisir d’avoir accueilli Daphné Budasz (docteure en histoire, spécialiste du passé colonial européen et de sa mémoire) et Frédéric Choffat (réalisateur et photographe dont les documentaires se sont souvent confronté à la thématique de la migration contemporaine). Ensemble, iels mènent un projet artistique transdisciplinaire, Sono di Mai Mine, un travail sur les questions mémorielles, sur la colonisation italienne, la migration post-coloniale et la traversée - littérale et métaphorique - de l’espace méditerranéen. Une poésie sur les limites de notre propre position et le désir de résistance. Durant leur résidence de dix jours à la Villa Iblea, iels ont mené leur recherche sur les traces matérielles du colonialisme et les traces immatérielles de la migration contemporaine dans la région de Ragusa. #artecontemporaneo #artistresidency #artresidence #sicilyart #postcolonialism #postcolonial #decolonialism #decolonialismo

Siamo felici di accogliere Sixtine de Bodard (2000), la nostra terza artista in residenza, recentemente diplomata alle Beaux-Arts di Nantes. Attraverso un lavoro di installazione, si interessa allo storytelling e ai racconti che ci circondano. La sua pratica funziona per strati di significato che si assemblano e si sovrappongono, ispirandosi ai Landscape Play di Gertrude Stein. Durante la sua residenza alla Villa Iblea, si interessa alla leggenda di Sant’Agata, un femminicidio trasformato in tradizione pasticcera. Attraverso la scrittura, il video e il disegno, interroga gli oggetti (pasticcini, ricordi, tradizioni) lasciati come testimoni di una storia e li mette a confronto con espressioni di femminilità contemporanee, ai margini dei modelli proposti dai social network. Nous sommes heureux d'accueillir Sixtine de Bodard(2000) notre troisième artiste en résidence, récemment diplômée des Beaux-Arts de Nantes. À travers un travail d’installation, elle s’intéresse au storytelling et aux récits qui nous entourent. Sa pratique fonctionne par couches de significations qui s’assemblent et se superposent, inspirée des Landscape play de Gertrude Stein. Lors de sa résidence à la Villa Iblea, elle s’intéresse à la légende de Sant’Agata, un féminicide transformé en tradition pâtissière. À l’aide de l’écriture, la vidéo et le dessin, elle interroge les objets (pâtisseries, souvenirs, traditions) qui sont laissés comme témoins d’une histoire et les confronte à des expressions de féminités contemporaines, en marge des modèles issus des réseaux sociaux. #artecontemporaneo #artistresidency #artresidence #ecolebeauxartsnantes #sicilyart

Nous sommes heureux d'accueillir en résidence "giovane" Mathilde Liaboeuf (née en 2000 à Boulogne-Billancourt), diplômée des Beaux-Arts de Nantes en 2025. Sa pratique se situe entre l’écriture, la performance et le théâtre. Elle s’intéresse aux mouvements de fuite du langage : lorsque le texte échappe, se défait, se recompose ailleurs. En résidence à la Villa Iblea d’octobre à fin novembre 2025, elle poursuit une exploration de l’écriture comme traversée. À partir du tarot de Marseille, elle élabore une forme narrative qui interroge la manière dont un texte se déplace, se fissure et se réorganise à l’intérieur d’une structure stable. Son projet actuel met en scène une quête : celle d’une fille et de son prophète, dans un désert à la fois réel et symbolique. Mathilde y questionne les cadres de la parole et les formes d’autorité à l’œuvre dans l’écriture, ouvrant la possibilité d’une pensée en mouvement. We are delighted to welcome Mathilde Liaboeuf (born in 2000 in Boulogne-Billancourt), a 2025 graduate of the Beaux-Arts de Nantes. Her practice lies at the intersection of writing, performance, and theater. She is interested in the ways language slips away—when text escapes, unravels, and reassembles elsewhere. During her residency at Villa Iblea from October through the end of November 2025, she continues her exploration of writing as a form of passage. Drawing inspiration from the Tarot de Marseille, she is developing a narrative form that questions how a text moves, fractures, and reorganizes itself within a stable structure. Her current project stages a quest: that of a girl and her prophet, in a desert that is both real and symbolic. Through it, Mathilde examines the frameworks of speech and the forms of authority at work in writing, opening up the possibility of a thought in motion. #artesicilia #sicilyart #artresidencies #residencesdartistes #ecolebeauxartsnantes