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Time folds. Landscapes blur. Memory lingers in unexpected places.
In the work of Natalie Curtis @16apr79 , photography becomes a space where past and present overlap, where images are not simply captured, but slowly revealed. Between grain and light, stillness and movement, her practice traces something deeply personal yet quietly universal.
Film and digital coexist without hierarchy. A roll carried for years absorbs time, while fleeting moments recorded through a window dissolve into abstraction. What emerges is not documentation, but a reconstruction, a landscape shaped as much by memory as by vision.
There is a sense of inheritance in these images. Not something explicit, but something felt. A presence that remains, even when the subject disappears.
Read the full story on Switch Magazine #70.
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