0°00′00′′
2025, plastic, digital printing
The work is built around the state of wandering
as an experience of disorientation and at the same time finding a new way of feeling space. In a world where every point has coordinates and movement is subordinated
to a route, losing direction can become a form
of liberation.The starting point for the series was the images of random passers-by, caught in an intermediate state between the point of departure and the point of destination, or snatched in a moment of casual pause. These fragments of digital reality lose their documentary function: through deformation and physical output into space, they lose their precision and become malleable, breathing, and fluid.
The project speaks about the state of the path as a form
of presence: not about the desire to arrive somewhere,
but about the ability to remain within uncertainty.
“Parallel presences”
2026, plastic, digital printing
.
The installation brings together figures sourced from mapping services into a shared field, where collectivity is produced through the circulation of images. Presence becomes distributed and exists as part of a continuous visual flow. The deformation of the plastic shifts the body into a variable state. Collectivity emerges as a configuration of adjacency, formed through the contact of images.
photo: @wewouy
Series [004]
2026
Acrylic glass, UV printing, engraving in relief printing technique
42 × 30 cm
Images overloaded with cultural and affective excess, existing in a regime of high circulation and reproducibility, are reduced to signs. Affect persists as residual intensity.
The frame functions as a gesture of demarcation: a repeated form in which difference emerges within coincidence.
dm for price
“I MUST CREATE MORE THAN I CONSUME”
Video 5’32’’, 2025
———
The marginal glamour of the digital environment turns the manifesto of creation into a trace of a gesture already consumed by consumption
A Love Letter, 2025
mixed media
this work explores the changing forms of intimacy in digital communication. The canvas is constructed as a palimpsest in which a fragment of a classic love letter coexists with the visual codes of modern communication. In this interweaving, verbal and digital ways of expressing intimacy do not displace each other, but form a new common language. Phones, as if nailed to the canvas, embody the paradox of technological communication: the device, which is the main channel of communication, simultaneously becomes its physical barrier. I was acutely aware of this collision when I was at a forced distance, when it was necessary to maintain an emotional connection through the screen.
X:0 / Y:0, 2025
Digital printing on industrial polycarbonate
//
Digital navigation systems form a new perception of space - fragmented, impersonal and often not coinciding with the real experience of moving in an urban environment. Screenshots from Google Maps Street View, in which ruins, abandoned buildings and abandonment zones are accidentally recorded, are collected in the visual archive of marginal territories - places that fall out of the algorithmic logic of routes and transferred to the material used to structure the same transition and destroyed zones. The installation focusses on the paradox: despite digital hyperfixation and the illusion of total control, reality escapes
![Series [004]2026Acrylic glass, UV printing, engraving in relief printing technique42 × 30 cmImages overloaded with cultural and affective excess, existing in a regime of high circulation and reproducibility, are reduced to signs. Affect persists as residual intensity.The frame functions as a gesture of demarcation: a repeated form in which difference emerges within coincidence.dm for price](https://sp1.picnob.com/p/pt_6747605125724767575056_0_4076a7a0f1137350b1eb2618a7fd575a.jpg?o=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&h=cef88e14207f98bf3f2c28a73c192278)
