Often, great scenes need to be cut to streamline a story. It's not about length in minutes. It's about a sense of the pace for the audience by the editor and director. Tamara Meem discusses "Remarkably Bright Creatures."
Read or listen to the full interview
READ: bit.ly/AOTC-RBC-blog
LISTEN: bit.ly/AOTC-RBC-pod
@boris_fx@acefilmeditors@netflixfilm
In editing, as in life, change is inevitable. Planning is everything, but the plan is nothing. A good editor rolls with it. Andrew Marcus discusses editing "The Devil Wears Prada 2" Read/listen to the full interview.
READ: bit.ly/AOTC-PRADA2-blog
LISTEN: bit.ly/AOTC-Prada2-pod
@boris_fx@acefilmeditors
Montages in movies occur for a variety of reasons. Andrew Marcus discusses editing the montages - and the rest of the movie - for "The Devil Wears Prada 2." Check out the full interview
READ: bit.ly/AOTC-PRADA2-blog
LISTEN: bit.ly/AOTC-Prada2-pod
@borisfx@ACEFilmEditors
Box office madness! "The Devil Wears Prada 2" editor Andrew Marcus describes crafting the film in the edit with the director of the original! Read/listen to the full interview and learn all the secrets!
READ: bit.ly/AOTC-PRADA2-blog
LISTEN: bit.ly/AOTC-Prada2-pod
@borisfx@ACEFilmEditors@tdwpmovie
When narration is heard in context, it can often be trimmed to the barest of bones. Ben Lavington Martin discusses editing Spielberg's "The Dinosaurs."
Read or listen to the full interview.
READ: bit.ly/AOTC-Dinosaurs-blog
LISTEN: bit.ly/AOTC-Dinosaurs-pod
@borisfx@ACEFilmEditors@FilmEditorMan
"The story was always the thing." We can get caught up in the tech, and hurdles and limitations, but it always comes back to shaping the story effectively.
Ben Lavington Martin, BFE discusses Spielberg's "The Dinosaurs"
READ: bit.ly/AOTC-Dinosaurs-blog
LISTEN: bit.ly/AOTC-Dinosaurs-pod
@borisfx@ACEFilmEditors@filmeditorman
This has been a long time in the making. A deep dive video into the timeline and creative choices behind editing "Dune Part Two" with Oscar-winning editor, Joe Walker, ACE. A master class, free of charge.
YouTube link:
/watch?v=PWKUS4HpSvI
Documentary editing and animation editing are very different in process from other forms of editing.
Steven Spielberg's new Netflix docu-series "The Dinosaurs" asks the editors to do both simultaneously.
Read/listen to full interview.
READ: bit.ly/AOTC-Dinosaurs-blog
LISTEN: bit.ly/AOTC-Dinosaurs-pod
@borisfx@ACEFilmEditors@filmeditorman
Finally got my author’s copies of my new book! Proud to have published my eighth book! Documentary editing with foreword from none other than Ken Burns! If you buy a copy from Amazon, please give it a review
What is the value of an edit in an interview? What's the purpose? Daysha Broadway, ACE, discusses editing "The AI Doc: or How I Became an Apocaloptimist" on Art of the Cut. Read/Listen to full interview.
READ: bit.ly/AOTC-AIDoc-blog
LISTEN: bit.ly/AOTC-AIDoc-pod
@boris_fx@acefilmeditors@daybroadway
One key to successful documentary editing is improvisation. Planning is everything.
The plan is nothing.
Davis Coombe, ACE and Daysha Broadway, ACE, discuss editing:
"The AI Doc: or How I Became an Apocaloptimist"
READ: bit.ly/AOTC-AIDoc-blog
LISTEN: bit.ly/AOTC-AIDoc-pod
@boris_fx@acefilmeditors@daybroadway
Editors shouldn't impose a style on the film. The style should be motivated by the material. Daysha Broadway, ACE and Davis Coombe discuss editing "The AI Doc: Or How I Became an Apocaloptimist."
Read/listen to full interview.
READ: bit.ly/AOTC-AIDoc-blog
LISTEN: bit.ly/AOTC-AIDoc-pod
@boris_fx@acefilmeditors@daybroadway
