TOUT DOIT DISPARAITRE
Grand déstockage de printemps pour les 2 ans de Corpo. Deals nocturnes, grooves à prix cassés et super discounts pour un black friday frénétique avec certain.es de nos ami.es et best sellers !!
Bundle musical imbattable :
- @julian__mata_disk (LIVE)
- @cocornel
- @___l22___
- Corpo soundsystem @charliesecretagenda@augma.music
Attention offre limitée ! Don’t sleep on it.
PAF: 11.99999999 EU
WTG?&KEEPHUSH/KulturA (?)
Director’s Cut — Visuals and scans research
Exploring night vision aesthetics and heavy textures.
Big thanks to @lauravioli__ & @lamicouleur stars
Full support to the @kulturaliege crew, hoping to see those doors open again soon.
The scene needs you 💙
Visuals by me (comme toujours)
#keephush #visuals #printisnotdead #texture #scandesign
Building a portfolio takes time—archiving, shaping, and finding a visual identity that truly feels like an extension of yourself.
It’s a challenge to stay authentic and avoid AI shortcuts or simply mirroring someone else’s path.
My work is a continuation of my own practice across graphic design, digital interfaces, and textiles—inspired by the peers and talents I follow closely.
The cap was an obvious step: a way to give a physical object a narrative, turning the physical into digital and vice-versa.
And now, the website is fully readable on every single device. Which is great.
JANE Display Personal type experiment, initiated in 2023.
Born from an intuitive attraction to geometric forms and pop-culture references — functional typography, visual restraint, and tension.
During the drawing process, a formal accident shifted the project: the addition of a horizontal bar to the “J” visually transformed it into “DI”. This moment later led to DiANE, developed as a separate project.
JANE Display remained dormant for a long time, revisited without a clear goal — more as a typographic reflex than a finished tool. It eventually found its place in Calendar26, where neutrality, longevity, and ease of appropriation were essential.
This typeface is not a technical achievement. It’s deliberately simple, almost raw. A gesture rather than a performance.
Free to use. made to circulate, to be reworked, forgotten, and rediscovered.
collaboration with @stolaze shared on @fontcommune
#typedesign #typepractice #fontdesign #lettering #glyphs #opentype #freefont
Throwback to December 19 — visual identity for Who’s That Girl?
Grateful to Laura for the trust and collaboration over the past 3 years.
This project closes my 2025 on a strong and meaningful note. The process started with a typographic motion poster, setting the tone through rhythm and movement.
The logo was built from a customized version of Apple Chancery, reshaped to fit the identity’s energy and attitude.
The following visuals come from an experimental approach: photos shot with an iPhone directly from my MacBook screen, then reworked to embrace a deliberately low-quality texture — raw, imperfect, and intentional.
Proud of this identity and what it represents.
Looking forward to what’s next in 2026.
Thanks for watching 🤍
#graphicdesign #visualidentity #typography #motiondesign #culturalprojects #posterdesign #designprocess #freelancedesigner
CALENDAR26 📂
A self-initiated agenda prototype, developed through printing, binding, and typographic testing.
This project started as a personal agenda and gradually became an editorial object.
The prototype consists of 120 pages, home-printed and hand-bound using a simple three-point school binding.
The layout is built around JANE, a custom display typeface developed as a typographic exercise — one weight, one stroke logic, one baseline — tested across months, weeks, and scale variations.
Month titles were printed and re-scanned using everyday bureaucratic objects, sometimes interrupted by my own hands or head. A low-tech scan-shooting process, used as a way to observe the typography outside of the screen.
The agenda is paired with a handmade pouch prototype, developed with reclaimed sailcloth and designed to include a pen or pencil, extending the project into use.
Shown here as a prototype, with its tests, adjustments, and material decisions.
Throwback to last September…
Another visual identity for Who’s That Girl?, this time built around the beautiful illustration by Louise.
See you on December 19th for the third anniversary!
Thanks (again) @lauravioli__
